High Frequency Entertainment
Pinky Promise
Utopia
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The Last Showgirl
When the glittering Las Vegas revue she has headlined for decades announces it will soon close, a glamorous showgirl must reconcile with the decisions she’s made and the community she has built as she plans her next act.
- Original title
- The Last Showgirl
- Language
- EN
- Country
- US
- Budget
- $2,000,000
- Revenue
- $6,380,079
r96sk
Mar 7, 2025 · via TMDB
<em>'The Last Showgirl'</em> is good. It's a movie that didn't overstay its welcome, the 89 minutes flew through. Some of the ways the characters act did feel a bit odd to me at times, though the actors all give solid performances; without those onscreen, I'd be rating it lower. I did hear pre-watch of the positivity Pamela Anderson received for this role and I can see why, she is very good. This is the first time I've seen her in a leading role, despite knowing of her forever. I would, to be honest, put all of her co-stars in the brackets of praise near here though. Dave Bautista particularly impresses, while Kiernan Shipka, Brenda Song and Jamie Lee Curtis do enough that I do remember them hours after viewing; which isn't always the case for the supporting casts of films that I rate like this. As noted above, it's a film made a success by its talent.
CinemaSerf
Mar 2, 2025 · via TMDB
There’s something really quite touching about Pamela Anderson’s performance here. She (“Shelley”) is what you might describe as a more refined topless dancer who considers herself more a dancing entertainer, replete with her own body weight in feathers and costume jewellery. She has an estranged daughter “Hannah” (Billie Lourd) and it’s through that strained relationship that we discover a little of just how many sacrifices she has made throughout her life, many that her daughter seems to consider more neglectful than beneficial. To add to her woes, their stage manager “Eddie” (Dave Bautista) announces that playing to ever dwindling audiences has caused their bosses to give them a fortnight before they close. With no good news on her horizon, she has to audition in an entertainment climate that isn’t remotely receptive to her work whilst trying to reconcile with her daughter. Luckily, or not, she has the plentiful advice of her floor-walking barmaid friend “Annette” (Jamie Lee Curtis) who has been in the game for just as long, has a penchant for a margarita and is also pretty down on her luck in an industry where youth is key. It’s Curtis (and Bonnie Tyler) who maybe offers us the most telling sequence of the film as she dances on a table and displays a vulnerability that I think many might feel as they age and feel more redundant - even in a less exposed professional environment. It doesn’t help that they haven’t much to show for their careers, either. This is a film about ageing that Anderson holds together strongly and emotionally and though the substance of the plot might not be the most robust, the two leading acting efforts are powerfully charismatic.
User reviews courtesy of TMDB.
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
FlixFling
Plex
Pamela Anderson
Shelly
Jamie Lee Curtis
Annette
Dave Bautista
Eddie
Brenda Song
Mary-Anne
Kiernan Shipka
Jodie
Billie Lourd
Hannah
John Clofine
Poker Player
Jason Schwartzman
Director
Patrick Hilgart
Brad
Jesse Phillips
Wardrobe Dresser
Sean Patrick Bryan
Restaurant Patron (uncredited)
Sebastian Pardo
Title Designer
Autumn Durald Arkapaw
Director of Photography
Marc Boyle
Key Hair Stylist
Erin LeBre
Key Makeup Artist
Eleanor Coppola
Thanks
Francis Ford Coppola
Thanks
Macaulay Culkin
Thanks
Roman Coppola
Thanks
Sean Baker
Thanks
Sofia Coppola
Thanks
Gia Coppola
Director
Jennifer Furches
Script Supervisor
Blair McClendon
Editor
Matthew Shire
Co-Executive Producer
Jennifer Goodridge
Co-Producer
Josh Peters
Executive Producer
Michael Clofine
Executive Producer
Robina Riccitiello
Executive Producer
Gia Coppola
Producer
Robert Schwartzman
Producer
Andrew Wyatt
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Lykke Li
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