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Columbia Pictures
Mexico Collection
He came back to settle the score with someone. Anyone. EVERYONE.
El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
Filipe Manuel Neto
Sep 4, 2023 · via TMDB
**Action, shots, bullets and… “latinxploitation”?** I confess that I expected something more from this film. I was left with the feeling that it has little to offer us other than two tons of spectacular action scenes, with explosions, hundreds of gunshots and some gratuitous destruction. Even more: it reminded me of those films from the 70s, which we call “blaxploitation” because they reinforced a series of stereotypes about the African-American community: if we pay attention, we have almost all the stereotypes attributed to Latinos and Mexicans-Americans. In general, I'm not a fan of political correctness and I don't care about stereotypes! I deal with this well, being a proud Portuguese who was born and lives in a Latin country, but I am in solidarity with those who, especially in the USA, suffer from prejudices about the Latin community, a vast community that encompasses Castilian and Portuguese speakers, forgetting, interestingly, that Italian Americans are also culturally Latino. Robert Rodríguez is Latino and makes films that reflect that. I think he must be a man proud of his roots, and I think that's magnificent. We must have this pride. Therefore, I think he made this film in that spirit, but my doubts lie in this: a film with so much violence, with so much to do with drugs and crime, was it good or bad for Latinos? António Banderas is one of the greatest Spanish actors of all time and easily transitioned to Hollywood, where his career took on stratospheric proportions. Here, he did an interesting job, mixing a bit of Latin lover with gangster and Zorro. He has the right profile and was a good choice. I also really enjoyed seeing Joaquim de Almeida, my compatriot, in what was the best North American film he has made to date (and I think that productions could really invest more in this actor, I think he has talent and ability). Steve Buscemi adds a friendly touch to the film, and Danny Trejo and Tarantino make brief, innocuous appearances. Salma Hayek, another good actress, unfortunately just has to be sexy and hot in bed. That's not enough. I don't know what the production budget was, but it doesn't seem like a cheap film to me because the number of strong names in the industry in this project is considerable and no one, nowadays, works for free. We also have a good special effects department, with great capacity and creativity: the sets are very realistic and the film's action scenes are very well thought out and executed. As an action film, it works impeccably and is a delight for fans. The script, unfortunately, is much less interesting, with too many stereotypes, weaknesses, clichés and insipid dialogues.
talisencrw
Jul 29, 2016 · via TMDB
This was a solid and highly enjoyable take on the spaghetti western by Rodriguez that rightfully put the director on the map and provided star Antonio Banderas the breakthrough he needed in the American marketplace. Though I love his work on the Sin City films, particularly the first, his incredible earlier trilogy will always hold a special place in my cinephilic heart. My recent project of coming to terms with classic Westerns has only further helped me enjoy these more recent contemporary releases.
User reviews courtesy of TMDB.
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Philo
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Antonio Banderas
El Mariachi
Salma Hayek Pinault
Carolina
Joaquim de Almeida
Bucho
Steve Buscemi
Buscemi
Cheech Marin
Short Bartender
Carlos Gómez
Right Hand
Quentin Tarantino
Pick-Up Guy
Tito Larriva
Tavo
Angel Aviles
Zamira
Danny Trejo
Navajas
Carlos Gallardo
Campa
David Alvarado
Buddy
Angela Lanza
Tourist Girl
Mike Moroff
Shrug
Robert Arevalo
Opponent
Peter Marquardt
Moco
Consuelo Gómez
Domino
Jaime de Hoyos
Bigoton
Cristos
Cristos
Richie Gaona
Case Opener
Patricia Vonne
Bar Girl
Elizabeth Rodriguez
Mariachi Fan
Mark Dalton
Fighting Barfly
Guillermo Navarro
Director of Photography
Robert Rodriguez
Steadicam Operator
Douglas Kirkland
Still Photographer
Rico Torres
Still Photographer
Allan A. Apone
Makeup Designer
Tito Larriva
Additional Music
Mark Gantt
Driver
Steve M. Davison
Stunt Coordinator
David Alvarado
Stunts
Gilbert Rosales
Stunts
Henry Kingi Jr.
Stunts
Richie Gaona
Stunts
Robert Arevalo
Stunts
Troy Robinson
Stunts
Robert Rodriguez
Director
Batan Silva
First Assistant Director
Steve M. Davison
Second Unit Director
Antonio Banderas
Special Guest Director
Ethan Maniquis
Assistant Editor
Robert Rodriguez
Editor
Kelly Frazier
Assistant Production Coordinator
Carlos Gallardo
Co-Producer
Elizabeth Avellan
Co-Producer
Bill Borden
Producer
Robert Rodriguez
Producer
Frank Smathers
Foley Editor
Nick Glennie-Smith
Musician
Cesar Rosas
Original Music Composer
Conrad Lozano
Original Music Composer
David Hidalgo
Original Music Composer
Louie Pérez
Original Music Composer
Mark Ulano
Production Sound Mixer
Robert Rodriguez
Writer
Aug 25, 1995
Dec 12, 1995
VHS
Jun 25, 1997
DVD
Jan 4, 2011
Blu-ray
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Versus
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Stripper Wives
1999
Sally's Beauty Spot
1990
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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