First Artists
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If this story ain't true... it shoulda been!
Outlaw and self-appointed lawmaker Judge Roy Bean rules over an empty stretch of the West that gradually grows, under his iron fist, into a thriving town, while dispensing his his own quirky brand of frontier justice upon strangers passing by.
CinemaSerf
Jun 27, 2025 · via TMDB
It was always going to be difficult for anyone to beat Walter Brennan’s feisty effort as this character from 1940, but Paul Newman and John Huston come close with this slightly contradictory portrayal of the 19th lawman. We start as he, himself, only narrowly escapes a vigilante squad who didn’t much like the cut of his gib and then returns to exact his own vengeance. A chance encounter with “LaSalle” (a barely recognisable Anthony Perkins) sets in train his ruthless reign over a territory that saw him use the rule of law to coax, cajole, threaten and downright extort from anyone who had the misfortune to pass through so he could expand his hick town into something that, believe it or not, did actually have some semblance of law and order to it - providing you were prepared to swear an oath to Lily Langtry. Of course, as we know, absolutely power can corrupt and as his reputation grew the place attracted those worthy and those deadly, and it’s soon those latter folks as well as a fondness for “Maria Elena” (Victoria Principal) that look like changing things. It’s quite a confusing plot, this. On the one hand he’s a ruthless and violent man who thinks nothing of hanging and shooting - just ask the scene-stealing Stacy Keach, on the other hand he does have a code of decency that does want his town to become gentrified. It’s that paradox of styles that helps this to work, but that also illustrates just how difficult it was for anyone to “civilise” an aptly named Wild West where an horse or a wallet was worth way more than a man’s life. There are plenty of familiar faces popping up here, but none that really epitomise the genre which is a shame. Still, Newman is on good form for the first hour or so before the pace starts to fall away and the whole thing starts to become a bit flat before there’s a lively denouement and the arrival of the star of the whole thing, and boy does she positively glow! It’s a good film, just not a great one, and I’m afraid I’m still with Brennan on the best Judge Roy Bean.
John Chard
Aug 30, 2019 · via TMDB
Beanisms! The Life and Times of Judge Roy Bean is directed by John Huston and written by John Milius. It stars Paul Newman, Jacqueline Bisset, Anthony Perkins, Ned Beatty, Roddy McDowall, Tab Hunter, Victoria Principal and Ava Gardner. Music is by Maurice Jarre and cinematography by Richard Moore. In Vinegaroon, Texas, former outlaw Roy Bean becomes the self appointed judge for the region and dispenses his brand of justice as he sees fit. There were a handful of Quirky Revisionist Westerns that surfaced in the 1970s, usually directed by a big name and starring another, one such film is this effort, and much like the others of its ilk it is met with understandable division. The Life and Times of Judge Roy Bean can not be recommended in confidence since it is far too rambling and episodic for its own good, something which writer Milius was at pains to say himself. Going so far to say that it’s not the film he wrote and that Huston just did his own thing and steered the pic in another direction – for better or worse depending on your own filmic proclivities. The intention on the page was to have a man clearly with delusions of grandeur, a self appointed judge, jury and executioner, and as an egostical berk into the bargain as well, this side of things comes through. Yet the pic never settles down into a coherent rhythm, as a number of characters played by guest stars wander into each episode, the pic stalls and resorts to bawdy frothery or pretentious surrealism to hopefully hook you into staying with the piece. Unfortunately come the hour mark this becomes tedious and it’s a slog to get through. Some folk do love it, and maybe it’s one to revisit on occasion to catch any nuances missed previously, maybe even grasp the point Huston was trying to make? But for me it’s a mess, an overblown mess that not even the great Paul Newman could save. 5/10
User reviews courtesy of TMDB.
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Paul Newman
Judge Roy Bean
Victoria Principal
Maria Elena
Ned Beatty
Tector Crites
Matt Clark
Nick the Grub
Roddy McDowall
Frank Gass
Jacqueline Bisset
Rose Bean
Bill McKinney
Fermel Parlee
Anthony Perkins
Reverend LaSalle
Tab Hunter
Sam Dodd
Stacy Keach
Bad Bob
Steve Kanaly
Whorehouse Lucky Jim
John Huston
Grizzly Adams
Ava Gardner
Lily Langtry
Roy Jenson
Outlaw
Gary Combs
Outlaw
Richard Farnsworth
Outlaw
Dean Smith
Outlaw
Francesca Jarvis
Mrs. Jackson
Neil Summers
Snake River Rufus Krile
Jeannie Epper
Whore
Terry Leonard
Outlaw
Jack Colvin
Pimp
Howard Morton
Photographist
Don Starr
Opera House Manager
Anthony Zerbe
Hustler
John Hudkins
Man at Stage Door
David Sharpe
Doctor
Richard Moore
Director of Photography
Edith Head
Costume Design
William Tuttle
Makeup Artist
Alan Gibbs
Stunts
David Sharpe
Stunts
Dean Smith
Stunts
Gary Combs
Stunts
Hal Needham
Stunts
Neil Summers
Stunts
Richard Farnsworth
Stunts
Terry Leonard
Stunts
John Huston
Director
Lynn Stalmaster
Casting
Paul Newman
Co-Executive Producer
Maurice Jarre
Original Music Composer
John Milius
Writer
Dec 18, 1972
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Zone 2
2015
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2026
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Battle your watched movies head-to-head
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Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
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2022 · 11 wins
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2019 · 11 wins
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