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Shaw Brothers
The Ladd Company
Warner Bros. Pictures
Blade Runner Collection
Man has made his match ...now it's his problem.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
specimenb
Aug 10, 2026 · via TMDB
*Blade Runner* is one of those rare science-fiction films that feels more immersive every time I watch it. Ridley Scott’s rain-soaked, neon-lit Los Angeles is unforgettable: beautiful, grimy, melancholy, and so fully realized that it feels like a real place with a history far beyond the story on screen. What I love most is that the film never reduces its big questions about identity, mortality, and humanity to easy answers. Harrison Ford brings a weary, noir-detective edge to Deckard, while Rutger Hauer gives the movie its emotional soul. The pacing is deliberate, but it lets the atmosphere, Vangelis’s score, and the film’s haunting ideas sink in. It is stylish, strange, and deeply human—a sci-fi classic that earned its reputation.
portman123
Jan 13, 2024 · via TMDB
Visually stunning and completely immersive. Great performances by Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos etc. Ridley Scott does some impressive visuals, camera work, lighting etc. Love the completely immersive dark, gritty, rainy dystopia portrayed. I love that the camera sometimes lingers on details or zooms out to show you more of the world. Fantastic atmosphere. Excellent unique soundtrack by Vangelis. I felt a great range of emotions watching this movie including melancholy, sentimental, in awe, in wonder etc. Roy Batty stands out to me as a wonderfully complex, strange, interesting, confused, troubled character. Total pleasure to watch. So is Deckard, Rachel, Pris, Sebastian etc.
ohitsjudd
Aug 3, 2023 · via TMDB
"Blade Runner," Ridley Scott's iconic 1982 sci-fi masterpiece, is a film that transcends time with its **thematic depth** and **stunning visual design**. Having immersed myself in all the various cuts of the movie, I can confidently say that each version provides a unique experience worth exploring. From the original U.S. Theatrical Cut with its voice-over narration to the more enigmatic Director's Cut, each rendition adds different textures to the story of Rick Deckard, a Blade Runner tracking down synthetic beings known as replicants. But it is **the Final Cut**, hailed by many, that stands as the **most cohesive and definitive vision of the film**. Scott's meticulous craftsmanship reaches its peak here, harmonizing all the elements that make "Blade Runner" an enduring classic. Visually, "Blade Runner" is a triumph. Yes, by today's standards, some shots—such as those flying over the dystopian cityscape—may seem dated. But what remains impressive is the film's ability to create a **believable and immersive world without relying on CGI**. Utilizing miniatures, matte paintings, and carefully designed sets, the film's visual aesthetics hold up remarkably well, echoing a time when practical effects were the vanguard of filmmaking. Whether you're a newcomer to the world of "Blade Runner" or revisiting it, there's value in exploring each cut of the film. Yet, if you were to choose one version to encapsulate the entire essence of this groundbreaking work, the Final Cut would be the ideal choice. Its blend of story, character depth, and visual artistry illustrates why "Blade Runner" continues to be a beacon of cinematic excellence."
tensharpe
Feb 3, 2023 · via TMDB
Experienced on the big screen in the Everyman Cinema was just about the best way to loose myself in this spectacular SCI FI masterpiece. Without Doubt “Blade Runner” has been extremely influential since its original release over 40 years ago and it’s technical wonder and effects are still as inspiring today. Doug Trumble’s effects, Larry Paull’s production design and the downtown L.A. location shots all work so well in creating a retro- fitted future. Obviously a different cut to the original release , “Blade Runner: The Final cut “ removes the voiceover and original ending so criticised by audiences and critics during its theatrical run in 1982. This newer ( 2007 ) ending elevates the movie to something more spectacular and wonderful. A group of rebel replicants , feared dangerous to humans, have escaped and landed on earth. Earth is a cyber, neon, futuristic , overpopulated, uncaring environment, with a population that has little time for anything other than existence. Unlike these humans of the future, the replicants show far more empathy and humanity towards each other. It is in the the dying moments of a replicant that we come to learn of the true nature of the rebel groups attempt to escape to earth. It is simply a quest that most humans try and attain, the desire to extend life. The beauty and wonder experienced by replicant leader Roy Batty ( Rutger Hauer ) in his short existence is sympathetically relayed as he saves his would be assassin. The power of “ Blade Runner : The final cut’” is highlighted during the end scenes when Roy reflects his existence. As he “dies” it is clear he is gazing into a future already lost to the past.
Filipe Manuel Neto
Jan 13, 2023 · via TMDB
**A magnificent work, if we consider the time when it was released and the technical resources that existed.** Honestly, I didn't expect much from this movie. It was a film that was not successful in theaters and that only took off when it went to VHS, acquiring admirers since then and becoming one of the most respected films of all time. Set in a profoundly dystopian Los Angeles, it raises many philosophical and sociological questions around human nature, the course of humanity, our relationship with technology and our morality in general. Watching this film in 2022 was funny because the action of the film, released in 1982, takes place in the year 2019. That is, it was set in a future that, now, is past for me and never materialized (and I'm glad). The film's plot is not easy: humanity colonized other planets while destroying Earth, and created very realistic human androids while destroying itself. However, the androids, called replicants, got out of control, and are now hunted and killed, or used for the most vile purposes. The metaphors are clear, there is a lot of philosophical material, and it leaves us thinking for a long time. Ridley Scott gives us, with this film, one of his masterpieces. The film is magnificent in every way, and it is worth giving it the time it needs to surprise us. It creates a neo-noir plot where nobody is innocent or angelic, and where danger is everywhere. The lighting, the shutters on the windows, the indispensable “femme fatale”, all the classic components of noir are here, in a frankly colorful film with sets and landscapes that combine the most grandiose futurism with the decadence and dirt of the world we destroy. The dialogues are memorable and full of deeply symbolic moments. The characters are rich, dense and complex, and it's extraordinary to think that we still don't really understand, after several decades, whether the main character is human or not. In fact, it seems that time has not passed for this film: if we think that it is from the early 80s, it is incredible that it is so visually powerful and that it has such good cinematography. It looks like a movie made ten years ago. The sets and costumes couldn't be better, and the special effects are stunning. The soundtrack, composed by Vangelis, is smooth and hypnotic. Adding to all this, we have Harrison Ford, in one of the most underrated works of his career. He does a really good job, and he deserved more recognition for that. Sean Young also deserves a round of applause for the way he brought his character to life, a replicant who really thinks she's human. There are other very good actors, and we can highlight Rutger Hauer in particular, but they do not match this duo of artists.
CinemaSerf
Jun 18, 2022 · via TMDB
This time, it is Ridley Scott's turn to offer us his prognostication of a future wherein corporate America has, ostensibly benignly, introduced the ultimate in labour saving devices - androids called "replicants" - which have a look and feel of people about them. These "Nexus" creations can turn their hands to just about anything, but when the latest off-world models rebel, all of their cousins become outlawed and it falls to the "Blade Runners" to track them down and destroy them. "Deckard" (Harrison Ford) is one such operator who is called back out of his retirement to identify four of these highly adaptable and intelligent robots and this perilous task takes him to the heart of their manufacturer run by the fiendishly clever but unscrupulous "Tyrell" (Joe Turkel), and into a web of duplicity surrounding their controlling protocols and maybe even a fifth, almost impossible to recognise "replicant", whom - unlike it's contemporaries - has no idea that it isn't human. Ford is on cracking form here, as is Rutger Hauer - the android leader "Batty" and the dark, frequently rainy imagery contributes wonderfully to this seedily presented story of greed and manipulation set amongst a grittily dank and hostile environment that offers little, visually anyway, by way of hope or relief. It has a film-noir look and feel to it, and Scott keeps it moving well, keeps the dialogue sparse - though impactful, and the whole thing develops cinematographically some of the pretty profound questions brought up in the original Philip Dick novel about just what constitutes humanity. Just shy of two hours - it flies by, especially on a big screen where the visuals and audio still work wonders.
User reviews courtesy of TMDB.
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Harrison Ford
Deckard
Rutger Hauer
Batty
Sean Young
Rachael
Edward James Olmos
Gaff
M. Emmet Walsh
Bryant
Daryl Hannah
Pris
William Sanderson
Sebastian
Brion James
Leon
Joe Turkel
Tyrell
Joanna Cassidy
Zhora
James Hong
Chew
Morgan Paull
Holden
Kevin Thompson
Bear
Hy Pyke
Taffey Lewis
Bob Okazaki
Sushi Master
Carolyn DeMirjian
Saleslady
Ben Astar
Abdul Ben Hassan
Dawna Lee Heising
Showgirl (uncredited)
Alexis Rhee
Geisha #1 (uncredited)
Judith Burnett
Ming-Fa (uncredited)
Leo Gorcey Jr.
Louie - Bartender (uncredited)
Charles Knapp
Bartender (uncredited)
Jiro Okazaki
Policeman (uncredited)
Doug Benson
Police Officer (uncredited)
David L. Snyder
Art Direction
Brian Tufano
Additional Photography
Steven Poster
Additional Photography
Jordan Cronenweth
Director of Photography
Michael Kaplan
Costume Design
Michael Westmore
Prosthetic Makeup Artist
Bud Yorkin
Presenter
Run Run Shaw
Presenter
Gary Combs
Stunt Coordinator
Vic Armstrong
Stunt Double
Charles A. Tamburro
Stunts
Gary Epper
Stunts
Gary McLarty
Stunts
George Sawaya
Stunts
Gilbert B. Combs
Stunts
Jeannie Epper
Stunts
Jeff Imada
Stunts
Tony Cox
Stunts
Philip K. Dick
Thanks
Ridley Scott
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Newt Arnold
First Assistant Director
Ana Maria Quintana
Script Supervisor
Terry Rawlings
Supervising Editor
Mike Fenton
Casting
Run Run Shaw
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Vangelis
Original Music Composer
Doug Hemphill
Sound Re-Recording Mixer
Ron Bartlett
Sound Re-Recording Mixer
Karen Baker Landers
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Hampton Fancher
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2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
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Jimmy Carr: Being Funny
2011
Panther Pat
2026
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
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