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Lights Out
Atomic Monster Atomic Monster
?
Grey Matter Productions
New Line Cinema New Line Cinema
RatPac Entertainment RatPac Entertainment

Not part of a collection.

Lights Out

You were right to be afraid of the dark.

2016 81 min ★ 6.4 (4,225) Released
Horror Mystery

Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.

Original title
Lights Out
Language
EN
Country
US
Budget
$4,900,000
Revenue
$149,368,835
Reviews & Ratings 4
The Movie Mob

The Movie Mob

Aug 25, 2022 · via TMDB

★ 8.0

**Lights Out is one of the best horror movies of the past decade - a genius concept with an even more brilliant execution.** Lights Out pulls off some of the most creative and impressive visual effects I have ever seen! The concept of a ghost/creature that can only attack through darkness leads to moments in the film that showcase these chilling and clever effects. The actors portray their characters in a way that keeps them from feeling like stereotypical horror tropes. Sandberg’s creativity and love of the story shine as he explores new innovative terrors and thrills throughout the film. It will make you want to leave the lights on while watching it! Great scares. Intriguing premise. Incredible effects. Lights Out demands to be seen by anyone that even flirts with the idea of being a horror fan.

Gimly

Gimly

Nov 23, 2016 · via TMDB

★ 6.0

2016 continues to be a great year for horror, and _Lights Out_ is a decent example of that, with a whole lot of originality. _Final rating:★★★ - I personally recommend you give it a go._

F

Frank Ochieng

Aug 18, 2016 · via TMDB

Although a simplistic and familiar theme is explored involving sinister forces tormenting a child in distress, Swedish director David F. Sandberg brings something chillingly fresh to his horror/psychological offering **Lights Out**. Sandberg, making his feature film debut, delivers an adequate amount of tension and trickery for all things considered ominous in the edginess of darkness. Lights Out is a reasonable chiller that demonstrates a decent measurement of depth without tripping over its cliched feet. The characterizations that go “bump in the night” in **Lights** are not as disposable as one is routinely used to experiencing in produced over-indulgent, generic boofests. The construction of **Lights Out** feels atmospheric and sparse at times but the manufactured thrills somehow add the necessary alarm factor in a psychological thriller that boasts solid performances particularly by actress Maria Bello as the tortured soul at the center of the CGI creepiness. Sandberg’s adventurous direction and screenwriter Eric Heisserer’s spell-binding script works in part because Lights Out never extends itself beyond its lean and claustrophobic confines. The storytelling is taut and the scare tactics create worthy jolts without further monotony. There are predictable jumpy cuts and the movie never fully deviates from the conventional suspenseful landscape that populates countless fright fables. Still, **Lights Out** manages to shine some shady brightness on this effectively drawn hair-raising spectacle. The premise introduces the long-lasting notion of childhood fear and despair on the jeopardized shoulders of young insomniac Rebecca (Teresa Palmer) who has long since left the haunting homestead where the evil vibes of a dastardly spirit had tortured her relentlessly. Rebecca is now concerned that the tawdry tradition of this shifty spook is now about to terrify her little 10-year old stepbrother Martin (Gabriel Bateman). In fact, Martin wants to split his hellish household and escape to Rebecca’s place for some guaranteed safety. After all, who can blame the poor kid for wanting to abandon his doomed domicile. Enter the problematic Sophie (Bello). As the nervous-wreck mother to both Rebecca and Martin, Sophie has had her share of disappointments, heartaches and breakdowns in the past and present. It was revealed that Sophie had spent some critical time in a mental institution many years ago which explains her current complicated issues with men/relationships not to mention the strained connection with her disillusioned children. More important, Sophie faces the dilemma of encountering an assortment of deceased figures that randomly pop up from time to time within her expansive, worrisome walls. But nothing is more arousing or concerning than Sophie’s run-ins with the devilish Diana (Alicia Vela-Bailey), her troubled off-the-wall pal and fellow asylum inmate from yesteryear. What is so jittery about Diana’s presence in the house is that she is so clingy and protective of her precious Sophie. The key to Diana’s horrifying existence is when the lights are turned off, Thus, it allows the deranged feminine entity to roam the house in a blanket of blackness while staking the beleaguered Sophie in the process. **Lights Out** (originally Sandberg’s short film competition entry years ago) acts as a symbolic mirror reflecting the echoes of mental illness and inherent self-destruction concerning the fragile psyche. The film percolates convincingly when Bello’s Sophie is scarred constantly by the harried ties that bind. Sandberg demonstrates a wounded woman on the edge of insanity. The suffering of inner conflict and outer self-doubt has consumed Sophie to the point where she has personalized her self-inflicted poison with baggage ranging from a couple of deceased husbands to the harsh reality that her children are weary of her toxic nuttiness. Bello displays the brokenness and confusion of her portrayal with applauded conviction. The sister-brother tandem of Palmer’s Rebecca and Bateman’s Martin is both comforting and intriguing as they are joined at the hip in their fright night delusions. Vela-Bailey’s Diana is deliciously shadowy as the intrusive Diana applying the statically gloom. The nightmarish special effects are challenging and imaginative and cinematographer Marc Spicer’s experimental lighting gives **Lights Out** its gripping sheen. Overall, Sandberg’s menacing mechanism of a movie certainly forces the shaky hand of its skeptical audience to snuggle up to the nearest light switch. **Lights Out** (2016) Rat-Pac Tune Entertainment 1 hr, 21 mins. Starring: Maria Bello, Teresa Palmer, Gabriel Bateman, Billy Burke, Alicia Vela-Bailey, Alexander DiPersia Directed by: David F. Sandberg MPAA Rating: PG-13 Genre: Horror/Psychological Thriller/Supernatural Critic’s rating: *** stars (out of 4 stars) (c) **Frank Ochieng** (2016)

T

talisencrw

Aug 4, 2016 · via TMDB

★ 8.0

My son Julian (13) and my lady Tammy, themselves two horror-film aficionados, and I went and saw this theatrically, and we were all quite pleased, though at least Julian and I tend to go for the classic stuff. Well worth checking out, if you're in for this sort of thing.

User reviews courtesy of TMDB.

Keywords 17
based on short film basement darkness evil spirit fear of the dark ghost jump scare light sensitivity mental asylum mental illness paranormal phenomena parenthood sibling relationship suicide supernatural supernatural horror suspenseful
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Cast 14
Teresa Palmer

Teresa Palmer

Rebecca

Maria Bello

Maria Bello

Sophie

Gabriel Bateman

Gabriel Bateman

Martin

Alexander DiPersia

Alexander DiPersia

Bret

Alicia Vela-Bailey

Alicia Vela-Bailey

Diana

Billy Burke

Billy Burke

Paul

Andi Osho

Andi Osho

Emma

Maria Russell

Maria Russell

Gomez

Rolando Boyce

Rolando Boyce

Brian Andrews

Lotta Losten

Lotta Losten

Esther

Amiah Miller

Amiah Miller

Young Rebecca

Elizabeth Pan

Elizabeth Pan

Nurse

Emily Alyn Lind

Emily Alyn Lind

Teen Sophie

Ava Cantrell

Ava Cantrell

Teen Diana

Crew 30
Thomas Gerhardt

Thomas Gerhardt

Set Dresser

Toby Oliver

Toby Oliver

Camera Operator

Marc Spicer

Marc Spicer

Director of Photography

Matthew W. Mungle

Matthew W. Mungle

Prosthetic Designer

Mark Norby

Mark Norby

Stunt Coordinator

Gee Alexander

Gee Alexander

Stunt Double

Helena Barrett

Helena Barrett

Stunt Double

Kelly Phelan

Kelly Phelan

Stunt Double

Seth Duhame

Seth Duhame

Stunt Double

Darrell Davis

Darrell Davis

Stunts

Hannah Betts

Hannah Betts

Stunts

Jessica Harbeck

Jessica Harbeck

Stunts

Mickey Giacomazzi

Mickey Giacomazzi

Stunts

Stella Angelova

Stella Angelova

Stunts

Timothy Eulich

Timothy Eulich

Stunts

David F. Sandberg

David F. Sandberg

Director

Michael Clear

Michael Clear

Executive Producer

Richard Brener

Richard Brener

Executive Producer

Steven Mnuchin

Steven Mnuchin

Executive Producer

Walter Hamada

Walter Hamada

Executive Producer

Eric Heisserer

Eric Heisserer

Producer

James Wan

James Wan

Producer

Lawrence Grey

Lawrence Grey

Producer

Benjamin Wallfisch

Benjamin Wallfisch

Original Music Composer

Malia J. Granite

Malia J. Granite

Songs

Eric A. Norris

Eric A. Norris

Sound Effects Editor

P.K. Hooker

P.K. Hooker

Sound Effects Editor

Anna Behlmer

Anna Behlmer

Sound Re-Recording Mixer

Mark Paterson

Mark Paterson

Sound Re-Recording Mixer

Eric Heisserer

Eric Heisserer

Screenplay

Gallery 94
Videos 9
Similar Movies 272
US Release Dates 4

Jun 8, 2016

Los Angeles Film Festival

Premiere

Jul 22, 2016

PG-13 Theatrical

Oct 25, 2016

DVD, Blu-ray

PG-13 Physical

Oct 2, 2024

BlumFest 2024

PG-13 Theatrical (Limited)

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Stripper Wives

Stripper Wives

1999

VS
Sally's Beauty Spot

Sally's Beauty Spot

1990

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
0/0 Correct
0 Streak

Playing as a guest — sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
Drama 0%
Family 0%
Fantasy 0%
History 0%
Horror 50%
Music 0%
Mystery 0%
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Thriller 0%
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Western 0%
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