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Goldcrest
Metro-Goldwyn-Mayer
Not part of a collection.
The memories. The madness. The music... The movie.
A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.
CinemaSerf
Jun 15, 2025 · via TMDB
Using Pink Floyd’s iconic album as a soundtrack not only brings this vibrant feature alive, but it also allows Alan Parker to treat each track as if it were a template to experiment with some quite radically differing styles of storytelling. There is a running theme, that being the tale of “Pink Floyd” (Bob Geldof) who lost his dad during the war, saw his wife abandon him and who ever since he can remember has been sheltering behind a wall - physical and psychological - trying to recover from an overbearing education that did nothing but stifle this young man’s innate sense of creativity. As he hits the heights of musical stardom, his turmoil only increases and the wall starts to exert menacing and containing influences that he might never be able to break down. The ensuing scenarios illustrate and compare forcefully the vulnerability of the young with the temperamentally unsound of the adult, the sexually active and the equally frustrated and by using stylised photography we are taken on quite a rollercoaster ride. If you remember the title sequence from “Yes, Minister” then you’ll recall the pointed and exaggerated style of artistry from Gerald Scarfe who provides my favourite sequence towards the end of this, but also designed a few of the other poignant episodes in the life of a man whom, with the possible exception of Roger Daltrey, I can’t imagine being better portrayed than by a Geldof who puts his heart and soul into something that convinces pretty much entirely. It’s surreal and entertaining and even if the band are not your favourite, this is a film that showcases innovation more strikingly and imaginatively than most music videos that ever followed.
Filipe Manuel Neto
Oct 15, 2023 · via TMDB
**Pink Floyd's music works on its own. As a film, it's a waste of time.** I don't know if Pink Floyd were aware of the impact that “The Wall” would have when they released it. Today, there is some consensus in considering it one of the best rock albums ever and “Another Brick in the Wall” has become an anthem for teenage rebellion, which does not conform to the rules, dictates and conventions. And I feel free to say all this because rock is not, by any stretch of the imagination, one of my personal preference styles of music. I listen, casually, but I wouldn't pay for a ticket. What this film does, essentially, is to take the concept of the album – which was designed and released as if it were a kind of opera-rock – and give it a look to match in an absolutely dreamlike, hallucinated style. There is no plot other than the one that goes on in the head of the protagonist, the rock vocalist Pink, who seems to be experiencing a very deep depression, as his social and emotional isolation increases, caused by an absent father (he died in the war when he was a child), an overprotective mother, a series of abusive teachers and a recent divorce. Watching the film is like watching a musical nightmare. It's not an optimistic film, and it's not easy to watch, especially because the plot isn't very obvious and there are no explanations. There are several impactful scenes, so I don't know if it's the most suitable film for impressionable audiences. There are many fantasies about war, about power and using power to control others. There are also some good animated scenes, although they are just as disturbing as all the others. However, the film is just that... and Pink Floyd's music. The film will certainly please fans of the band, and rock lovers in general, but other audiences may think it doesn't justify their time.
User reviews courtesy of TMDB.
Bob Geldof
Pink
Christine Hargreaves
Pink's Mother
James Laurenson
Pink's Father
Eleanor David
Pink's Wife
Bob Hoskins
Rock and Roll Manager
Jenny Wright
American Groupie
Alex McAvoy
Teacher
James Hazeldine
Lover
Margery Mason
Teacher's Wife
Ray Mort
Playground Father
Michael Ensign
Hotel Manager
Joanne Whalley
Groupie
Nell Campbell
Groupie
Peter Jonfield
Roadie
Phil Davis
Roadie
Gary Olsen
Roadie
Eddie Tagoe
Minder
Albert Moses
Janitor
Vincent Wong
Paramedic
David Fleeshman
Man on Station
Diana King
Wedding Witness
Peter Biziou
Director of Photography
David Appleby
Still Photographer
Peter Frampton
Makeup Artist
Peter Brayham
Stunt Coordinator
Nick Gillard
Stunt Double
Greg Powell
Stunts
Alan Parker
Director
Margery Simkin
Additional Casting
Margery Simkin
Casting
Alan Marshall
Producer
Michael Kamen
Conductor
Roger Waters
Music
David Gilmour
Music Producer
Roger Waters
Music Producer
Nick Mason
Musician
Richard Wright
Musician
Roger Waters
Musician
Alan Pattillo
Sound Effects Editor
James Guthrie
Sound Engineer
Gerald Scarfe
Animation Director
Roger Waters
Screenplay
Aug 6, 1982
New York City
Aug 13, 1982
Sep 17, 1982
Nov 1, 1983
VHS
Sep 4, 1991
Deluxe Edition LaserDisc
Dec 7, 1994
Deluxe Edition VHS
Jul 30, 1997
Widescreen Collector's Edition LaserDisc
Dec 2, 1999
DVD
Jan 25, 2005
25th Anniversary Edition DVD
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1987 · 14 wins
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1978 · 13 wins
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1981 · 11 wins
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