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SELF SONG documents a body besieged by cancer. The amber glow of flesh suggests both victory and submission to death. Blackness surrounds the image and takes it over altogether. Furthermore, the complex grooves and patterns of the flesh struggle to maintain their focus, suggesting the obscuring and dissolving effects of cancer. In DEATH SONG the film begins with blue hues which suggest the permanent aspect of death to contrast a sequence of overexposed yellow. Within these images are microscopic organisms constantly being 'washed out' by whiteness, which seeks to dissolve the image. In this respect, we might view the purity of whiteness as being 'soiled'. By the end of the film, the image has shifted to the blue screen suggesting a comfortable aspect of death. Yet, this vision is too idyllic in Brakhage's mind, and thus he allows the blueness to bleed from the side of the frame, opening the 'blinds' to the cancerous light. Preserved by the Academy Film Archive in 2016.
No cast information available.
Stan Brakhage
Director
Oct 22, 1997
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Versus
Sign in to play →
Benny's Biggest Battle
1991
The Snowden, Raggedy Ann & Andy Holiday Show
1998
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
The Dark Knight
2008 · 13 wins
Final Destination
2000 · 12 wins
Demolition Man
1993 · 10 wins
Evil Dead II
1987 · 9 wins
E.T. the Extra-Terrestrial
1982 · 9 wins
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