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Bisous Pictures
Mad Chance
MRC
Not part of a collection.
Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth - the dashing one she once sent away - crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.
minni13
Jan 22, 2026 · via TMDB
a blight upon the name of Jane Austen. Every one involved in the making of this film might as well have spat on Austen's grave. I cry thinking of those who are introduced to the novel by this movie.
Peter McGinn
Aug 20, 2022 · via TMDB
There are two groups of viewers who profess to hate this movie, and I have some sympathy for one of those groups. The Jane Austen purists are furious about it (“furious purists” - say that three times quickly). The story has been updated — sort of. That is, we find modern language and expressions popping up here and there, but clearly it still takes place in the past. It possesses a modern sensibility but still resides in the past. There is more wit and humor in this version, and I am fine with that. And having Anne talk directly to the camera is something different for an Austen adaptation. I am usually not crazy about narration and voiceover, but again, it is witty and it works for me. If I feel like watching an adaptation closer to the original novel, there are the 1992 and 2007 versions to fall back on, after all. They will always be out there. Don’t get me wrong; there were one or two places where even I thought they had played too fast and loose with the characters: such as when Anne Elliot embarrasses her brother-in-law in front of a large gathering for dinner by saying he had been interested in marrying her before settling upon sister Mary. That seemed too mean-spirited for the character they were building and we came to know. So the Austen lovers are upset in the same way that historians were when most historical movies change history or the real life people involved. I get that feeling even if I don’t share it. The group I don’t sympathize with are the racists, aka the haters. They sometimes try to shield their racism by talking about “woke” culture, or whatever. But the simple fact that they can’t see past the race and skin color to the individuals’ performances is exactly why it is important to have non-whites playing some of these roles. Where are these hating snowflakes when talking about the thousands of movies over the decades where all roles were played by whites? Wait, what? That doesn’t offend them equally? Big surprise. It is a fine entry in the Austen adaptation collection. Do watch it without prejudice if you can.
Manuel São Bento
Jul 20, 2022 · via TMDB
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Persuasion seems to be another typical case of book adaptations: anyone familiar with the original material will struggle to appreciate even the slightest change; those without previous knowledge of Jane Austen's novel might be able to enjoy the film for itself. As someone belonging to the latter group, I found myself surprisingly satisfied. Despite following all the narrative paths in the most predictable, cliche manner possible, Dakota Johnson's fabulous performance and some unexpectedly humorous interactions are enough to make the viewing rather pleasant. Far from being innovative or unique, but it still serves as a recommendation for fans of the genre." Rating: B-
User reviews courtesy of TMDB.
Netflix
Netflix Standard with Ads
Dakota Johnson
Anne Elliot
Cosmo Jarvis
Captain Frederick Wentworth
Henry Golding
William Elliot
Richard E. Grant
Sir Walter Elliot
Nikki Amuka-Bird
Lady Russell
Ben Bailey Smith
Charles Musgrove (as Ben Bailey-Smith)
Mia McKenna-Bruce
Mary Musgrove
Izuka Hoyle
Henrietta Musgrove
Nia Towle
Louisa Musgrove
Edward Bluemel
Captain Harville
Lydia Rose Bewley
Penelope Clay
Yolanda Kettle
Elizabeth Elliot
Jordan Long
Debt Collector
Simon Paisley Day
Mr. Shepherd
Agni Scott
Mrs. Croft
Stewart Scudamore
Admiral Croft
Eve Matheson
Mrs. Musgrove
Gary Beadle
Mr. Musgrove
Afolabi Alli
Captain Benwick
Jenny Rainsford
Mrs. Harville
Kate Ashcroft
Innkeeper
Ali Ariaie
Surgeon
Janet Henfrey
Viscountess Lady Dalrymple
Sophie Brooke
Miss Carteret
Carrie Cracknell
Director
Dixie Chassay
Casting
Michael S. Constable
Executive Producer
Andrew Lazar
Producer
Jane Austen
Novel
Alice Victoria Winslow
Screenplay
Ronald Bass
Screenplay
Jul 1, 2022
New York City, New York
Jul 15, 2022
Netflix
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Bicara Cinta
2020
The Pied Pipers of Harlow
1965
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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