United Artists
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The Killing
In all its fury and violence...
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
- Original title
- The Killing
- Language
- EN
- Country
- US
- Budget
- $320,000
- Revenue
- —
CinemaSerf
Jun 20, 2023 · via TMDB
Though it's Sterling Hayden who takes top billing here, it's actually Marie Windsor who steals the show as "Sherry". She is the rather money-grabbing, bullying, wife of "George" (Elisha Cook Jr). Now he works in the cashier's office at the local racetrack where "Mike" (Joe Sawyer) works behind the bar. These two are to be lynch pins in a daring plan to rob the place of two million dollars as it's feature race brings in the punters. Ex-con "Johnny" (Hayden) is the brains behind the scheme that also includes a bent cop "Randy" (Ted de Corsia), marksman "Nikki" (Timothy Carey) and financier "Unger" (the familiar face of Jay C. Flippen). Meticulous planning is required, diversions are created and it all looks set fair. Except, that is, for the blabbermouth "George" who tells his wife - in a bid to retain her love for him (and money) - who proceeds to tell her lover "Val" (Vince Edwards) and so a bit of double-play is soon on the cards too. It's constructed almost like a jigsaw puzzle, this film. We do a little bit of work on one aspect of the story, then move timelines and/or locations to another, or to another character before it all gradually comes together delivering a really effective eighty minutes of crime drama. Although I thought the ending just a little bit of a let down, there are strong performances across this tautly directed and effectively scored story. There's quite a lively bit of action from strongman Kola Kwariani in here too that's quite entertaining. Well worth a watch.
John Chard
Mar 14, 2019 · via TMDB
This is a bad joke without a punch line. The Killing is directed by Stanley Kubrick who co-adapts to screenplay with Jim Thompson from the novel Clean Break written by Lionel White. It stars Sterling Hayden, Marie Windsor, Elisha Cook Jr, Vince Edwards, Jay C. Flippen and Coleen Gray. Music is by Gerald Fried and cinematography by Lucien Ballard. Ex-con Johnny Clay (Hayden) has a plan to make a killing at the racetrack, with some special inside help he plots to nab $2 million in an intricate robbery. It looks a good thing, the right people are in place, but there's a potential spanner in the works in the shapely form of Sherry Peatty (Windsor), the unfaithful and devious wife of one of the robbers. Cheaply made by Kubrick and his producer partner James B. Harris, The Killing is a lean and mean mid 50's film noir. Poorly received at the box office and met with indifference by critics upon release, it's a film that has come to be noted as hugely influential - more so as Kubrick's reputation has grown over the passing years. Clocking in at under 85 minutes, film is told in a fractured narrative structure that at the time was viewed as an oddity. Story is constructed around crosscut flashbacks as the robbery is planned and then executed, with Kubrick's direction as meticulous as the actual robbery itself. It's not hard to understand why confusion was an issue back upon its release, but this is something that now comes off as something of a masterstroke, and this even if Kubrick was forced to tinker with the final product where it was decided to add in a voice-over to aid those troubled by the nonlinear narrative (which the director despised). In spite of some problems, such as the cheapo sets and some stiff performances from secondary characters, The Killing is quintessential film noir. Kubrick thrives on filming his characters in cramped surroundings, the use of angles very effective, and Ballard photographs superbly for the low-key interiors, thus the mood is perfectly set. Story is filled out with hapless characters, where destinies are defined by greed, betrayal and the devils trump card - that of bad luck. As is normally the case with the best film noir, it's a dame who holds the key to the misery here. Sherry Peatty (Windsor excellent) is cold and utterly bitch like. She has a hold over her cuckolded husband George (Cook Junior never better) that would be easy to detest, that is were it not for the fact George is so pitifully weak! From that coupling bursts a doom and bleakness that underpins the story, rendering the film with a fatalistic sheen. The Killing does have a dated feel to it, but only slightly (and not remotely irritatingly) so. While there's no denying that the budgetary restrictions - the voice-over and some less than good performances - stop this being the masterpiece of the crime genre some of us want it to be. However, it's a damn fine film, that's tense, exciting and very compelling, and it does deserve to warrant a place on a favourite list of any self respecting film noir fan. 8/10
User reviews courtesy of TMDB.
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Sterling Hayden
Johnny Clay
Coleen Gray
Fay
Vince Edwards
Val Cannon
Jay C. Flippen
Marvin Unger
Ted de Corsia
Patrolman Randy Kennan
Marie Windsor
Sherry Peatty
Elisha Cook Jr.
George Peatty
Joe Sawyer
Mike O'Reilly
James Edwards
Track Parking Attendant
Timothy Carey
Nikki Arcane
Jay Adler
Leo the Loanshark
Tito Vuolo
Joe Piano
Dorothy Adams
Ruthie O'Reilly
Herbert Ellis
2nd American Airlines Clerk
James Griffith
Mr. Grimes
Joe Turkel
Tiny
Steve Mitchell
Brown
William Benedict
American Airlines Clerk
Charles Cane
Plainclothesman at Airport
Robert B. Williams
Plainclothesman at Airport
Franklyn Farnum
Racetrack Spectator (uncredited)
John George
Racetrack Spectator (uncredited)
Art Gilmore
Narrator (voice) (uncredited)
Kenner G. Kemp
Racetrack Spectator (uncredited)
Carl M. Leviness
Racetrack Spectator (uncredited)
Sol Gorss
Track Guard Slugged by Johnny (uncredited)
Harry Hines
Chess Player (uncredited)
Harvey Parry
Bartender (uncredited)
Richard Reeves
Bill (uncredited)
Frank Richards
Track Employee in Locker Room (uncredited)
Arthur Tovey
Racetrack Cashier (uncredited)
Noble 'Kid' Chissell
Racetrack Spectator (uncredited)
Rodney Dangerfield
Onlooker (uncredited)
John Hudkins
Track Guard (uncredited)
Michael Jeffers
Checkers Player (uncredited)
Leoda Richards
Racetrack Spectator (uncredited)
Jack Tornek
Racetrack Spectator (uncredited)
Lucien Ballard
Director of Photography
Bob Morgan
Stunts
Gil Perkins
Stunts
Harvey Parry
Stunts
Sol Gorss
Stunts
Stanley Kubrick
Director
James B. Harris
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Gerald Fried
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Gerald Fried
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Jim Thompson
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Stanley Kubrick
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Jim Thompson
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May 19, 1956
New York City, New York
Jun 6, 1956
