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Castle Rock Entertainment
Golden Mean
ImageMovers
Playtone
Shangri-La Entertainment
The Polar Express Collection
A journey like you’ve never imagined.
When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.
CinemaSerf
Dec 24, 2022 · via TMDB
A young man is all excited as he heads to bed on Christmas eve. His sleep is disturbed though, when his house starts to shake. He bounds to the window whereupon he sees the arrival of a great train, one he quickly discovers is heading on to the North Pole. Safely aboard he encounters other children and adventure beckons as they learn that one child will get to meet Santa Claus himself before he embarks on his global deliveries! I didn't love this film. I found the rather sharp, linear, facial animations a bit too sterile and there is way too much chatter with not enough going on. I can play chase the ticket once, but after a while that became little better than a clunky conduit for the rather episodic nature of the narrative. I'm sure that technically it is a masterpiece of CGI and human interaction, but somehow it all just left me feeling that the cheesy sentiment overwhelmed it with it's messages of teamwork and the Christmas spirit well and truly over-egged. Alan Silvestri has provided a nice score, and when the animation scenes focus on the actual train then it does liven up a bit, but sorry - for the most part I wasn't sold.
Peter McGinn
Dec 19, 2020 · via TMDB
Watching The Polar Express is not an annual event for me, but I believe I have seen it three times and would not nix the idea if someone were to suggest watching it again. I feel a connection to it for an odd reason: my wife and I volunteered one Christmas season to be elves serving cocoa and dancing for an actual Polar Express narrow gauge train ride when we lived in Maine. (Though I can assure you our dancing was not as acrobatic as what you see in this movie.) The animation feels a little odd at first, but I stop noticing it each time I watch it. The story turns the train trip to the North Pole into a real thrill ride for the children on board, especially for our hero boy, voiced by Tom Hanks. In fact, if you are a Hanks fan, settle in, because he does multiple voices here, including one that sounds remarkably like Gilbert Godfrey to me. I try to avoid punching holes in the plots of Christmas movies. Half the point is that they will include unlikely events all leading to the miracle of Christmas ending. You want logic; pull out the old algebra textbook!
Peter89Spencer
Dec 13, 2020 · via TMDB
No matter how many times I watch this, it always brought me to tears! I only wish that I got to see it in 3D at the cinema.
Wuchak
Nov 30, 2018 · via TMDB
***Some kids with creepy dead eyes take a dreamlike trip to the North Pole on The Polar Express*** A boy from Grand Rapids, Michigan, is at the age where he no longer believes in Christmas, as far as Santa, his elves and flying reindeer go, but a magical train appears in front of his home on Christmas Eve and whisks him away on an adventurous trip to the North Pole with several other kids. “The Polar Express” (2004) was based on the 1985 Christmas book and was the first mainline movie to use motion capture animation for all its characters beginning to end (think Gollum from “The Lord of the Rings” trilogy). Some people think the animation is weak, but I feel it creates its own world and has its own charm. It holds up as long as you can adapt to those creepy dead eyes of the characters. Some people love this movie while others think it’s weird, like a Twilight Zone Christmas flick. Roger Ebert, for instance, loved it and gave it a perfect grade. I’m sorta in the middle. I see its good points and appreciate them, like the haunting winter ambiance, parts of the trip to the North Pole (e.g. the quasi-rollercoaster ride) and the kids’ investigation of the Christmas factory. But there are some meh parts and dubious sections like the whole last act with the multitude of elves and the towering Santa who looked like he was modeled after 6’5” Christopher Lee with a pillow strapped to his mid-section. The movie’s interesting in some ways but also quaint in a cheesy way, as well as peculiar and lifeless. The film runs 1 hour, 40 minutes. GRADE: C
User reviews courtesy of TMDB.
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Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Spectrum On Demand
Plex
Tom Hanks
Hero Boy (Adult)/ Father / Conductor / Hobo / Scrooge / Santa Claus
Leslie Zemeckis
Sister Sarah / Mother
Eddie Deezen
Know-It-All
Nona Gaye
Hero Girl (voice)
Peter Scolari
Billy / Lonely Boy
Michael Jeter
Smokey / Steamer
Josh Hutcherson
Hero Boy (motion capture)
Daryl Sabara
Hero Boy (voice)
Jimmy Bennett
Lonely Boy (voice)
Tinashe
Hero Girl (motion capture)
Mark Goodman
Waiter
Gregory Gast
Waiter
Gordon Hart
Waiter
Chris Coppola
Toothless Boy / Elf
Julene Renee
Red Head Girl / Elf
Charles Fleischer
Elf General
Steven Tyler
Elf Lieutenant / Elf Singer
Phil Fondacaro
Elf
Debbie Lee Carrington
Elf
Mark Povinelli
Elf
Ed Gale
Elf
Dante Pastula
Little Boy
André Sogliuzzo
Smokey / Steamer (voice)
Isabella Peregrina
Sister Sarah (voice)
Aaron Hendry
Acrobatic Elf
Kevin C. Carr
Acrobatic Elf
Jena Carpenter
Acrobatic Elf
Karine Mauffrey
Acrobatic Elf
Elisabeth P. Carpenter
Acrobatic Elf
Bill Forchion
Acrobatic Elf
Ashly Holloway
Sister Sarah
Jimmy 'Jax' Pinchak
Know-It-All
Chantel Valdivieso
Hero Girl
Hayden McFarland
Lonely Boy
Connor Matheus
Toothless Boy
Evan Sabara
Young Boy
Jack Angel
Wolves (uncredited)
Rodger Bumpass
Wolves (uncredited)
Dylan Cash
Boy (voice) (uncredited)
Cody Klop
Additional Voices (voice) (uncredited)
Patrick Stogner
(uncredited)
Marc Gabbana
Concept Artist
Doug Chiang
Production Design
Rick Carter
Production Design
Oliver Scholl
Production Illustrator
Don Burgess
Director of Photography
François Duhamel
Still Photographer
Joanna Johnston
Costume Design
Deborah La Mia Denaver
Key Makeup Artist
Angie Wells
Makeup Artist
Daniel C. Striepeke
Makeup Artist
John Carrafa
Choreographer
Dane Farwell
Stunt Double
Brian Machleit
Stunts
Don Shanks
Stunts
Robert Zemeckis
Director
Josh McLaglen
First Assistant Director
Steve Starkey
Second Unit Director
Josh McLaglen
Associate Producer
Victoria Burrows
Casting
Chris Van Allsburg
Executive Producer
Jack Rapke
Executive Producer
Tom Hanks
Executive Producer
Gary Goetzman
Producer
Robert Zemeckis
Producer
Steve Starkey
Producer
Daryl C. Lefever
Production Accountant
Josh McLaglen
Unit Production Manager
Alan Silvestri
Conductor
Eric Bradley
Musician
George Doering
Musician
Patricio Castillo
Musician
Joel McNeely
Orchestrator
William Ross
Orchestrator
Alan Silvestri
Original Music Composer
Alan Silvestri
Songs
Glen Ballard
Songs
Randy Thom
Sound Designer
Dennis Sands
Sound Re-Recording Mixer
Randy Thom
Sound Re-Recording Mixer
Tom Johnson
Sound Re-Recording Mixer
Dennis Leonard
Supervising Sound Editor
Ken Ralston
VFX Supervisor
John Clinton
Visual Effects Producer
Jerome Chen
Visual Effects Supervisor
Chris Van Allsburg
Book
Robert Zemeckis
Screenplay
William Broyles Jr.
Screenplay
Oct 21, 2004
Chicago International Film Festival
Nov 7, 2004
Hollywood, California
Nov 10, 2004
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The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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