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Mirage Enterprises
Paramount Pictures
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After her return from school in Paris, a playboy finally takes notice of his family's chauffeur's daughter Sabrina, who's long had a crush on him, but he questions his more serious brother's motives when he warns against getting involved with her.
Filipe Manuel Neto
Mar 15, 2024 · via TMDB
**A completely dispensable remake, for many of the qualities it may have, and which it does!** Firstly, allow me to say that I am not one of those who think that there can or should be untouchable films, which due to their value or relevance should never be subject to revisits or remakes. “Sabrina”, the original film starring Audrey Hepburn and Humphrey Bogart, is a renowned classic and its place will never be in question. However, after seeing this modern remake, I can't help but feel that it was unnecessary. Despite being a good film, it can't be better than the original, it isn't the slightest bit different, and it wasn't able to update the original story. I really don't know where Sidney Pollack was able to think this was a good idea. The story of this film, as well as a large amount of the dialogue, are copied from the original onto carbon paper, with almost no essential modifications. In fact, the most striking phrases of the dialogues are all there, the situations are the same. Where the film tries to be better is, essentially, in the high production values and the updating of a series of details without great relevance. For example, young Sabrina no longer goes to Paris to become a chef, but to work as an assistant at “Vogue” magazine. And of course, the sets, the filming locations, the props, everything takes us back to contemporary times and is done with the utmost good taste, from the choice of the mansion to the Larrabee corporate headquarters. And given that Pollack is a renowned and highly prestigious director, it's no surprise that the cinematography and soundtrack are also excellent: he was able to find the best. For example, the soundtrack is written by John Williams and, although it is not a remarkable work by the composer, it still has the quality he has accustomed us to. As for the cast, Pollack also bet on great actors, with solid credits and a solid career in the seventh art. The three main protagonists are Julia Ormond, Harrison Ford and Greg Kinnear, and the latter is perhaps the director's riskiest bet. Ormond and Ford give us, each in their own way, solid and consistent interpretations. However, if in the original film the huge age difference between Bogart and Hepburn was barely noticeable, this was glaring here, and it is extremely bizarre to see Ormond flirting with a man who appears to be her father. And with an aggravating factor: Ford is not, and has never been, an actor particularly suited to romantic plots, it is not a comfortable terrain for him. As a result, Ford and Ormond's romantic chemistry resembles a wall between them. Greg Kinnear does what he can, but doesn't have the strong charisma that is necessary for playboy David. The film also features contributions from John Wood, Nancy Marchand, Lauren Holly and Paul Giamatti.
User reviews courtesy of TMDB.
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Harrison Ford
Linus Larrabee
Julia Ormond
Sabrina Fairchild
Greg Kinnear
David Larrabee
Nancy Marchand
Maude Larrabee
John Wood
Fairchild
Richard Crenna
Patrick Tyson
Angie Dickinson
Ingrid Tyson
Lauren Holly
Elizabeth Tyson
Dana Ivey
Mack
Miriam Colon
Rosa
Elizabeth Franz
Joanna
Fanny Ardant
Irene
Valérie Lemercier
Martine
Patrick Bruel
Louis
Becky Ann Baker
Linda
Paul Giamatti
Scott
John C. Vennema
Ron
Gregory Chase
Ron
Margo Martindale
Nurse
J. Smith-Cameron
Carol
Ira Wheeler
Bartender
Ayako Kawahara
India
François Genty
Make-Up Assistant
Guillaume Gallienne
Assistant
Inés Sastre
Model
Phina Oruche
Model
Jennifer Herrera
Model
Carmen Chaplin
Paris Friend
Joanna Rhodes
Paris Friend
Kentaro
Paris Friend
Phil Nee
Father in Hospital
Susan Browning
Secretary
Dale Resteghini
Linus' Friend (uncredited)
Philippe Hartmann
Wedding Guest (uncredited)
Victor Warren
Pilot (uncredited)
Dori Rosenthal
Ballroom Dancer (uncredited)
Eric Bruno Borgman
Airport Employee (uncredited)
Miriam Schapiro
Art Department Coordinator
Giuseppe Rotunno
Director of Photography
Brian Hamill
Still Photographer
Ann Roth
Costume Design
Stephen G. Bishop
Hairstylist
Peter Robb-King
Makeup Artist
Sydney Pollack
Director
Ronna Kress
Casting Associate
Lindsay Doran
Executive Producer
Scott Rudin
Producer
Sydney Pollack
Producer
John Williams
Original Music Composer
John Williams
Songs
Alan Bergman
Lyricist
Marilyn Bergman
Lyricist
Billy Wilder
Original Film Writer
Ernest Lehman
Original Film Writer
David Rayfiel
Screenplay
Dec 15, 1995
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Stripper Wives
1999
Sally's Beauty Spot
1990
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
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