Columbia Pictures
di Bonaventura Pictures
Not part of a collection.
Madame Web
Her web connects them all.
Forced to confront revelations about her past, paramedic Cassandra Webb forges a relationship with three young women destined for powerful futures...if they can all survive a deadly present.
- Original title
- Madame Web
- Language
- EN
- Country
- US
- Budget
- $80,000,000
- Revenue
- $100,498,764
TheSceneSnobs
Jul 9, 2024 · via TMDB
Watching this film, I couldn't shake the feeling that the script was written by AI. The story, themes, and dialogue all feel utterly soulless. The lifeless acting only compounds the problem, making the entire experience miserable. The story lacks any genuine emotion or creativity. It's as if the writers followed a formula without injecting any passion or originality into the script. The central conflict, which should be gripping and engaging, instead feels generic and uninspired. The dialogue is another significant issue. It’s stilted and unnatural, failing to convey any real depth or nuance. Characters speak in clichés and empty platitudes, making it hard to believe in their struggles or motivations. The acting is equally disappointing. The cast delivers their lines with the enthusiasm of kids forced to do chores, contributing to the film's lifeless feel. This lack of energy and commitment can be attributed to both the actors and the director. Comparing this film to Roger Corman's infamous Fantastic Four movie might seem harsh, but it's a fitting analogy. Both films suffer from poor execution and a lack of soul. However, this film arguably fares worse due to its complete absence of engaging elements. To salvage such a project, the filmmakers would need to infuse genuine emotion into the script and inspire more compelling performances from the cast. This film is a prime example of how not to craft a sci-fi narrative. Its soulless script, lifeless acting, and overall lack of direction make it a difficult watch. Audiences deserve more than a formulaic, uninspired story; they deserve a film that engages and excites on every level.
BL1!
Jun 11, 2024 · via TMDB
Great movie. I loved the cast, and how much action there was. Great job MARVEL studios! 😀
misubisu
May 25, 2024 · via TMDB
## **Madame Web (2024) Review: A Catastrophic Failure on Every Conceivable Level - 1/10** To call *Madame Web* a movie feels like an act of generosity. It is less a narrative film and more a corporate-approved collection of scenes haphazardly stitched together, devoid of soul, coherence, or basic competence. Walking in with zero expectations is no shield; its profound awfulness is so comprehensive it becomes an almost impressive feat of filmmaking malpractice. ### A Symphony of Failure This isn't a film with one or two flaws; it is a masterclass in how to fail at every single element of the cinematic process: * **Casting & Acting:** The casting is baffling, pairing talented actors with a script that gives them nothing but wooden dialogue and motivations that change between scenes. The performances range from visibly bored to wildly over-the-top, with no one seeming to be in the same movie... or even the same dimension. * **Dialogue:** The script is a relentless assault of exposition, clunky one-liners, and lines so unnatural they feel generated by an AI trained on discarded soap opera transcripts. Characters don't converse; they announce plot points and then stop talking. * **Plot & Logic:** The premise is paper-thin, but the plot holes are a canyon. Character motivations are nonsensical, the rules of the titular powers are vague, contradictory, and conveniently forgotten, and the entire story feels like a first draft that was accidentally greenlit. The central conflict is so poorly defined it evaporates upon the slightest scrutiny. * **Direction & Pacing:** The direction is utterly lifeless. Action scenes are poorly choreographed and edited with all the tension of a grocery run. The "climax" is so anticlimactic and the ending so mind-blowingly ridiculous that it doesn't feel like a conclusion, but rather the film simply giving up out of exhaustion. ### The Embarrassment of a "Power" The film's cardinal sin might be its handling of its protagonist's abilities. Madame Web's clairvoyance, a potentially fascinating power, is presented in the most visually and narratively embarrassing way possible. The "visions" are repetitive, lack any sense of urgency, and ultimately render the character a passive observer in her own story. It is a superhero power that manages to be both overpowered and utterly useless, a perfect metaphor for the film itself. ### The Verdict **1/10 - An Unmitigated Disaster** *Madame Web* is not just a bad comic book movie; it is one of the worst films of the modern era. It is a hollow, cynical, and artistically bankrupt product that insults the intelligence of its audience at every turn. The one point it earns is for its sheer, audacious consistency in being terrible across the board. **What was going through their minds?** It is a question with no satisfactory answer. Perhaps it was contractual obligation, a tax write-off, or a desperate attempt to cling to a shred of a fading cinematic universe. Whatever the reason, the result is the same: a piece of irredeemable trash that serves as a stark warning of what happens when filmmaking is stripped of every last shred of passion, skill, and purpose. Do not waste your time. Do not hate-watch it. Simply let it fade into the oblivion it so richly deserves.
wogelib503
May 5, 2024 · via TMDB
FULL SPOILER-FREE REVIEW @ https://leakedcinema.com/en/movie/634492/MadameWeb We come to this place... for magic. We come to the theater to laugh, to cry, to care. Because we need that, all of us: that indescribable feeling we get when the lights begin to dim, and we go somewhere we've never been before; not just entertained, but somehow reborn.... together. Dazzling images, on a huge silver screen. Sound that I can feel. Somehow, heartbreak feels good in a place like this. Our heroes feel like the best part of us, and stories feel perfect and powerful. Because here... > They are. the editing in this is enough to kill a small victorian child
JPV852
Apr 28, 2024 · via TMDB
Is Madame Web the worst superhero movie ever made? Not by a longshot as Superman IV, Batman & Robin and Supergirl would take a front seat in that department. Now the argument can be made it's the worst in the modern era of superhero movies, though personally it's "better" than Suicide Squad but even that one had costumed heroes in it versus MW which only had maybe a few minutes of the ladies in their costumes and even then, it's via future visions. Beyond that, nothing really works. The direction, even with the twisty-turny camera movements felt familiar as I'm pretty sure I've seen it done before but minimally. The performances from everyone was either bland, Dakota Johnson especially, or downright awful (Tahar Rahim), not helped by the stilted and oft atrocious dialogue from no less than four writers, two of which were responsible for Morbius. I didn't hate Madame Web more so that I found it downright dull and boring. There's no reason to watch this and with the terrible box office, the last line of "And you know the best thing about the future? It hasn't happened yet" is pretty poignant. **2.0/5**
jesseyu
Mar 16, 2024 · via TMDB
Perhaps it was the perceived and preconceived notion that I had of this film being really bad as shown by its ratings scores from various sites, but I found this film actually really funny in a campy sort of way and better than decent in terms of not-big-budget superhero-film sort of way. In short, I came away enjoying it and unhappy with how this movie was portrayed in the movie-review media. I think it was just a piling on of the mob-mentality reviewers who tried to kick somebody who was already down, but anyway, I do hope this gets a sequel and I do hope the filmmakers continue with the campy, unintentionally funny, very quiet scenes with no theme music whatsoever style, low-budget-but-still-decent CGI, and over-all enjoyable moviemaking which can be watched and enjoyed for an hour and a half. A huge departure from those 3-hour self-important cinematic "spectacles" of today.
User reviews courtesy of TMDB.
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Dakota Johnson
Cassandra Webb
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Shawnna Thibodeau
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Dominique Washington
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Ethan Tobman
Production Design
Mauro Fiore
Director of Photography
Ngila Dickson
Costume Design
Erin LeBre
Key Makeup Artist
Shahaub Roudbari
Fight Choreographer
James M. Churchman
Stunt Coordinator
Jeremy Fry
Stunt Coordinator
Amanda Bradley
Stunt Double
Caroline Vexler
Stunt Double
Dede Lovelace
Stunt Double
Holly Dowell
Stunt Double
Joanna Bennett
Stunt Double
Michaela McAllister
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Rachel Klatsky
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Zack Duhame
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Alex Anagnostidis
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Amy Greene
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Chick Bernhard
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Chris Cenatiempo
Stunt Driver
Danny Downey
Stunt Driver
David Anthony Buglione
Stunt Driver
Elaina Rae Haehnle
Stunt Driver
Evelyn O. Vaccaro
Stunt Driver
Joe Bucaro III
Stunt Driver
Leigha Hancock
Stunt Driver
Marcelle Coletti
Stunt Driver
Mike Burke
Stunt Driver
Peter Epstein
Stunt Driver
Roger Dillingham Jr.
Stunt Driver
Rosie Bernhard
Stunt Driver
Anthony Hoang
Stunts
Carl Paoli
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Damali Ross
Stunts
Derrick Simmons
Stunts
Erin E. Clyne
Stunts
Frank Bal
Stunts
Justice Hedenberg
Stunts
Mam Smith
Stunts
Miguel-Andres Garcia
Stunts
Shawnna Thibodeau
Stunts
Lucy Bevan
Thanks
A.J. Paratore
Utility Stunts
Andrew DiBartolomeo
Utility Stunts
Bobby Beckles
Utility Stunts
Chad Knorr
Utility Stunts
Chris Denison
Utility Stunts
Giuseppe Ardizzone
Utility Stunts
Matthew R. Staley
Utility Stunts
Rachel Gelfeld
Utility Stunts
Stracy Diaz
Utility Stunts
Victoria Lee Parella
Utility Stunts
SJ Clarkson
Director
Darrin Prescott
Second Unit Director
Leigh Folsom Boyd
Editor
Victoria Thomas
Casting
SJ Clarkson
Executive Producer
Lorenzo di Bonaventura
Producer
Leslie Bloome
Foley Artist
Ryan Collison
Foley Mixer
Nick Seaman
Foley Supervisor
Season Kent
Music Supervisor
Johan Söderqvist
Original Music Composer
Kevin O'Connell
Sound Re-Recording Mixer
Jan Philip Cramer
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Scott Edelstein
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Dennis O'Neil
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John Romita Jr.
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Stan Lee
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Steve Ditko
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Burk Sharpless
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Matt Sazama
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SJ Clarkson
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Burk Sharpless
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Matt Sazama
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