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Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)
CinemaSerf
Jan 7, 2025 · via TMDB
"Mother was the loveliest woman in the world". "Mother wanted everything to be lovely". Using a series of embryonic lighting techniques, a lively piano-based score and a series of not altogether coherent mini-sketches, we are presented with what appear to be memories of a couple, of them falling in love, of her widowhood and then more courting. She looks lovingly from her window, pining for what she had, what she wants? She's even offered a bribe in the form of some stockings! It's impossible to say just what this is about in any traditional sense, and it's a surprisingly pace-free affair for the most of it's rather abstract existence which appears to emanate from the naive and/or innocent mind of our unspoken narrator. Toys feature quite heavily as props and at times that's quite effective, as is some of the almost temperamental action from time to time, but it's all too surreal for me, sorry.
User reviews courtesy of TMDB.
No cast information available.
James Broughton
Director
James Broughton
Writer
Aug 27, 1948
San Francisco Museum of Art
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Pizza Friday
Carícia Fatal
2007
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
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What movie experience do you prefer?
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