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Columbia Pictures
Dark Horse Entertainment
Ghost House Pictures
30 Days of Night Collection
They're Coming!
This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
Sierbahnn
May 10, 2026 · via TMDB
It's tense, it is bloody, it's not perfect This is not a bad movie by any stretch, but the lack of ways of telling how the story and the world progresses (since it is all dark, all the time) makes it feel inevitable, or rushed, interchangeably. It is an odd sensation for a narrative. The casting is good, and the direction solid, and it is certainly not a bad movie, but pacing-wise it feels... off somehow.
tmdb15435519
Apr 15, 2021 · via TMDB
Eh, it's OK.
David
Feb 9, 2020 · via TMDB
Barrow, Alaska. The most northern town in the United States, where for 30 days every year it is has no sunlight. This is the perfect opportunity for a gang of merciless, & blood-thirsty vampires to feed on the remaining inhabitants of this small town, after most leave for the month of darkness. As people are leaving, and others are making preparations for their time of hibernation, mysterious occurrences are uncovered; mobile phones stolen, and destroyed, an entire team of sled dogs butchered. The ground work for the impending doom of a malevolent force. Once the killings and feedings begin there is no let up. I have watched my share of vampire films, and frankly this is definitely one of the best made, its stripped back, bare, and unromanticized. This group of vampires, led by the visceral Marlow (Houston) take no pity on the town of Barrow as they tear it apart looking for their prey, and using people as bait to lure hiding survivors out into the cold and snowed out streets of the isolated mining town. The second half of the film becomes a tale of survival, as town Sheriff Eben Olemun (Hartnett) and his soon to be ex-wife Stella (George), lead a group of survivors who manage to hide themselves away by staying in an attic, scared and cold they realize that it is only a matter of time before they are discovered and killed. Even though this is a film that does involve a fair amount of blood and gore, the film's real heart lies in the way it scares you with what it doesn't show in the lead up to the early killings, this for me is true horror, show me next to nothing, and build the most amount of tension, then deliver the shock, and you'll have me pissing my pants every time. There is also a fair amount of brutality shown, not only in how the vampires kill their prey, but also how they are dispensed by Eben and the others. On an interesting note, this is a film based on a graphic novel written by Steve Niles, who co-wrote the screenplay to the film. Niles had actually pitched the original idea as a film some years before, but reworked it to graphic novel after being knocked back by several producers, it was then picked up afterwards by one of those producers to make this film we have now.
Gimly
Jan 22, 2019 · via TMDB
**The following is a long form review that I originally wrote in 2010.** A new-age, brilliant vampire movie that never got the acclaim it rightfully deserved. _30 Days of Night_ is one of the few films I like that I can never understand why other people don’t. Though I do prefer other movies like _Revolver, Doomsday and Donnie Darko_ to it, with those I can always understand when people don’t see in them what I do. With _30 Days of Night_, if you don’t have a problem with gore, then you shouldn’t have a problem with the film. And yet I have personal friends as well as people I’ve heard from online who totally dig horror, gore, vampires etc. and yet don’t like _30 Days of Night_, which confuses me all to Hell, let me tell you. Though I was mildly aggravated by the inconstancies in the number of vampires around, other than that I can find virtually nothing bad to say about _30 Days of Night_. Firstly you have Josh Hartnett (_The Faculty_) as Sheriff Eben, protagonist, secondly you have Danny Huston (_The Proposition_) as Marlow, leader of the vampires, who attack Alaska during the winter period of 30 days without sun (which in and of itself is an awesome concept, and thirdly there’s Ben Foster (_Pandorum_) as the vampire’s human lapdog, all of whom are personal favourites of mine. That’s not even mentioning the fact that Eben’s wife is played by Australian Melissa George (_Triangle_), who was born in my hometown, so even if she wasn’t a great actor, she’d get auto-points. Basically every point in which _30 Days of Night_ differentiates from the comic it’s based on is an improvement to the story, which is (gasp, shock, horror) a mildly realistic Vampire film. God forbid. I love the vampires in this. Though they’re not quite as sexy and well-dressed as they are in _Underworld _or as demonic as they are in _Buffy the Vampire Slayer_, they bring a totally new brutality to the vampire class. They wear what you’d expect late 30-ish people living in 2007 to wear, they’re stronger than the average human, but not impossibly so, they hunt in packs and give off bloodcurdling, atavistic shrieks (of which I give quite a good impression; sidenote) they’re unrelenting an animalistic but just as intelligent as a regular person, they’re quick, dark and deadly. There’s no camp to be found here, not always a good thing, but in _30 Days of Night_, it is. I honestly cannot recommend this one enough, despite its intense gore and general panning, I implore you to at the very least give it a go, and decide for yourself. Both the human survivors and the vampire invaders are there simply trying to stay alive, the vamps through their sadistic, systematic hunting of the local populace for their food-source, blood, and the people by trying to both hide, and fight back, but mostly the former. Ironically, it’s the “humanity” of the humans that causes every one of their downfalls, while they’re leached from above by a far superior race, who goes so far as to call humans a “plague” and invent a new language all for themselves, just so as to not have to speak the same filthy way we lower-beings do (and I mean, if your choice was between that and having to put up with American-English, wouldn’t you?). 86% -_Gimly_
User reviews courtesy of TMDB.
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Josh Hartnett
Eben Oleson
Melissa George
Stella Oleson
Danny Huston
Marlow
Ben Foster
The Stranger
Mark Boone Junior
Beau Brower
Mark Rendall
Jake Oleson
Amber Sainsbury
Denise
Manu Bennett
Billy
Megan Franich
Iris
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Isaac Bulosan
Nathaniel Lees
Carter Davies
Elizabeth Hawthorne
Lucy Ikos
Joel Tobeck
Doug Hertz
Kate Elliott
Dawn
Camille Keenan
Kirsten Toomey
Peter Feeney
John Riis
Pua Magasiva
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Jared Turner
Aaron
Kelson Henderson
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John Wraight
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Kate Butler
Michelle Robbins
Thomas Newman
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Patrick Kake
Frank Robbins
Min Windle
Ally Riis
Jack Walley
Peter Toomey
Elizabeth McRae
Helen Munson
Joe Dekkers-Reihana
Tom Melanson
Grant Tilly
Gus Lambert
John Rawls
Zurial
Melissa Billington
Kali
Jacob Tomuri
Seth
Kate O'Rourke
Inika
Ben Fransham
Heron
Andrew Stehlin
Arvin
Tim McLachlan
Archibald
Jarrod Martin
Edgar
Allan Smith
Khan
Dayna Grant
Jeannie Colletta
Aaron Cortesi
Cicero
Matt Gillanders
Daeron
Emmanuel Amadeo Badal
Vampire (uncredited)
Leonard Mathews
Barrow Citizen (uncredited)
Jay Saussey
Doug’s Wife (uncredited)
Paul D. Austerberry
Production Design
Jo Willems
Director of Photography
Jane O'Kane
Hair Designer
Jane O'Kane
Makeup Designer
Allan Poppleton
Stunt Coordinator
Dayna Grant
Stunts
Hiroo Minami
Stunts
Mana Hira Davis
Stunts
David Slade
Director
Charlie Haskell
Second Unit Director
Liz Mullane
Casting
Mary Vernieu
Casting
Venus Kanani
Casting Associate
Mike Richardson
Executive Producer
Nathan Kahane
Executive Producer
Joseph Drake
Producer
Robert Tapert
Producer
Sam Raimi
Producer
Carrie McLaughlin
Foley
Brian Reitzell
Music Supervisor
Brian Reitzell
Original Music Composer
Charles Tait
Compositing Artist
Matsune Suzuki
Modeling
Dan Lemmon
Visual Effects Supervisor
George Port
Visual Effects Supervisor
Steve Niles
Novel
Steve Niles
Screenplay
Stuart Beattie
Screenplay
Oct 19, 2007
Feb 26, 2008
DVD / Blu-ray
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Too Much, Too Young: Children of the Middle Ages
2011
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2006
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Evil Dead II
1987 · 14 wins
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2008 · 14 wins
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1978 · 13 wins
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2000 · 12 wins
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1981 · 11 wins
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