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A24
X Collection
An X-traordinary origin story.
Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.
patient1
Oct 28, 2025 · via TMDB
For a gal who appears so kind and sweet, she has a wicked and kinda creepy side. This is a totally barbaric film, and the sheer brutality is staggering. It's beyond all my hopes and wishes for the film, Mia Goth has won my horror heart over. Such a special kind of broken that made me feel through the madness of it all.
r96sk
Apr 8, 2025 · via TMDB
<em>'Pearl'</em> doesn't quite hit as well as <em>'X'</em>, though it has enough about it to still be suitably enjoyable. It did lose steam for me the longer it went on and there aren't many moments to remember, tbh I personally would've preferred more of older Pearl than younger Pearl. Still, Mia Goth continues to impress. Tandi Wright stands out too, even if it certainly is Goth's movie. David Corenswet is there too, I wonder what that guy is up to nowadays. The film, like its predecessor, remains a treat visually, the distinctive eras of each flick are definite plus points. A good film, all the same. This and that previous release are quite different, so it's little surprise that there is one that I 'only' like and one that I love. Now to see where <em>'MaXXXine'</em> falls.
RalphRahal
Feb 16, 2025 · via TMDB
Pearl (2022) is a visually striking psychological horror film that takes a unique approach to storytelling. Set in the 1920s, the movie immediately stands out with its vibrant, almost dreamlike cinematography that contrasts with its dark themes. The production design is meticulous, capturing the era’s aesthetic with rich colors and a polished, old-Hollywood feel. While the plot starts off slow, especially in the first act and early second, it gradually picks up, pulling you deeper into the protagonist's unsettling world. Ti West's direction is methodical, letting tension simmer rather than relying on cheap scares, which works well for the film's psychological depth. Mia Goth carries the entire movie with an outstanding performance, making Pearl one of the most compelling horror characters in recent years. Her ability to shift between innocence and madness is captivating, and she brings an emotional weight that elevates the script. The dialogue feels natural yet eerie, adding to the film’s unease. The score is another highlight, blending classic orchestral sounds with unsettling undertones that perfectly match the film’s descent into darkness. While it may not be as fast-paced as some horror films, Pearl delivers a slow-burn psychological experience that lingers long after the credits roll.
tmdb51616167
Sep 2, 2024 · via TMDB
I will be doing a combined review for the two films, "X" and "Pearl." Upon seeing the high ratings given by both the general public and critics to these movies, I am left puzzled about what truly makes a good film. Let's start with "X," a movie that I found to be absolutely terrible. The film revolves around pornography rather than a cohesive storyline, resulting in a disjointed and atrocious viewing experience. The cinematography, acting, storytelling, and writing were all subpar, yet critics inexplicably praised it. The attempt to elevate the film with Jenna Ortega fell short, as she had minimal screen time amidst excessive male and adult nudity, making it unsuitable for general viewing. This is a movie best watched in private, not recommended by me at all. Moving on to "Pearl," I was equally disappointed as it also relied heavily on sexual themes. The film took a bizarre turn, culminating in a scene that made me walk out of the theater in disbelief. It's baffling to see these films receive acclaim, especially when performances like Mia Goth's are lacking. It seems that the current focus is on titillation rather than genuine storytelling. As we await the verdict on the third film, it appears that the world may be more interested in gratification than meaningful narratives.
Louisa Moore - Screen Zealots
Apr 23, 2023 · via TMDB
**By: Louisa Moore / www.ScreenZealots.com** The strange and unusual “Pearl,” a prequel to writer / director Ti West‘s “X”, is a different kind of slasher film. Creating an origin story for the title villain, the film tells the history of a farm girl dreamer with a serious mean streak. It’s a horror movie that’s unlike any other, a candy-colored, nightmarish dream world of lofty ambitions, brutal violence, and bloody murder. Pearl (Mia Goth) is trapped on her family’s isolated farm. She dutifully performs her barn chores and tends to her ailing, wheelchair-bound father (Matthew Sunderland), all under the stern eye of her overbearing mother (Tandi Wright). Pearl wants nothing more in the world than to live the glamorous life of “the girls in the pictures” that she sees on the big screen at the movies. With her husband Howard off to fight World War I, Pearl finds her ambitions at odds with the reality of the life she’s been dealt. It’s clear something isn’t right with the young woman, and her violent tendencies begin to bubble to the surface. Things weren’t great for women in 1918, and the world certainly wasn’t a place for a fiery feminist. The film is an intriguing character study of a thoroughly disturbed woman who is a victim of her own gender. Goth is asked to do the film’s heavy lifting, and she gives a wonderfully unhinged lead performance. She screams a lot but displays an impressive range, especially as she is thrust into episodes of psychopathic ire. Her calm demeanor is frightening, and almost as disturbing as her precise, unique kills. Using farm tools, Pearl becomes a skilled murderer as she gives herself over to her homicidal desires. The story is simple but engaging, and West creates an old-timey mood with a vintage score that fits the tone beautifully. The Technicolor aesthetic harkens back to Hollywood’s Golden Age, a time of traditional glitz and glamour. It’s a great looking film that feels fresh and different, and West directs with an assured eye. His long, unbroken takes are showy but executed with purpose, and the film features a powerful monologue that’s unforgettable. One of my favorite parts about the movie is the chilling ending, an extended scene of a true demented breakdown that still haunts me. There’s so much that makes this film so memorable, and “Pearl” is a special kind of horror film with a refreshing style and killer instinct.
CinemaSerf
Mar 23, 2023 · via TMDB
Despite quite a characterful effort from Mia Goth as the title character here, I wasn't really very impressed with this film. She lives on a farm whilst her young husband is off fighting on the Somme. She shares her life with her Germanic, rather authoritarian, mother "Ruth" (Tandi Wright) and her profoundly disabled father who cannot speak and who is entirely dependent on these two women. "Pearl" longs to escape. On one of her occasional visits to town to collect her father's laudanum, she encounters the local projectionist (David Corenswet) who shows her a (quite racy) film and suggests that maybe a new life could be her's. Meantime, her life at the farm is becoming unbearable and her options for escape lead her to realise that drastic action may be needed - a plan that is accidentally put into play after an altercation with her mother. It's perfectly watchable, this, but it's also perfectly forgettable. The story is weak and thin, and though the photography is attractive, the whole thing just doesn't catch fire for me. There's no menace. It's not an horror film - it's a film about a mentally ill girl that offers us a few mildly entertaining scenarios that peter out as quickly as the plot does before an ending that screams sequel loudly and defiantly. It certainly does not need to be seen on a cinema screen.
User reviews courtesy of TMDB.
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Mia Goth
Pearl
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The Brother
2017
80 Day Obsession: Day 75 AAA (Phase 1)
2018
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Battle your watched movies head-to-head
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Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
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1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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