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Clouds of Sils Maria
ARTE France Cinéma ARTE France Cinéma
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CAB Productions
CG Cinéma CG Cinéma
Ezekiel Film Production Ezekiel Film Production
Les Films du Losange Les Films du Losange

Not part of a collection.

Clouds of Sils Maria

2014 124 min ★ 6.6 (819) Released
Drama

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.

Original title
Clouds of Sils Maria
Language
EN
Country
FR,DE,CH
Budget
$6,600,000
Revenue
$1,851,517
Reviews & Ratings 3
B

badelf

Aug 16, 2024 · via TMDB

★ 10.0

“We're not allowed to regret anything. If we're sincere, then we're the sum total of our experiences ... with no exceptions.” Art and Reality - one imitates the other. But which is the imitator and which is the creator? That invisible thread between art and reality is the heart of this film. Olivier Assayas has created a complex, intelligent, layered psychological drama, where the "stage script" and the film are connected by the gossamer art-reality thread. Juliette Binoche and Kristen Stewart delivered masterful performances with all the nuances required to bring Assayas' vision to life. The first third of the movie appeared to be bland, disjointed, and even on the edge of ennui. At the end, I realized the brilliance of this work that, in fact, there were no unnecessary scenes.

MaxTyrone

MaxTyrone

Mar 21, 2017 · via TMDB

★ 8.0

On the way to accept an award from the playwright that discovered her - the very same man who suddenly passes away before the ceremony - acclaimed actress, Maria Enders, is forced to reconcile both her age and her role in contemporary art. While rehearsing for a role, of which she has no choice taking due to her age, she has to reckon with the young actress playing her old role. This is a slow-paced movie, that is, it takes its time revealing the deteriorating confidence of an aging actress. What accentuates her strife are the locations: the lonesome mountains, long winding roads, both straddled by rolling, ground-smothering fog and clouds. Great lingering shots and cinematography eases the eye, as Maria rehearses and incrementally loses her mind with her young assistant, Valentine. Although her assistant attempts to defend what her boss deems as insufficient art (or cinema) and unprofessional (particularly the young costar of the upcoming play), Maria threshes with the stifling fact that her roles - both her role in the play and in the world of art - are changing without her control or consideration. The acting in this film is commendable, with a solid performance from Juliette Binoche (as always) and a surprising effort from Kristen Stewart. These two carry the movie with palpable chemistry - so much so that every turn in their relationship dictates not only the environment of the film, but also the audience. This film is for the patient, and for those who don't mind huge questions.

Reno

Reno

Nov 4, 2016 · via TMDB

★ 6.0

**The actors and their generation difference, evolution of cinema and the beauty of nature.** This is about a middle aged actress who spends in the Swiss Alps with her personal assistant while preparing for the upcoming project. During that time, she receives a news that the author of the book which was adapted for the screen 20 years ago where she play a main role and now in its remake, she's doing another part, while a young sensation playing the main part. This is more like the evolution of cinema. The 20 years is too soon for her, while the cinema and its trend advanced rapidly. Precisely to say, the commercial films and young actors taking over the art films and true artists' places respectively. If you at least 30 years old, you would get this film more than others. Because while I was growing up in the 90s, the cinema was so different. I'm not talking about the technology like computer graphics, but the story and how it was narrated for the screen. Now the science- fiction and dystopian themes taking over with the young audience and social media support. I think it was a quite meaningful film, particularly if you adore films like the recent evolution in cinema was so faster than ever. The negatives were, the film was too long, slow pace and too simple drama. The positives were, the actors and their performances, the locations, theme and some of the dialogues. Directed by a French filmmaker, this is an international project with a few guest appearances. Most of the film was set in the Alps. Totally different than what I was anticipating, but I still like, except in a few parts where I got bored for its weak development. So this is for the selected audience, that mean it will be appreciated by a very few and I'm kind of neutral with mostly in its favour. _6/10_

User reviews courtesy of TMDB.

Keywords 7
aging alps mountains divorce gender ideals mountain personal assistant suicide
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Cast 17
Juliette Binoche

Juliette Binoche

Maria Enders

Kristen Stewart

Kristen Stewart

Valentine

Chloë Grace Moretz

Chloë Grace Moretz

Jo-Ann Ellis

Lars Eidinger

Lars Eidinger

Klaus Diesterweg

Johnny Flynn

Johnny Flynn

Christopher Giles

Brady Corbet

Brady Corbet

Piers Roaldson

Hanns Zischler

Hanns Zischler

Henryk Wald

Angela Winkler

Angela Winkler

Rosa Melchior

Nora Waldstätten

Nora Waldstätten

Actress in Sci-Fi movie

Aljoscha Stadelmann

Aljoscha Stadelmann

Urs Kobler

Claire Tran

Claire Tran

Maria's London assistant

Ricardia Bramley

Ricardia Bramley

Talk show host

Luise Berndt

Luise Berndt

Urs' assistant

Gilles Tschudi

Gilles Tschudi

Mayor of Zürich

Caroline De Maigret

Caroline De Maigret

Chanel PR

Jerry Kwarteng

Jerry Kwarteng

Journalist (uncredited)

Steffen Mennekes

Steffen Mennekes

Journalist (uncredited)

Crew 16
François-Renaud Labarthe

François-Renaud Labarthe

Production Design

Daniel Mahlknecht

Daniel Mahlknecht

Assistant Camera

Yorick Le Saux

Yorick Le Saux

Director of Photography

Stéphane Germain

Stéphane Germain

Key Grip

Kent Jones

Kent Jones

Thanks

Mia Hansen-Løve

Mia Hansen-Løve

Thanks

Olivier Père

Olivier Père

Thanks

Olivier Assayas

Olivier Assayas

Director

Marion Monnier

Marion Monnier

Editor

Antoinette Boulat

Antoinette Boulat

Casting Director

Thanassis Karathanos

Thanassis Karathanos

Co-Producer

Martin Hampel

Martin Hampel

Line Producer

Charles Gillibert

Charles Gillibert

Producer

Frédérique Dumas-Zajdela

Frédérique Dumas-Zajdela

Producer

Daniel Sobrino

Daniel Sobrino

Sound

Olivier Assayas

Olivier Assayas

Writer

Gallery 65
Videos 14
Similar Movies 78
US Release Dates 1

Apr 10, 2015

R Theatrical

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🥇 Evil Dead II

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1987 · 14 wins

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Top Gun: Maverick

2022 · 11 wins

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2019 · 11 wins

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