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EON Productions
United Artists
James Bond Collection
The new James Bond...living on the edge.
After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.
tmdb93836550
Nov 23, 2024 · via TMDB
I also use to not like this that much and again I like it now but I do prefer Licence to Kill.
drystyx
Apr 18, 2023 · via TMDB
The last of the very good 007 films. The last of the fun 007 films for sure. Here, Bond is supposed to stop an assassination of a Russian VIP defecting to the West, but Bond senses something, and instead of killing the assassin (a shapely female violinist), he shoots the weapon from her hand. Something is amiss about the defector, and it's obvious to the viewer, though perhaps not obvious to someone who is in the story. We get lots of great scenery, lots of action, lots of wit, and some great horse play, such as riding a violin case like a sled to escape bad guys. It's perhaps the most "fun" of the Bond films, and that deserves mentioning. After this movie, "fun" was apparently a four letter word to the Generation Xenophobe minded producers.
GenerationofSwine
Jan 11, 2023 · via TMDB
I don't understand all the hate on Dalton as 007, I actually thought he was a decent Bond, I thought he brought back some of the cold blooded assassin that personified the first of the Connery Era films. And I think he was a much needed change of pace away from Moore's silliness. However, I think some of the hate comes from the change of pace away from the silliness. You get used to things and a lot of people got used to Moore. But, then again, I was 7 when The Living Daylights came out, this was the first 007 movie I REMEMBER seeing in the theaters, and there is that special place in my heart for the cold blooded assassin style 007. And The Living Daylights is one of the last to have all the 007 tropes in it, the smoking, the harem, the stuff that defined 007 films before they started to move away from them in the 90s. This marks a return to the Dr. No, From Russia with Love, era of Bond, a move away from the silliness and... ... it has one of the best 007 cars, at least in my view. The Living Daylights still has the Aston Martin that I want... and, let's face it, he works with what is really the Taliban before the Taliban became the enemy of the west, when they were still fighting the Russians, and when the west was still taking their side in Afghanistan before the Soviets withdrew. So you kind of get a history lesson that really only people alive in the 80s remember.
CinemaSerf
Jul 29, 2022 · via TMDB
So Roger Moore has handed the baton of Ian Fleming's "007" to Timothy Dalton and this first outing is not at all bad. The story is, perhaps, not the best but this is still an action packed adventure with loads of pyrotechnics and daft gadgets that really does move along swiftly for over two hours. "Bond" is assigned to aid would-be defector "Gen. Koskov" (Jeroen Krabbé) from Berlin, along the way encountering the lethal cellist "Kara" (Maryam d'Abo). A bit of fun with the no-nonsense Julie T. Wallace, a Harrier jump jet and and soon-to-be-trashed English stately home set a scene for the ensuing narrative that mixes perilous international espionage with glamour and plenty of entertainment. Blonde baddie Andreas Wisniewski must have done wonders for the sales of 501s, hammily megalomanic arms dealer Joe Don Baker likewise for the sale of toy soldiers and Desmond Llewelyn continues to provide our hero with plenty of imaginatively designed toys to help him escape from certain death! Art Malik is maybe not the most convincing as an Afghan freedom fighter, and I missed Lois Maxwell's few scenes as the love-struck "Moneypenny", but otherwise this is a thoroughly enjoyable piece of good-humoured and pacily directed cold war bravado. It does look better on a big screen - some of the cinematography, especially the aerial photography - lends itself well to a bigger screen and a bit of A-ha at the beginning sets it all off nicely. Not the best of the franchise, but it augers well for this new incarnation.
JPV852
Apr 19, 2020 · via TMDB
Great entry into the series and wonderful debut for Dalton who was charming, and for me far and away better than any of Roger Moore's movies (though found some of his to be entertaining enough). Not all that fond of this theme song but still catchy enough I suppose. Also features some great aerial stuntwork. **3.75/5**
Wuchak
Sep 5, 2018 · via TMDB
_**Solid Bond film with Timothy Dalton taking over as 007**_ "The Living Daylights" was the first of two James Bond films featuring Timothy Dalton as 007. It's a solid Bond flick, but rarely cited when the best films of the franchise are discussed. The "problem" isn't Dalton because he makes a fine James Bond and was what the series needed in 1987 (when the film was released). Although the Roger Moore era (1973-1985) is my favorite stretch of the franchise, mainly because they're so all-around entertaining, Roger was just too old in 1987 to continue in the role (he was 60 years-old). Plus I think everyone was craving a more serious Bond by 1987 and Dalton delivers the goods. There’s a lot of good in "The Living Daylights." It features a great opening sequence involving skydiving at the Rock of Gibraltar followed by a Jeep-going-down-the-mountain segment. The events switch to Bratislava, Slovakia (but shot in Vienna, Austria) where everything slows down to dramatic intrigue. A short while later there's a cool winter chase episode with Bond and his romantic interest (Maryam d'Abo) in a car with skis (also shot in Austria). The action-packed last act takes place in Afghanistan (but shot in Morocco and the Mojave Desert). This part of the movie increases in suspense as James and his babe try to get out of the country on a cargo plane, and the film still doesn't end at that point. This climax features three or four excellent suspense scenes and some funny quips as well. Unfortunately, the film is weak in the area of women. D'Abo is decent in a doe-eyed, winsome way, but her presence is never really capitalized on; she looks good in slacks though. Other than her, there are only brief flashes of women with no one particularly standing out, except maybe a blonde in white shorts. The cast also includes Joe Don Baker, Jeroen Krabbé, John Rhys-Davies and Andreas Wisniewski, mostly villains or possible villains. BOTTOM LINE: Although "The Living Daylights" is not a highlight of the series, it's still a worthwhile Bond flick with the usual staples, albeit shaky in the female department. Aside from Timothy Dalton, who makes a refreshing Bond, the opening and ending sequences are the best parts. The film runs 2 hours, 10 minutes. GRADE: B-
User reviews courtesy of TMDB.
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Plex
Timothy Dalton
James Bond
Maryam D'Abo
Kara Milovy
Joe Don Baker
Brad Whitaker
Art Malik
Kamran Shah
John Rhys-Davies
General Leonid Pushkin
Jeroen Krabbé
General Georgi Koskov
Andreas Wisniewski
Necros
Thomas Wheatley
Saunders
Desmond Llewelyn
Q
Robert Brown
M
Geoffrey Keen
Minister of Defence
Walter Gotell
General Anatol Gogol
Caroline Bliss
Miss Moneypenny
John Terry
Felix Leiter
Virginia Hey
Rubavitch
John Bowe
Col. Feyador
Julie T. Wallace
Rosika Miklos
Belle Avery
Linda (as Kell Tyler)
Catherine Rabett
Liz
Dulice Liecier
Ava
Nadim Sawalha
Chief of Security, Tangier
Alan Talbot
Koskov's KGB Minder
Carl Rigg
Imposter
Michael Moor
Kamran's Man
Peter Porteous
Gasworks Supervisor
Antony Carrick
Male Secretary, Blayden
Frederick Warder
004
Glyn Baker
002
Scott Hoxby
Sergeant Stagg
Richard Cubison
Trade Centre Toastmaster
Leslie French
Lavatory Attendant
Mayte Sánchez
Girl
Barbara Broccoli
Opera Patron
Robert Miranda
Pushkin's Hitman
Paul Weston
Gibraltar Soldier #3
Michael G. Wilson
Opera Patron
Hanno Pöschl
Prater Ferris Wheel Operator
Graham Cole
Agent
John Barry
Orchestra Conductor (uncredited)
Alan Harris
Man Firing Ghetto Blaster (uncredited)
Derek Lyons
MI6 Agent (uncredited)
Robert Miranda
Pushkin's Hitman (uncredited)
Michael Percival
Chef (uncredited)
Michael G. Wilson
Opera Patron (uncredited)
Maurice Binder
Main Title Designer
Peter Lamont
Production Design
Alec Mills
Director of Photography
Greg Powell
Animal Coordinator
Chris Corbould
Special Effects Technician
Eddie Powell
Stunts
John Glen
Director
Callum McDougall
Second Assistant Director
Peter Davies
Editor
Barbara Broccoli
Associate Producer
Debbie McWilliams
Casting
Albert R. Broccoli
Producer
Michael G. Wilson
Producer
Tom Pevsner
Producer
John Barry
Original Music Composer
Magne Furuholmen
Theme Song Performance
Morten Harket
Theme Song Performance
Paul Waaktaar-Savoy
Theme Song Performance
Ian Fleming
Novel
Michael G. Wilson
Screenplay
Richard Maibaum
Screenplay
Jun 29, 1987
Oct 17, 2000
DVD
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The Brother
2017
80 Day Obsession: Day 75 AAA (Phase 1)
2018
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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