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Universal Pictures
WingNut Films
Not part of a collection.
The eighth wonder of the world.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
BarbaGianni
Aug 1, 2026 · via TMDB
The best of the remakes produced so far, second only to the original of '33.\ Kong and the other Island's creatures are detailed in their alternate evolution and the work behind each is enormous.\ The colonial atmosphere and mentality of the era are also well represented and are very reminiscent of Cooper's original.\ Jack Black has given the best of himself in the film, skis and interested only in profit is an interesting and multifaceted character with motivations that are more or less shareable; but the real star of the show is none other than Andy Serkis who masterfully played Kong managing to perfectly represent a gorilla in his true nature, resulting in a deep and expressive character despite being an 8-meter monkey. Certainly Peter Jackson has left his unmistakable hand in this work which is sublime and elegant but at the same time grotesque and "old style", of a much higher level than the classic "Monster Movie" to date in my opinion is still one of the best films of the genre (certainly much better than that shit of '17) and the best of the Kong'saga (except for the original of '33 which is still a milestone in the Cinema's history).
GenerationofSwine
Jan 10, 2023 · via TMDB
05 is the worst of the Kong movies, mainly because it tries to do way too much. It tries to be epic, and because it tries to be epic it drags. DRAGS. Watching through it, there is about an hour and a half that I would cut, mostly because it's not necessary for a movie like this. There was character development... but too much of it. There was plot, but too much of it. If the movie was trimmed down with an eye to making it flow, it would have been decent. But instead they let it run too long with with not enough happening in it to be an exciting monster movie. The result was kind of a drag.
John Chard
May 30, 2019 · via TMDB
They just couldn't leave him on his island could they... King Kong is directed by Peter Jackson and Jackson co-writes the screenplay with Fran Walsh and Philippa Boyens. It's based on a story by Merian C. Cooper and Edgar Wallace. It stars Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann, Colin Hanks, Andy Serkis, Evan Parke, Jamie Bell and Kyle Chandler. Music is by James Newton Howard and cinematography by Andrew Lesnie. After completing the hugely successful Lord of the Rings trilogy, Peter Jackson turned his attentions to a reimaging of that daddy of classic creature features, King Kong. With all the new tools of the trade to hand, Jackson set about making a Kong film full of love and respect the original from 1933, whilst obviously making his own beast as it were. Story remains the same, mankind sets off to a fabled place known as Skull Island, there they find beasties not of this world, not least a gigantic mountain of a gorilla. They stupidly bring him back to America for money making exercises and things go really bad. The End. I have personally found it most interesting re-watching the film nearly 15 years since its release, especially given we have not long had a different Kong reboot with "Kong: Skull Island" in 2017. For the differences, for better or worse depending on your proclivities in Kongdom, are enormous. Kong: Skull Island is a no brain adventure yarn, high on action but low on intelligence, but it does know it. Jackson's Kong aspired to be much more cerebral, and for the most part it achieves it. Sadly it takes a whopping 3 hours to reveal its intentions, which was a problem to many back in 2005, and is still a hindrance sitting down to watch it these days - this even knowing and preparing once again for how long it is. Frustratingly there's a great film in the mix just crying out for an hour of extraneous filler and clunky dialogue to be jettisoned. Once set up has been achieved in the first hour, we finally get to Skull Island and it's an absolute technical treat. The look is fantastic, the turn of events as Kong and his acolytes have been introduced is terrific. From here it's creature feature mayhem, the beauty and the beast aspect kicks into gear, and it's all very comforting, thrilling even - with one exception. A dinosaur stampede looks ridiculous, the blend of human actors and CGI is so poor it belies the money spent on the effects for this production. That aside, though, the action sequences are electric, particularly the monster mash ups. Yet the quite reflective periods on Skull Island really strike a chord as well, just sections where Kong and Ann Darrow (Naomi Watts) are chilling out together, taking in the landscape that money mad men want to take Kong away from... Then it's back to The States and carnage ensues, culminating in a brilliantly staged last quarter of film, where all that superb period detail gets obliterated during the battle between man and beast, and where even now I'm rooting for Kong to win! As the tenderness of the Beauty and the Beast arc subsides - and it is beautiful - it's then that you once again know that Jackson was too indulgent. His cast were on form, Serkis as Kong a revelation, this is a great picture at times, a real treat in High Definition, if only someone had fronted him up to not over indulge. For then we might have a 9/10 movie as opposed to a bloated 7/10 one.
User reviews courtesy of TMDB.
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Naomi Watts
Ann Darrow
Adrien Brody
Jack Driscoll
Jack Black
Carl Denham
Andy Serkis
Kong / Lumpy
Colin Hanks
Preston
Thomas Kretschmann
Captain Englehorn
Jamie Bell
Jimmy
Kyle Chandler
Bruce Baxter
Evan Parke
Hayes
Lobo Chan
Choy
John Sumner
Herb
Craig Hall
Mike
Peter McKenzie
Venture Crew
William Johnson
Manny
David Pittu
Weston
Mark Hadlow
Harry
Geraldine Brophy
Maude
David Dennis
Taps
Pip Mushin
Zelman
Jim Knobeloch
Thuggish Executive
Tom Hobbs
Young Assistant
Tiriel Mora
Fruit Vendor
Jed Brophy
Venture Crew
John Wraight
Venture Crew
Will Wallace
Venture Crew
Frank Edwards
Venture Crew
Crawford Thomson
Venture Crew
Stephen Hall
Venture Crew
Joe Folau
Venture Crew
Chic Littlewood
Old Security Guard
Lorraine Ashbourne
Theatre Actor
Laura Surrich
New York Theatre Goer
Katie Jackson
NY Child
Michael Lawrence
Venture Crew
Ray Woolf
Venture Crew - Helmsman
Greg Smith
Venture Crew
Phil Grieve
Laughing Man
Jim McLarty
Photographer
Latham Gaines
Photographer
Camille Keenan
New York Citizen (uncredited)
Peter Jackson
Biplane Gunner
Billy Jackson
NY Child
Frank Darabont
Biplane Gunner (uncredited)
Alan Lee
Conceptual Design
Dan Hennah
Set Decoration
Dan Hennah
Supervising Art Director
Andrew Lesnie
Director of Photography
Peter Swords King
Hair Designer
Rick Findlater
Hair Supervisor
Peter Swords King
Makeup Designer
Richard Taylor
Makeup Supervisor
Matt Aitken
CG Supervisor
Dan Lemmon
Digital Effects Supervisor
Steven Boyle
Makeup Effects
Pippa Anderson
Post Production Supervisor
Chris Anderson
Stunt Coordinator
Rodney Cook
Stunt Coordinator
Shane Dawson
Stunt Coordinator
Min Windle
Stunt Double
Shane Rangi
Stunt Double
Andrew Stehlin
Stunts
Dayna Grant
Stunts
Jason Tahu
Stunts
Mana Hira Davis
Stunts
Mark Trotter
Stunts
Stuart Thorp
Stunts
Tim Wong
Stunts
Winham Hammond
Stunts
Peter Dillon
Utility Stunts
Peter Jackson
Director
Carolynne Cunningham
First Assistant Director
Randall William Cook
Second Unit Director
Jabez Olssen
Additional Editing
Jamie Selkirk
Editor
David Birrell
First Assistant Editor
John Hubbard
Casting
Liz Mullane
Casting
Victoria Burrows
Casting
Kelly Valentine Hendry
Casting Assistant
Philippa Boyens
Co-Producer
Sarah Valentine
Extras Casting
Jared Connon
Location Manager
Carolynne Cunningham
Producer
Fran Walsh
Producer
Peter Jackson
Producer
Carrie McLaughlin
Foley Artist
James Newton Howard
Original Music Composer
David Farmer
Sound Designer
Katy Wood
Sound Editor
Christopher Boyes
Sound Re-Recording Mixer
Michael Semanick
Sound Re-Recording Mixer
Tom Johnson
Sound Re-Recording Mixer
Hammond Peek
Sound Recordist
Ethan Van der Ryn
Supervising Sound Editor
Mike Hopkins
Supervising Sound Editor
Guy Williams
3D Supervisor
Joel Fletcher
Animation
Christian Rivers
Animation Director
Atsushi Sato
Animation Supervisor
Kelly Port
Compositing Artist
Charles Tait
Compositing Supervisor
Erik Winquist
Compositing Supervisor
Daniel Falconer
Creature Design
Richard Taylor
Creature Technical Director
Joe Letteri
Senior Visual Effects Supervisor
Alexander Nowotny
VFX Artist
Ben Snow
Visual Effects Supervisor
Brian Van't Hul
Visual Effects Supervisor
Edgar Wallace
Original Story
Merian C. Cooper
Original Story
Fran Walsh
Writer
Peter Jackson
Writer
Philippa Boyens
Writer
Dec 5, 2005
New York City, New York
Dec 14, 2005
Mar 28, 2006
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MOTHER OF THE DAWN
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1987 · 14 wins
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2008 · 14 wins
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2000 · 12 wins
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2019 · 11 wins
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