Intrepid Pictures
Paper Street Pictures
Title Media
Not part of a collection.
Shelby Oaks
Who took Riley Brennan?
A woman's obsessive search for her missing sister leads her into a terrifying mystery at the hands of an unknown evil.
- Original title
- Shelby Oaks
- Language
- EN
- Country
- US
- Budget
- $1,400,000
- Revenue
- $2,350,523
Sierbahnn
May 10, 2026 · via TMDB
So much more than found footage This looed to be just another found footage movie, and didn't have the promise of a "Grave Encounters", for instance. However, the movie switches from the found footage and into a broader horror, and much to its improvement. The casting is solid, the characters are good, the directing works, and while the story is a bit uneven, this is not a bad movie by any stretch.
CinemaSerf
Nov 5, 2025 · via TMDB
I thought this was going to be about a woman called “Shelby Oaks” but instead it’s a petty shameless hybrid of “Blair Witch” meets “The Omen” by way of the Blumhouse cutting room floor - and it isn’t very good. It starts out in sensationalised faux-documentary mode as it explains to us that four folks from one of YouTube’s most successful American paranormal investigation programmes have gone missing in the woods near the abandoned town of Shelby Oaks. Bodies are duly, and rather gruesomely, discovered but not that of “Riley” (Sarah Durn) and her sister “Mia” (Camille Sullivan) is determined to find out just what happened. Scoot on a few years and a strange man arrives at her door clutching a camera tape. Might this give her the clues she needs to set off into the creepy woods and get to the bottom of this mystery? There is one scene is this film where she is sitting, blood-stained, on her sofa at home after a fairly traumatic experience on her doorstep and her husband come to sit beside her. He just says “Are you OK?”. She nods. He goes off into the kitchen and opens a can of beer. That rather sums up the depths of any characterisation here as this lacklustre effort struggles to make any headway for a dreary ninety minutes. What follows is more of an homage to about a dozen other films from this genre, than anything remotely original in itself. The acting is as bad as the dialogue and the ending has all the terror of the more menacing “Ursula” scenes from Disney’s “Little Mermaid” (1989). I saw this all by myself in the cinema, and it’s easy to see why. Perhaps this genre needs to start with better casting and stories and not just rely on creaking trees and spooky audio effects to sell us a story. I wouldn’t bother, sorry.
User reviews courtesy of TMDB.
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Plex
Camille Sullivan
Mia
Sarah Durn
Riley
Brendan Sexton III
Robert
Michael Beach
Detective Burke
Keith David
Morton Jacobson
Robin Bartlett
Norma Miles
Charlie Talbert
Wilson Miles
Emily Bennett
Janet
Derek Mears
Tarion
Mason Heidger
Reactor #1
C.L. Simpson
Marilyn
Brenna Sherman
Young Mia
Eric Francis Melaragni
David
Lauren Ashley Berry
Jess
Sam Liz
Reactor #5
Sophia Lucia Parola
News Anchor #5
Sarah Voigt
News Anchor #2
Phuong Kubacki
Reporter #1
Cody Steele
Reporter #2
Roger Conners
Reactor #7
Jon Michael Simpson
Tarion
Eric Francis Melaragni
"B" Camera Operator
Alan Tuskes
Makeup & Hair
Michele Sweeney Abrams
Stunt Double
Sara Holden
Stunt Double
Joshua Armell
Thanks
Chris Stuckmann
Director
Brett W. Bachman
Editor
Patrick Lawrence
Editor
Albin Sallansonnet
Associate Producer
Alexandra JoJo
Associate Producer
Bastiaan Rook
Associate Producer
Louie La Vella
Associate Producer
Jake Goldberger
Co-Producer
Kevin Lewis
Co-Producer
Nick Ford
Co-Producer
Adam F. Goldberg
Executive Producer
Mike Flanagan
Executive Producer
Trevor Macy
Executive Producer
Aaron B. Koontz
Producer
Chris Stuckmann
Producer
Brandon Christensen
Production Coordinator
Andrew Grush
Original Music Composer
Taylor Stewart
Original Music Composer
Henri Rapp
Sound Mixer
Schuyler White
Special Effects Supervisor
Colin Minihan
Visual Effects Producer
Chris Stuckmann
Story
Sam Liz
Story
Chris Stuckmann
Writer
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