Epsilon Motion Pictures
Not part of a collection.
Nothing is more desirable or more deadly than a woman with a secret.
A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.
JPV852
May 18, 2022 · via TMDB
** Contains spoilers ** Lower tier movie from De Palma that has some good direction and acting was... okay, but the ending still never quite worked even after seeing this again (third time if I recall). The whole it was all a dream felt like a cheat. On the other hand, as mainstream erotic-thrillers go, it's worth a watch if you're interested in that subgenre, it's not a bad way to spend 2 hours. **3.0/5**
John Chard
Nov 8, 2015 · via TMDB
Isn't sugar better than vinegar? **SPOILER ALERT - The last paragraph makes reference to a 1940s film that constitutes a spoiler. ** There rarely seems to be anything in between where Brian De Palma films are concerned, cinematic lovers of all kinds by and large either trash or laud his films. Femme Fatale is no different, one critic - both professional or amateur - will have it as a 1/10 movie, another will have it at the maximum rate available. Femme Fatale is high grade stuff if one is either a De Palma fan or a lover of film noir. Conversely if these two things don't tick your film loving boxes then the law of averages suggests you should have - or should - stayed/stay away from it. De Palma opens up the doors to his fun house and invites noir lovers to come on in and enjoy. It's difficult to write about the plot because it holds many twists and turns, it's a veritable supply of uppers and downers, twisters and benders, all sexed up and pumped full of De Palma's trademark tricks and devilish rug pulls. In truth the story and set-up is predictable, but the journey is what makes the pic ooze quality and bare faced cheek, with the director giggling away like a schoolgirl in the background. Opening up with a sequence that sees our titular fatale (Rebecca Romijn-Stamos) watching famed noir classic Double Indemnity, De Palma proceeds to homage and love the film noir world. As he uses split-screens, canted angles, up-tilt shots, shadow plays etc, the narrative pulses with eroticism and impending cruelty, this really is a femme fatale based movie of the grandest kind. As events unfurl, with hapless photographer Nicola Bardo (a fun packed Antonio Banderas) caught in the web, Ryuichi Sakamoto's magnificent classical based score swirls around like some sort of peeping tom. The latter of which finds a shifty accomplice in Thierry Arbogast's noir photography. It's a picture awash with dupes, dopes and vengeful criminals, where the themes of identity, duality, sexuality and distorted perceptions gnaw away at those investing fully in the viewing experience. Some critics (prof and amat) have lazily likened the film to David Lynch's Mulholland Drive, as if De Palma in 6 short months watched Lynch's movie and then knocked this film out! The copy-cat charge as funny as the rug-pull that De Palma pulls here. Besides, as any film noir lover will tell you, this has more in keeping with Fritz Lang's 1944 noirer "The Woman in the Window" than Lynch's film, which is no bad thing at all, and De Palma knew that. 8/10
User reviews courtesy of TMDB.
Shout! Factory Amazon Channel
Rebecca Romijn
Laure Ash / Lily Watts
Antonio Banderas
Nicolas Bardo
Peter Coyote
Watts
Ériq Ebouaney
Black Tie
Édouard Montoute
Racine
Rie Rasmussen
Veronica
Thierry Frémont
Serra
Gregg Henry
Shiff
Daniel Milgram
Pierre / Bartender
Jean-Marc Minéo
Seated Guard
Éva Darlan
Irma
Jean-Marie Frin
Louis
Philippe Guégan
Bespectacled Man
Laurence Breheret
Flight Attendant
Salvatore Ingoglia
Truck Driver
Matthew Géczy
Embassy Guard
Laurence Martin
Nathalie
Jo Prestia
Napoleon
David Belle
French Cop
Françoise Michaud
Woman with Blind Man
Alain Figlarz
Sex Shop Man
Valérie Maës
The Blonde in Restroom, at Bridge and in Cafe
Dan Herzberg
Surveillance Room Guard
Sandrine Bonnaire
Special Guest Cannes Film Festival
Régis Wargnier
Special Guest Cannes Film Festival
Yves Marmion
Special Guest Cannes Film Festival
Gilles Jacob
Cannes Film Festival Participant
John Stamos
Agent (voice) (uncredited)
Thierry Arbogast
Director of Photography
Roger Simonsz
Second Unit Director of Photography
Olivier Bériot
Costume Design
Virginie Arnaud
Stunt Double
Brian De Palma
Director
Bill Pankow
Editor
Suzanne Smith Crowley
Casting
Tarak Ben Ammar
Producer
Ryuichi Sakamoto
Original Music Composer
Jean-Paul Mugel
Sound Engineer
François Groult
Sound Mixer
Laurent Quaglio
Supervising Sound Editor
Brian De Palma
Writer
Nov 6, 2002
Mar 25, 2003
DVD / VHS
May 12, 2015
Warner Archive Collection DVD
May 17, 2022
Shout! Factory Blu-ray
Versus
Sign in to play →
Hedonist Hypnotist
1970
Iemand Soos jy
1978
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
Versus
Sign in to play →
Hedonist Hypnotist
1970
Iemand Soos jy
1978
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
We use essential cookies to run MovieNight, plus analytics (Google Analytics) and advertising (Google AdSense) cookies. By continuing to browse, you agree to this — or click No and we won't. See our Terms & Privacy Policy to learn more.