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Hit Man
AGC Studios AGC Studios
Aggregate Films Aggregate Films
BarnStorm Productions BarnStorm Productions
Cinetic Media Cinetic Media
Detour Filmproduction Detour Filmproduction

Not part of a collection.

Hit Man

He's not a killer, but he can pretend.

2024 116 min ★ 6.8 (1,718) Released
Comedy Crime Romance

A mild-mannered professor moonlighting as a fake hit man in police stings ignites a chain reaction of trouble when he falls for a potential client.

Original title
Hit Man
Language
EN
Country
US
Budget
$8,800,000
Revenue
$5,101,673
Reviews & Ratings 6
R

RalphRahal

Jan 5, 2025 · via TMDB

★ 7.0

Hit Man by Richard Linklater is a solid watch, blending a deliberate pace with engaging character work. The first act feels like it lingers a little too long, but by the time the final act rolls around, you realize it was all intentional. That slower setup creates a nice payoff later, making the transitions between acts smooth and well-timed. It’s clear Linklater knew exactly how much breathing room to give the story, even if it left me wishing for a bit more energy upfront. Glen Powell and Adria Arjona carry the film with their performances, delivering exactly what their roles demand without overdoing it. Their character arcs extend nicely into the second act, which keeps things interesting and makes you care about what happens next. The plot itself isn’t groundbreaking and leans on some predictability, but it seems like Linklater aimed to keep things simple, possibly to avoid overwhelming the audience. Still, a touch more depth in the story wouldn’t have hurt. Visually and musically, the film doesn’t go above and beyond, but it also doesn’t drop the ball. The cinematography and score do their job without overshadowing the narrative. Overall, Hit Man may not wow you on every front, but it’s an enjoyable and well-crafted movie that knows its strengths and sticks to them. It’s the kind of film where the characters and pacing shine more than the visuals or complexity, making it a worthwhile experience.

L

Louisa Moore - Screen Zealots

Jul 17, 2024 · via TMDB

★ 3.0

Richard Linklater‘s “Hit Man” is a film with a serious identity crisis. This genre blending disaster starts out as a wannabe goofy comedy, then veers off the rails into dark noir, finally settling on a bizarrely erotic femme-fatale rom-com. This movie is absolutely terrible, and its only saving grace is its lead’s bonafide Hollywood star power. Straight-laced professor Gary Johnson (Glen Powell) has an odd hobby: he moonlights with the New Orleans Police Department as a fake hit man. With a penchant for inhabiting different personalities and donning outrageous costumes, Gary has a knack for telling potential clients (and marks) just the right things to get them arrested. Things get complicated when he falls for Madison (Adria Arjona), a potential criminal who meets with Gary to discuss hiring him to murder her awful husband. The two start a romantic relationship in a sea of deception and moral ambiguity, which changes Gary’s life forever. It’s a great premise for a film, but Linklater just can’t make it work. While he admittedly isn’t one of my favorite directors, he completely misses the mark here. The narrative is disjointed and the tonal inconsistencies are too jarring, and no amount of talent can balance the uneven, overstuffed elements of comedy, romance, and thriller. The film struggles on just about every level, but thankfully Powell saves it from being completely unwatchable. Powell is the highlight here. His charm and versatility shines as he navigates the complex layers of his character. This is an actor who is a true chameleon, and the film at least provides a vehicle where he can showcase his range. Powell is great; the movie is not. Linklater introduces a lot of bland melodrama with the relationship between Gary and Madison and, despite a believable chemistry, it causes the film to stumble even more. With her character’s motivations being murky at best, it was impossible to feel fully invested in Madison’s relationship with Gary’s alter-ego, Ron. For a film that had the potential to be so unique, it ends up feeling generic and unsatisfying. Despite having a small theatrical release, “Hit Man” is a disappointing effort that appropriately feels right at home as a streaming title on Netflix. By: Louisa Moore / SCREEN ZEALOTS

dumasori

dumasori

Jun 13, 2024 · via TMDB

★ 6.0

**Passable** I watched this movie with low expectations, and I wasn't disappointed. This movie falls into the mid-level cheesy category, offering a fair amount of entertainment without being extraordinary. The actors are good at what they do, and the direction is also good. However, you can only do so much with a mediocre plot. Overall, watchable one time.

r96sk

r96sk

Jun 8, 2024 · via TMDB

★ 9.0

<em>'Hit Man'</em> is fun! Glen Powell and Adria Arjona team up to form a strong acting chemistry, I enjoyed seeing them both feature all the way through - two great performances. On the note of the cast, good to see Austin Amelio appear; I like that guy from his <em>'The Walking Dead'</em> days. This movie is paced very well, the two hour run time did not feel of that length at all. It holds an interesting and fairly amusing plot, one brought to life by everyone involved on and off screen very nicely. It's goofy in certain ways, though that is only a positive to be honest. I also thought it was going to end slightly differently, but again that's not a negative.

CinemaSerf

CinemaSerf

May 29, 2024 · via TMDB

★ 7.0

At this rate, Glen Powell is going to be able to pay Tom Cruise back for his flying lessons pretty swiftly! Here, he's a rather geeky teacher (Gary) who teaches philosophy at a college whilst occasionally helping out the cops with some criminal profiling. When one of their investigators "Jasper" (Austin Amelio) goes a bit too far and gets suspended, Gary gets drafted in last minute and proves quite effective at getting folks who want to bump of their nearest and dearest for $5,000 to admit their cunning plans to a well wired-up con. The more of these cases he does, the better he gets; the more fun he has dressing up and adept he becomes at assuming a range of identities. It's "Maddy" (Adria Arjona) who sets the cat amongst the pigeons when she asks him to get shot of her thuggish husband "Ray" (Evan Holtzman). He takes a shine to her and talks her out of her criminal ploy. Quickly the two are seeing each other - which is manna from heaven for the deposed "Jasper". When her husband is found dead, he thinks he knows exactly who did what and how best to exact his revenge... It's quite an entertaining romantic thriller this, providing Powell with an opportunity to charm his way through an almost two hours of cinema that is light and fluffy, completely preposterous yet based on a true character. Arjona looks like she is having a good time here, too - and the last twenty minutes are quite fun. No, it won't trouble a BAFTA jury I suspect - but it's quite enjoyable summertime fayre.

M

Manuel São Bento

Sep 5, 2023 · via TMDB

★ 8.0

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/hit-man-venice-film-festival-review-one-of-the-years-greatest-comedies/ "Hit Man leaves everyone floored with one of the best comedies of the year in a magical case of cinema in which direction, screenplay, and cast combine so well with each other that, in the end, it's impossible not to applaud. Richard Linklater and Glen Powell deliver an insanely hilarious, genuinely entertaining script elevated by the filmmaker's flawless technical execution and career-best performances from Powell and Adria Arjona. A light, non-stop narrative filled with memorable, thought-provoking, sharp dialogue, exploring notions of identity and personality through the question: "can we really change who we are?" One of the most sensationally enjoyable theater experiences in recent years." Rating: A-

User reviews courtesy of TMDB.

Keywords 12
based on magazine, newspaper or article disguise hitman identity moonlighting new orleans, louisiana persona professor romcom screwball comedy sting operation undercover operation
Streaming
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Cast 31
Glen Powell

Glen Powell

Gary Johnson

Adria Arjona

Adria Arjona

Madison Figueroa Masters

Austin Amelio

Austin Amelio

Jasper

Retta

Retta

Claudette

Sanjay Rao

Sanjay Rao

Phil

Molly Bernard

Molly Bernard

Alicia

Evan Holtzman

Evan Holtzman

Ray

Gralen Bryant Banks

Gralen Bryant Banks

Sargeant Hank

Mike Markoff

Mike Markoff

Craig

Bryant Carroll

Bryant Carroll

Walt

Kate Adair

Kate Adair

Rita

Martin Bats Bradford

Martin Bats Bradford

Isaac

Morgana Shaw

Morgana Shaw

Tammy

Ritchie Montgomery

Ritchie Montgomery

Marcus

Richard Robichaux

Richard Robichaux

Joe

Jo-Ann Robinson

Jo-Ann Robinson

Society Lady

Jonas Lerway

Jonas Lerway

Monte

Kim Baptiste

Kim Baptiste

Defense Lawyer

Sara Osi Scott

Sara Osi Scott

Foreman 1

Anthony Michael Frederick

Anthony Michael Frederick

Foreman 2

Jordan Joseph

Jordan Joseph

Sylvia

Garrison Allen

Garrison Allen

Bruce

Beth Bartley

Beth Bartley

Jill

Jordan Salloum

Jordan Salloum

Ray's Buddy

John Raley

John Raley

Defense Lawyer 2

Donna DuPlantier

Donna DuPlantier

Judge

Stephanie Hong

Stephanie Hong

Mindy

Joel Griffin

Joel Griffin

Peter

KC Simms

KC Simms

Jerren

Murphee Bloom

Murphee Bloom

Gwen

Roxy Rivera

Roxy Rivera

PTA Mom

Crew 24
Shane F. Kelly

Shane F. Kelly

Director of Photography

Gary Archer

Gary Archer

Prosthetics

Richard Linklater

Richard Linklater

Director

Sandra Adair

Sandra Adair

Editor

Vicky Boone

Vicky Boone

Casting

Chantél Italia Johnson

Chantél Italia Johnson

Casting Associate

Liz Kelley

Liz Kelley

Casting Associate

Connor Flanagan

Connor Flanagan

Co-Producer

Alan Powell

Alan Powell

Executive Producer

John Sloss

John Sloss

Executive Producer

Julie Goldstein

Julie Goldstein

Executive Producer

Megan Creydt

Megan Creydt

Executive Producer

Shivani Rawat

Shivani Rawat

Executive Producer

Steve Barnett

Steve Barnett

Executive Producer

Stuart Ford

Stuart Ford

Executive Producer

Glen Powell

Glen Powell

Producer

Jason Bateman

Jason Bateman

Producer

Michael Costigan

Michael Costigan

Producer

Mike Blizzard

Mike Blizzard

Producer

Richard Linklater

Richard Linklater

Producer

Graham Reynolds

Graham Reynolds

Original Music Composer

Skip Hollandsworth

Skip Hollandsworth

Original Story

Glen Powell

Glen Powell

Screenplay

Richard Linklater

Richard Linklater

Screenplay

Gallery 208
Videos 24
Similar Movies 121
US Release Dates 5

Oct 3, 2023

New York Film Festival

Premiere

Jan 22, 2024

Sundance Film Festival

Premiere

May 15, 2024

Austin, Texas

R Premiere

May 24, 2024

R Theatrical (Limited)

Jun 7, 2024

Netflix

R Digital

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🥇 Evil Dead II

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1987 · 14 wins

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2000 · 12 wins

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