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A Christmas Carol
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ImageMovers Digital ImageMovers Digital
Walt Disney Pictures Walt Disney Pictures

Not part of a collection.

A Christmas Carol

It only takes one night to change your life.

2009 96 min ★ 6.9 (4,983) Released
Animation Drama Family Fantasy

Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.

Original title
A Christmas Carol
Language
EN
Country
US
Budget
$200,000,000
Revenue
$325,286,646
Reviews & Ratings 3
CinemaSerf

CinemaSerf

Dec 1, 2023 · via TMDB

★ 6.0

It takes a bit of getting used to the rather angular style of animation, but thereafter this is quite an enjoyable adaptation of Charles Dickens' tale of the wealthy miser "Scrooge". He hates Christmas with a vengeance - all that good will malarkey - humbug! Luckily for his eternal soul, his long-dead partner "Marley" mysteriously appears and forewarns him of three visits he is going to receive in the early hours of Christmas morning. His past, his present and his future are going to flash before his eyes - all with a view to him realising the errors of his ways and changing for the better before it's all too late. The story is told in a similar fashion to Ronald Neame's version from 1970 - only without the music - and it's well paced with plenty of creative and expressive use of the animator's art to re-create a Victorian world of poverty, cold and generosity of spirit - even in the least likely of places. Robert Zemeckis has assembled a solid vocal cast to compliment the eerily life-like characterisations and although they can look a little sterile at times, this is still a worthwhile reimagining of an oft told story that keeps a tight hold on the reins for ninety minutes of dark festive fantasy with a message of joy and hope.

r96sk

r96sk

Aug 17, 2020 · via TMDB

★ 7.0

A tale that almost feels as old as time itself, one that is very much overtold. However, this <em>'A Christmas Carol'</em> is a good retelling of Charles Dickens' work. Jim Carrey isn't necessarily firing on all cylinders, but is entertaining enough as Scrooge. Gary Oldman (Bob) and Colin Firth (Fred) are welcomed members of the voice cast, also. I quite like the tone of the film, as well as the design of the animation - which isn't amazing, some parts look like what you'd see in a video game, but it works well to set up the ambience of the London surroundings. There's good music from Alan Silvestri, too. Overall, I'd recommend it - admittedly I do enjoy the story of Ebenezer a lot.

The Movie Diorama

The Movie Diorama

Jan 16, 2020 · via TMDB

★ 5.0

A Christmas Carol sings the haunted verses of Dickens through disjointed emotionless motion capture. “Bah! Humbug!” Zemeckis had always been fascinated with digital cinema. ‘The Polar Express’ was technological innovation at its more pure, yet ‘Beowulf’ stabbed itself through contrived art direction that failed to suit the dark environment it was showcasing. So when he heard the “House of Mouse” were adapting Dickens’ universally known tale (again...), he clearly joyfully jumped at the chance of producing more digital art. The inevitable question though is: why? Does a Victorian-era Christmas story warrant the unrefined technological advancement of motion capture? Yes and no, is the answer. The tale itself remains intact, following closer to Dickens’ words than any other adaptation that preceded this. On Christmas Eve, Scrooge encounters various spirits that show the repercussions of his selfish acts, in a bid to rid the evils of ignorance and want. I’ve seen it. You’ve seen it. Your nan has definitely seen it. And probably your pet dog too. Whether it be live-action, Mickey Mouse or The Muppets, you have almost indefinitely seen an adaptation of this famous novella. It’s an important moral that warrants the several iterations over the course of cinema, teaching families the significance of generosity and Christmas spirit. Much like its source material however, it’s a dark tale. Ghostly ghouls visiting an elderly lonely man, including his deceased business partner entrapped in shackles and the shadow of Sauron succumbing Scrooge to the depths of Mordor’s burning fires. Zemeckis took the core tone of Dickens’ novella and merged it with Disney’s typical holiday whimsicality. The end result? Inconsistent. It’s either too dark for children or too joyous for adults. The two jarring tones rarely worked, producing a conflicting adaptation. One moment Scrooge is dealing with a prostitute dragged away in a straining jacket. The next scene? Children having a snowball fight to the merry notes of Silvestri’s score. Neither producing an entirely cheerful Christmas flick or faithful replication. I’d rather have a 15-rated horror adaptation of A Christmas Carol, as intended of course. Now for the motion capture. It is what it is I suppose. A technical achievement for its time, utterly outdated a decade later. Character models were stilted. Eyes lacked any expression whatsoever. When close to candle lighting, resembled waxworks. The Ghost of Christmas Past just looked terrible, with its face mismatching the rest of its anthropomorphic candle body. Environmentally speaking, the scenery and inanimate objects were stunningly designed. It really felt like Christmas in Victorian-era London. Just a shame that Zemeckis only tested the limitations of animation through scenes of padding. Scrooge chased by a grim reaper for five minutes. Scrooge flying around London for three minutes. Scrooge slowly becoming Jim Carrey for the film’s entirety. Seemed like additional efforts for gimmicky 3D extravaganza than actual substance. Fortunately the voice acting was perfect. Carrey and his multitude of personas rarely matched Scrooge’s mundane lifestyle. But that’s why it worked so well! The various voices of the ghosts as well tested his voicing talent remarkably. Oldman as Cratchit added a touch of humility to the story, and again, suited the character perfectly. A Christmas Carol is a smorgasbord of tonal clashes and technical anomalies. For every fantastic aspect is a tiresome trope. The gorgeous scenery design is counteracted by horrific motion capture. The source material’s darkness is restrained by forced whimsicality in an attempt to appeal to the masses. It’s not the ideal Christmas present I asked for, but I can make do with its contents. Bah! Humbug!

User reviews courtesy of TMDB.

Keywords 16
19th century 3d animation based on novel or book christmas christmas eve christmas music ghost greed holiday lesson london, england money moneylender motion capture scrooge victorian england
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Cast 29
Jim Carrey

Jim Carrey

Scrooge / Ghosts of Christmas (voice)

Gary Oldman

Gary Oldman

Bob Cratchit / Marley / Tiny Tim (voice)

Colin Firth

Colin Firth

Fred (voice)

Robin Wright

Robin Wright

Fan / Belle (voice)

Cary Elwes

Cary Elwes

Portly Gentleman / Dick Wilkins / Fiddler / Business Man (voice)

Bob Hoskins

Bob Hoskins

Fezziwig / Old Joe (voice)

Daryl Sabara

Daryl Sabara

Apprentice / Caroler / Beggar / Peter Cratchit (voice)

Steve Valentine

Steve Valentine

Funerary Undertaker / Topper (voice)

Sage Ryan

Sage Ryan

Tattered Caroler (voice)

Amber Gainey Meade

Amber Gainey Meade

Tattered Caroler / Well Dressed Caroler (voice)

Ryan Ochoa

Ryan Ochoa

Caroler / Beggar / Cratchit Boy / Ignorance / Boy (voice)

Bobbi Page

Bobbi Page

Tattered Caroler / Well Dressed Caroler (voice)

Ron Bottitta

Ron Bottitta

Tattered Caroler / Well Dressed Caroler (voice)

Fionnula Flanagan

Fionnula Flanagan

Mrs. Dilber (voice)

Sammi Hanratty

Sammi Hanratty

Beggar Boy / Young Cratchit Girl / Want Girl (voice)

Julian Holloway

Julian Holloway

Fat Cook / Portly Gentleman #2 / Business Man #3 (voice)

Jacquie Barnbrook

Jacquie Barnbrook

Mrs. Fezziwig / Fred's Sister-In-Law / Caroler (voice)

Lesley Manville

Lesley Manville

Mrs. Cratchit (voice)

Molly C. Quinn

Molly C. Quinn

Belinda Cratchit (voice)

Fay Masterson

Fay Masterson

Martha Cratchit / Guest #1 / Caroline (voice)

Leslie Zemeckis

Leslie Zemeckis

Fred's Wife (voice)

Paul Blackthorne

Paul Blackthorne

Guest #3 / Business Man #2 (voice)

Michael Hyland

Michael Hyland

Guest #4 (voice)

Kerry Hoyt

Kerry Hoyt

Adult Ignorance (voice)

Julene Renee

Julene Renee

Adult Want (voice)

Raymond Ochoa

Raymond Ochoa

Caroline's Child (voice)

Callum Blue

Callum Blue

Caroline's Husband (voice)

Matthew Henerson

Matthew Henerson

Poulterer (voice)

Sonje Fortag

Sonje Fortag

Well Dressed Caroler / Fred's Housemaid (voice)

Crew 43
Marc Gabbana

Marc Gabbana

Art Direction

Doug Chiang

Doug Chiang

Production Design

John Scott

John Scott

Camera Operator

Bill Corso

Bill Corso

Makeup Artist

Kevin Baillie

Kevin Baillie

Digital Effects Supervisor

Ryan Tudhope

Ryan Tudhope

Digital Effects Supervisor

Jake McKinnon

Jake McKinnon

Motion Capture Artist

Matthew O'Callaghan

Matthew O'Callaghan

Motion Capture Artist

Nia Hansen

Nia Hansen

Production Intern

Leff Lefferts

Leff Lefferts

Sound Design Assistant

Garrett Warren

Garrett Warren

Stunt Coordinator

Adam Hart

Adam Hart

Stunts

Bradley James Allan

Bradley James Allan

Stunts

Brian Machleit

Brian Machleit

Stunts

Ilram Choi

Ilram Choi

Stunts

Mark Ginther

Mark Ginther

Stunts

Wally Crowder

Wally Crowder

Stunts

Robert Zemeckis

Robert Zemeckis

Director

Nathan Schauf

Nathan Schauf

Assistant Editor

Sam Restivo

Sam Restivo

Assistant Editor

Brendan Donnison

Brendan Donnison

ADR Voice Casting

Nina Gold

Nina Gold

Casting

Robert Sterne

Robert Sterne

Casting Assistant

Rose Wicksteed

Rose Wicksteed

Casting Assistant

Jack Rapke

Jack Rapke

Producer

Robert Zemeckis

Robert Zemeckis

Producer

Steve Starkey

Steve Starkey

Producer

Brittany Petros

Brittany Petros

Production Assistant

Colette D. Dahanne

Colette D. Dahanne

Additional Sound Re-Recording Mixer

Brian Chumney

Brian Chumney

ADR Editor

Daniel S. McCoy

Daniel S. McCoy

Boom Operator

John Ashton Thomas

John Ashton Thomas

Orchestrator

William Ross

William Ross

Orchestrator

Alan Silvestri

Alan Silvestri

Original Music Composer

Randy Thom

Randy Thom

Sound Designer

Al Nelson

Al Nelson

Sound Effects Editor

Pete Horner

Pete Horner

Sound Effects Editor

Dennis Sands

Dennis Sands

Sound Re-Recording Mixer

Randy Thom

Randy Thom

Sound Re-Recording Mixer

Tom Johnson

Tom Johnson

Sound Re-Recording Mixer

Dennis Leonard

Dennis Leonard

Supervising Sound Editor

Charles Dickens

Charles Dickens

Novel

Robert Zemeckis

Robert Zemeckis

Screenplay

Gallery 154
Videos 1
Similar Movies 307
US Release Dates 1

Nov 6, 2009

PG Theatrical

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Bicara Cinta

Bicara Cinta

2020

VS
The Pied Pipers of Harlow

The Pied Pipers of Harlow

1965

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
0/0 Correct
0 Streak

Playing as a guest — sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
Drama 0%
Family 0%
Fantasy 0%
History 0%
Horror 50%
Music 0%
Mystery 0%
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Thriller 0%
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Western 0%
4 votes

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