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Dimension Films
Troublemaker Studios
Not part of a collection.
Humanity's last hope… rests on a high power machine gun!
Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry Darling, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend El Wray lead a team of accidental warriors into the night.
The Movie Diorama
Jan 16, 2020 · via TMDB
Planet Terror failed to terrorise with its blood-bubble bursting infestation. The first feature of Rodriguez/Tarantino’s homage to the “Grindhouse” exploitation genre, is one that exercises the practical magic of independently produced B-movies. No dramatic theatricality to be seen here, on the misty darkened roads of rural Texas where “Fergalicious” Fergie screams the countryside down whilst being devoured by infected military units. This is Planet Terror, baby. The only quality that matters is the amount of bloodshed that splatters onto the screen. Rodriguez may have directed, produced, written, scored, edited and shot the entire feature, he seemingly tried too hard in replicating the exploitation aesthetic that, if you strip away the grainy filter, comes across as a mildly engaging experiment. A one-legged Go-Go dancer, her legendary ex-boyfriend, and a plethora of other survivors, make battle with a zombie horde that have been infected with a biochemical agent known as “Project Terror”. I saw it in the poster. You’ve seen it in the poster. We’ve all seen it in the poster. McGowan, with the stance of a badass, equipped with an assault rifle as a leg. That’s the level of awesome stupidity we are dealing with here, and to say I craved it would be an understatement. Rodriguez had the freedom to construct a feature so devilishly fun, that it could’ve been absolutely non-sensical and still be thoroughly entertaining. This is the genre where all rules are broken. Literally! Yet I found myself restrained to the confinement of my sofa. Why? Well, Planet Terror barbecued itself by never letting go. Something was constantly weighing down the feature, and I just can’t put my finger on it. The acting smelt of mild cheddar as opposed to stinking bishop. Aside from a few quotable lines, mostly from El Wray, Rodriguez’ screenplay was forgettable and largely an unfocused mess. For example, the sub-plot involving Brolin’s stern doctor character failed to inject any characterised purpose other than to pad out the runtime. But as soon as McGowan acquired that machine gun, catapulted herself into the air (beautifully terrible green screen and all...) and decimated the zombie horde ahead. Bam! That’s when Planet Terror worked! Piloting a helicopter at a slant so that the propeller decapitates the infected? Yes! Tarantino attempting to be a rapist? God no! Turn it off! It was unfortunately too late before it manifested the pure qualities of its genre. Aesthetically though, Rodriguez was able to imitate that exploitation feel. The mass amount of blood spewing from the practical makeup design was exceptional and eloquently highlighted the visceral power of pragmatic effects. Limbs torn off like a family tucking into a KFC bargain bucket. Delicious. The grainy filter that imitated a film reel, “missing reel” included, had authenticity despite its occasional annoyance when infecting the entire screen with black marks everywhere. However, strip away those aesthetic qualities, and the B-movie shine that Rodriguez aimed for suddenly dims. It’s too serious in execution to be considered full “grindhouse”, and that’s a shame. Had it embraced the sheer lunacy of its climactic ten minutes throughout the entire feature, Planet Terror could’ve been bloody special.
Wuchak
Oct 15, 2018 · via TMDB
***Black comedy/thriller/horror about biochemically-birthed zombie outbreak in central Texas*** Created by writer/director Robert Rodriguez, “Planet Terror” was originally part of the double feature called “Grindhouse,” released in 2007. The other movie was “Death Proof” by Quentin Tarantino. Both were standalone stories, although vaguely connected. They were a deliberate attempt to recreate the experience of a double feature at a B movie house in the mid/late 60s-70s with the prints intentionally marred by scratches and blemishes or, in this flick, a whole reel supposedly missing. Trailers for fake movies, like “Machete,” were also part of the package. The plot of “Planet Terror” involves a biochemical outbreak in central Texas that (big surprise) turns people into zombies and the ragtag group that teams-up to fight ’em, led by Freddy Rodríguez and Michael Biehn, the latter a sheriff. Hotties Rose McGowan and Marley Shelton are on hand, the former acquiring a machine gun implant in replace of her amputated leg. (How exactly she pulls the trigger to massacre zombies is anyone’s guess). The movie comes across as a melding of “Faster, Pussycat! Kill! Kill!” (1965), “Night of the Living Dead” (1968) and “Dawn of the Dead” (1978), but with the modern tone of “Slither” (2006) with its gross, deliberately offensive black humor. McGowan is a highlight throughout, especially her opening go-go sequence whereas Freddy Rodriguez is surprisingly formidable. Their romantic arc is kind o’ touching. Another point of interest is the quality cast, rounded out by the likes of Bruce Willis, Josh Brolin, Naveen Andrews and Fergie. At the end of the day, though, “Planet Terror” fails to rise above the low-budget sorta-genius of Syfy schlock like “Flu Bird Horror” (2008), “Wyvern” (2009) and “Sasquatch Mountain” (2006) even though it cost literally twelve times as much. Go figure. The film runs 1 hour, 45 minutes and was shot in central Texas (Austin and Luling, which is 22 miles south of Austin) and Tulum, Quintana Roo, Mexico. GRADE: C
User reviews courtesy of TMDB.
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Rose McGowan
Cherry Darling
Freddy Rodríguez
Wray
Marley Shelton
Dr. Dakota Block
Josh Brolin
Dr. William Block
Jeff Fahey
J.T. Hague
Michael Biehn
Sheriff Hague
Bruce Willis
Lieutenant Muldoon
Rebel Rodriguez
Tony Block
Naveen Andrews
Abby
Julio Oscar Mechoso
Romey
Fergie
Tammy Visan
Nicky Katt
Joe
Michael Parks
Earl McGraw
Tom Savini
Deputy Tolo
Carlos Gallardo
Deputy Carlos
Skip Reissig
Skip
Quentin Tarantino
Rapist #1
Gregory Kelly
Rapist #2
Electra Avellan
Babysitter Twin #1
Elise Avellan
Babysitter Twin #2
Troy Robinson
Soldier #1
Jason Douglas
Lewis
Danny Trejo
Machete
Cheech Marin
Priest
Corey Burton
Additional Narrator (voice)
Emmy Robbin
Hot Female Deputy (uncredited)
Zoë Bell
Sicko Eating Paramedic #2 (uncredited)
Robert Rodriguez
One of Abby's Henchmen (uncredited)
Jimmy Lindsey
Camera Operator
Robert Rodriguez
Director of Photography
Jimmy Lindsey
Second Unit Director of Photography
Rico Torres
Still Photographer
Dirk Rogers
Special Effects Makeup Artist
Gino Crognale
Special Effects Makeup Artist
Howard Berger
Special Effects Makeup Artist
Jake Garber
Special Effects Makeup Artist
Wayne Toth
Special Effects Makeup Artist
Dick Clark
Propmaker
Hank Amos
Stunt Coordinator
Russell Towery
Stunt Coordinator
Billy D. Lucas
Stunts
Buddy Joe Hooker
Stunts
Don Shanks
Stunts
Garrett Warren
Stunts
Jeff Dashnaw
Stunts
Jeff Imada
Stunts
Jennifer Caputo
Stunts
Jon H. Epstein
Stunts
Keith Campbell
Stunts
Lance Gilbert
Stunts
Norman Howell
Stunts
Oakley Lehman
Stunts
Sandra Lee Gimpel
Stunts
Tim Trella
Stunts
Troy Robinson
Stunts
Zoë Bell
Stunts
Diego Sandoval
Assistant Director
Robert Rodriguez
Director
Monika Petrillo
Script Supervisor
Robert Rodriguez
Editor
Sally Menke
Editor
Johnny Gidcomb
ADR Voice Casting
Mary Vernieu
Casting
Bob Weinstein
Executive Producer
Harvey Weinstein
Executive Producer
Elizabeth Avellan
Producer
Quentin Tarantino
Producer
Robert Rodriguez
Producer
Cynthia Streit
Production Coordinator
Tim Clawson
Production Coordinator
Alan Howarth
Music
Graeme Revell
Music
Robert Rodriguez
Music Producer
David E. Russo
Music Programmer
David Kitay
Music Supervisor
David E. Russo
Musician
George Doering
Musician
Robert Rodriguez
Original Music Composer
John Pritchett
Production Sound Mixer
Brad Engleking
Sound Engineer
Robert Rodriguez
Sound Mix Technician
Robert Rodriguez
Sound Re-Recording Mixer
Aaron Burns
2D Artist
Christian Kaestner
Compositing Artist
Christian Kaestner
Digital Compositor
Gino Acevedo
Digital Compositor
Robert Valley
Layout Supervisor
Michael Zaiko Hall
VFX Artist
Robert Rodriguez
Visual Effects Supervisor
Ryan Tudhope
Visual Effects Supervisor
Robert Rodriguez
Screenplay
Apr 6, 2007
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The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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