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Culture Machine
Sight Unseen Pictures
Not part of a collection.
Terror takes root.
In 1989, an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television. However, her flourishing career may come at a great cost when she realizes that her new hair may have a mind of its own.
Louisa Moore - Screen Zealots
Mar 27, 2020 · via TMDB
While audiences are thankfully seeing more female-driven horror films in the movie world, black female horror is even more of an anomaly. That’s why writer / director Justin Simien‘s “Bad Hair” is so damn interesting. The story of one woman’s ambition and her (literal) killer weave is an absurd yet astute satire of popular culture with a meaningful message. This is one you’ll be talking about long after the final credits roll. Set in Los Angeles circa 1989, Anna (Elle Lorraine) prefers the au naturel look after a traumatic childhood hair accident left her with a burned scalp. She’s a hardworking assistant on a music video show for the Culture television network, but struggles to get a promotion due to the way she looks. When Anna’s supportive boss is fired and a former supermodel (Vanessa Williams) is brought in as a replacement, Anna is scared of being let go and decides to do something about her appearance. She gets a gorgeous new weave and learns her flowing locks may just be the key to success that she was missing — until her hair gets a taste for blood. The hair-raising (snort!) story is cleverly based on fictitious slave myths and superstitions that weave in (pun intended) the idea of mystical African folklore in relation to what the horror of everyday life feels like (including the pain some endure in pursuit of beauty) for black women in America. “Bad Hair” is a nontraditional horror film that’s presented in a traditional way. There are jump scares and a silly finale, but Simien blends humor with horror in this campy thriller. It’s also a pensive style of social horror that will likely be more meaningful to women as well as people of color. The film tackles the absurdity in everyday life and in particular, the system of oppression that preys on African-American women the most. The women in the film are tricked into becoming their own oppressors, all in the name of fitting in with what society defines as beautiful. This movie is super smart, brutally honest, sometimes scathing, and highly uncomfortable, but it’s also really funny.
User reviews courtesy of TMDB.
Hulu
Elle Lorraine
Anna Bludso
Jay Pharoah
Julius
Lena Waithe
Brook-Lynne
Kelly Rowland
Sandra
Vanessa Williams
Zora
Laverne Cox
Virgie
Chanté Adams
Linda Bludso
Blair Underwood
Amos Bludso
James Van Der Beek
Grant Madison
Usher
Germane D.
Yaani King Mondschein
Sista Soul
Michelle Hurd
Maxine
Judith Scott
Edna
Robin Thede
Denise
Ashley Blaine Featherson-Jenkins
Rosalyn
Steve Zissis
Baxter Tannen
MC Lyte
Coral
Corinne Massiah
Young Linda
Moses Storm
Executive Justin
Jon Gabrus
Valet
Nicole Byer
Gina
Justin Simien
Reggie Watson
Tony Gardner
Makeup Effects Designer
Tracy Keehn-Dashnaw
Stunt Coordinator
Angela Meryl
Stunt Double
Janeshia Adams-Ginyard
Stunt Double
Keisha Tucker
Stunt Double
Rose Sias
Stunt Double
Sadiqua Bynum
Stunt Double
Justin Simien
Director
Kelly Matsumoto
Editor
Ashley Lambert
ADR Voice Casting
Ranjani Brow
ADR Voice Casting
Carmen Cuba
Casting
Erin Rose Kelly
Casting Assistant
Oren Moverman
Executive Producer
Justin Simien
Producer
Liv Banks
Production Coordinator
Kris Bowers
Original Music Composer
José Antonio García
Production Sound Mixer
Greg P. Russell
Sound Re-Recording Mixer
Justin Simien
Screenplay
Jan 23, 2020
Sundance Film Festival
Oct 23, 2020
Hulu
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The Good Times Are Killing Me
2009
Buzzing in a Ghost Town
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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