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Linklater: On Cinema and Time
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
- Original title
- Linklater: On Cinema and Time
- Language
- EN
- Country
- US
- Budget
- $100,000
- Revenue
- $9,000
Richard Linklater
Self (voice)
Kogonada
Director
I huvudet på en filmskapare
Terra incognita
Bohemia Docta or the Labyrinth of the World and the Lust-House of the Heart (A Divine Comedy)
In the Intense Now
Hitchcock, Selznick and the End of Hollywood
Lost in La Mancha
The Five Obstructions
The March on Rome
Godard Cinema
Enter the Anime
Desolate Rome
Locations: Looking for Rusty James
Untitled #29.95
I skuggan
Swimming, Dancing
The Red Bank. James Joyce: His Greek Notebooks
the post-feminist dissonance project
Hear O, Mahatma
Il n'y aura jamais assez d'images
SONHO QUE VIVIA ACORDADO
A Decade Under the Influence
Jodorowsky's Dune
The Skywalker Legacy
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
Side by Side
Hitchcock/Truffaut
The Director and the Jedi
They'll Love Me When I'm Dead
Milius
Corman's World
De Palma
The Cutting Edge: The Magic of Movie Editing
Visions of Light
Mifune: The Last Samurai
Directed by John Ford
Making Waves: The Art of Cinematic Sound
Cameraperson
Heart of a Dog
Room 237
Attack of the Hollywood Clichés!
Feb 28, 2017
