Dirty Films
Fremantle Australia
Scarlett Pictures
Not part of a collection.
A mysterious new arrival disturbs a delicately balanced world in this story of spiritual struggle and the cost of survival.
In a remote monastery in 1940s Australia, a mission for Aboriginal children is run by a renegade nun, Sister Eileen. A new charge is delivered in the dead of night – a boy who appears to have special powers. When the monastery takes possession of a precious relic, a large carving of Christ on the cross, the new boy encounters Jesus for the first time and is transfixed. However, the boy’s Indigenous spiritual life does not gel with the mission’s Christianity and his mysterious power becomes a threat. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy, in this story of spiritual struggle and the cost of survival.
CinemaSerf
Mar 27, 2024 · via TMDB
Set against a backdrop of a strongly colonial and white Australia, we are rather violently introduced to a young, blonde, Aboriginal lad (Aswan Reid) who is conked out by a boomerang and awakens to find himself in the care of "Sister Eileen" (Cate Blanchett) and "Sister Mum" (Deborah Mailman) at a remote orphanage. She is pretty devout and he is very much in tune with nature - both people of faith, but not the same kind. The arrival of a large wooden crucifix to top their altar seems to focus both of them on what now becomes a rather dry and simplistic tale of spirituality. Reid does come across well. There is a spontaneity and naturalness to his performance, but Blanchett over-eggs just about all of the rest of it. She does this type of role well - shorn hair, manic eyes, slightly eccentric characterisation - but here there's just not enough story for her (or us) to get the teeth into. I got the sense that there was something almost "Oliver Twist" about the lad. Blonde? Sent away? Did he have a secret identity? That's not the story, though - and when he suffers his own rather personal misfortune at the end, I felt a rather overwhelming dislike of "Eileen" and her superstition-ridden church. Too be fair, this isn't a film that doesn't provoke a response - but with sparse dialogue and little character development, it's not really much more than a beautifully photographed vehicle for Blanchett to indulge herself and for Reid to be a boy facing a confusing future.
User reviews courtesy of TMDB.
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Cate Blanchett
Sister Eileen
Deborah Mailman
Sister Mum
Wayne Blair
George
Aswan Reid
New Boy
Kenneth Radley
Policeman
Kenneth Radley
Policeman #3
Andrew Upton
Firefighter
Warwick Thornton
Director of Photography
Warwick Thornton
Director
Anousha Zarkesh
Casting
Andrew Upton
Producer
Cate Blanchett
Producer
Nick Cave
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Warwick Thornton
Writer
May 23, 2025
May 30, 2025
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Study of Gestures_01
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1987 · 14 wins
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