United Artists
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Patterns
Ruthless Men And Ambitious Women... Clawing For Control Of A Billion Dollar Empire!!!
To eliminate internal opposition, a cruel CEO sabotages and humiliates a good-natured executive in an effort to force his resignation — and make the reticent new hire his new yes man.
- Original title
- Patterns
- Language
- EN
- Country
- US
- Budget
- —
- Revenue
- —
CinemaSerf
May 7, 2024 · via TMDB
When "Staples" (Van Heflin) arrives at the "Ramsey" building to take up his new executive job, he meets his boss "Briggs" (Ed Begley) then the guy with his name on the door (Everett Sloane), and is welcomed with open arms. Pretty quickly, though, he realises that "Briggs" - who has recently return from illness is in the firing line - and that he is to be the principal weapon used to replace him. The problem here is though "Staples" is fiercely ambitious, and his wife "Nancy" (Beatrice Straight) isn't so very far behind on that front, he actually quite likes "Briggs" and his more human approach to doing business. Indeed, when that man's secretary is arbitrarily attached to the newcomer, it would appear that the writing is on the wall so just how complicit will his scruples allow him to be? I found this to be one of Heflin's better parts, and he portrays his conflicted character really quite effectively. Begley is also on good form as a man maybe just a little past his use-by date and Sloane epitomises the family business obsessed mogul who cares only about power - and for it's own sake. What choices can "Staples" make? What choices does he want to make? This is a quickly paced look at humanity - warts and all, and for double the salary and an unlimited expense account, what might any of us do?
John Chard
Jan 22, 2020 · via TMDB
I reserve the right to break your jaw. Patterns centres around the fierce and dog eat dog world of an executive conglomerate company. Written by Rod Serling (he of The Twilight Zone fame) and based on his own play, it's a stunning picture that relies (and succeeds) on spiky dialogue and a trio of superlative acting performances. Not containing any music at all and filmed primarily within the confines of an interior setting, Serling and his on form director, Fielder Cook, have crafted probably the essential picture dealing with the harsh and at times brutal realities of big business ladder climbing. Everett Sloane, Ed Begley and Van Heflin really provide the viewers with an acting tour de force. Sloane as the big boss Walter Ramsey, creates a strutting despotic character that is as memorable as it is harsh, here's a man who will not "pattern" a sacking of an employee, he would rather break him into resignation!, a totally vile and cruel "pattern" tactic. Begley (superbly playing weary emotion) plays the genial and honest William Briggs, who upon welcoming Van Heflin's Fred Staples to the company, realises it's likely to be at his own cost. This giving the film a deep emotional "pattern" as Staples (Heflin to me, donning a career high) gets conflicted about his role in this company, this leads us to a truly excellent finale as Heflin and Sloane go at each other with a gripping intensity that many modern actors could do no worse than to take note of, it really is something to behold. A fabulous movie that comes highly recommended to anyone who appreciates dialogue driven films with intelligence pouring from every frame. 9/10
User reviews courtesy of TMDB.
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Van Heflin
Fred Staples
Everett Sloane
Walter Ramsey
Ed Begley
Bill Briggs
Beatrice Straight
Nancy Staples
Elizabeth Wilson
Marge Fleming
Andrew Duggan
Harvey Jameson
Jack Livesey
D.J. Vandeventer
Sally Gracie
Ann
Edward Binns
Elevator Starter
Fielder Cook
Director
Rod Serling
Original Story
Rod Serling
Screenplay
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Mar 27, 1956
Nov 24, 2009
The Golden Age of Television - Criterion Collection
