A24
filmscience
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In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
CinemaSerf
Mar 6, 2024 · via TMDB
Try as I might,I just don't get Michelle Williams' style of rather moody and laconic delivery. She just always underwhelms me, and here is no different. This time she is "Lizzy" whose cat has an altercation with a pigeon which she chucks out of the door only for it to be rescued by her neighbour/landlord "Jo" (Hong Chau). Now she seems much more concerned about this rat with wings than she does with her lodger's frustrating lack of hot water. Anyway, pretty soon the pair are sharing the task of helping it recover the use of it's wing whilst "Lizzy" gets to grips with a forthcoming exhibition of her sculptures. That's the first ten minutes, thereafter we head down a more familiar dramatic route with a bit of a (quite entertaining) disaster then some family baggage to be dealt with along the way. For me, the undoubted star of this overlong and slightly repetitive story is the bird. It appears much more savvy of the unfolding narrative and appreciative of the path it was going to undoubtedly take than either of the lead actors. It's decently put together this, but the whole thing seems to lack much point or purpose. It suffers from a distinct lack of realism or relevance and though it's never boring, it is pretty humourless and has little memorable enough to merit recommending a cinema viewing.
Brent Marchant
Feb 12, 2024 · via TMDB
When I come across a film that’s the cinematic equivalent of witnessing the emperor’s nakedness, I feel compelled to shout it from the rooftops, something I would readily do with regard to this latest comedy-drama from director Kelly Reichardt. This plodding, insular, minimalist, frequently inscrutable offering tells the “story” (if it can even be called that) of a Portland ceramic sculpture artist (Michelle Williams) struggling to create her works for an upcoming gallery show when faced with the distracting burdens of mundane domestic crises and incendiary but largely unexplained family issues. However, little happens here, and the narrative is more of a showcase for the movie’s artwork than a vehicle with a definable plot, a problem further enhanced by a lack of any meaningful back story and solid character development (I guess that what they mean by “nuanced”). Indeed, one can tell when a release like this is truly in trouble when its most interesting and best defined characters are a housecat and an injured pigeon. The picture’s feeble attempts at humor nearly always fall flat, too, most of which are drier than dust (there’s subtle and then there’s inconsequential). It really troubles me when I see a seriously undercooked production like this undeservedly becoming widely acclaimed with over-inflated accolades. I’ve found this also to be the case with many of this filmmaker’s other works, but “Showing Up” represents a new low in her filmography. Not even the award-winning ensemble cast, with the likes of Williams, Hong Chau, Judd Hirsch, Amanda Plummer and Maryann Plunkett – the picture’s only noteworthy asset – can save this one from its own inherent failings. Experimental cinema is one thing, but unfocused, pointless, stream of consciousness filmmaking is something else entirely.
User reviews courtesy of TMDB.
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Plex
Michelle Williams
Lizzy
Hong Chau
Jo
Maryann Plunkett
Jean
John Magaro
Sean
André 3000
Eric
Amanda Plummer
Dorothy
Matt Malloy
Lee
Heather Lawless
Marlene
James Le Gros
Ira
Denzel Rodriguez
William
Eudora Peterson
Lauren
Judd Hirsch
Bill
Lauren Lakis
Terri
Jean-Luc Boucherot
Peter
Ted Rooney
Ted
Izabel Mar
Maya
Bahni Turpin
Vet
Theo Taplitz
Craig
Sam Kamerman
Dahlia
Orianna Milne
Janet
Kristina Haddad
Kristina (uncredited)
Philip A. Anderson
Camera Operator
Christopher Blauvelt
Director of Photography
Lex Damis
Stunt Coordinator
Kelly Reichardt
Director
Kelly Reichardt
Editor
Chris Steele
Lighting Technician
Kody Harvard
Production Assistant
Leslie Bloome
Foley Artist
Nick Seaman
Foley Editor
Ryan Collison
Foley Mixer
Jonathan Raymond
Screenplay
Kelly Reichardt
Screenplay
Oct 5, 2022
New York Film Festival
Mar 31, 2023
Sarasota Film Festival
Apr 1, 2023
Sun Valley Film Festival
Apr 2, 2023
Phoenix Film Festival
Apr 7, 2023
Apr 14, 2023
Minneapolis St. Paul International Film Festival
Apr 15, 2023
Wisconsin Film Festival
Apr 16, 2023
Women+Film Festival
Apr 23, 2023
Atlanta Film Festival
Jun 6, 2023
Nov 3, 2023
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Sign in to play →
Hedonist Hypnotist
1970
Iemand Soos jy
1978
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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