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Cruella
?
Gunn Films
Marc Platt Productions Marc Platt Productions
Walt Disney Pictures Walt Disney Pictures

Not part of a collection.

Cruella

Hello cruel world.

2021 134 min ★ 8.0 (10,284) Released
Comedy Crime Drama Family

In 1970s London amidst the punk rock revolution, a young grifter named Estella is determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute. But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.

Original title
Cruella
Language
EN
Country
US
Budget
$200,000,000
Revenue
$233,503,234
Reviews & Ratings 6
Vinicius Monteiro

Vinicius Monteiro

Jun 5, 2026 · via TMDB

★ 6.0

When Disney announced an origin story for one of its most iconic villains, everyone was wondering: how do you humanize a woman whose ultimate goal was turning Dalmatian puppies into fur coats? The answer came as a London punk-rock revolution, wrapped in stunning costumes and a rebellious attitude. Cruella promises a visual feast and a break from the studio's traditional formula, but is all that style enough to hold up a story trying to turn a monster into a misunderstood anti-hero? Get ready to dive into the fashion-forward backstage of this villain, where the undeniable glitz of the production tries its hardest to hide some loose threads in the script. The way I see it, the movie's biggest strength comes down to two names: Emma Stone and Emma Thompson. The vast majority of the praise this film gets is totally justified and aimed right at the dynamic between these two. You can clearly see a bit of Margot Robbie's chaotic, rebellious Harley Quinn (from Suicide Squad) mixed into Stone's Cruella, paired with the narrative skeleton and hierarchy of The Devil Wears Prada. Emma Stone manages to give her own unique spin to this mix of influences, throwing herself into the role so much that she almost makes us forget the shadow of Glenn Close's legendary 90s portrayal. On the flip side, Emma Thompson delivers an ironic, cold, and absolutely magnetic Baroness. Whenever these two share the screen, the movie peaks. From a critical standpoint, I feel like the movie drops any attempt at heavy drama in favor of an all-out visual spectacle. The production design and costumes are hands down the most flawless part of the film. The 70s London punk-rock aesthetic isn't just a backdrop; it's a show that drives the story. It's refreshing and honestly pretty surprising to see Disney taking a chance on a darker, more mature, and stylish tone. Stepping away from the studio's usual corporate boundaries results in mind-blowing outfits and makeup that show the character's psychological shift before she even says a word. Amidst the hurricane of the two Emmas going head-to-head, the supporting cast fights to stand out. The grifter duo, Jasper (Joel Fry) and Horace (Paul Walter Hauser), brings a lot of heart and dynamic physical comedy that throws back to the classic animations. Surprisingly, they act as Estella's moral compass throughout the plot and are genuinely fun, welcome additions. However, other heavy hitters like Mark Strong (playing the mysterious butler, John) and the charismatic Artie (John McCrea) end up getting sidelined. They mostly orbit the main character just to push the plot forward, rather than feeling like fully fleshed-out, three-dimensional people. The soundtrack is absolutely packed with 60s and 70s rock and pop classics from bands like The Rolling Stones, Queen, and The Doors. On one hand, this music definitely pumps a lot of energy into the transition scenes, heists, and fashion moments. But looking at the editing and pacing, the constant needle drops border on overkill. Sometimes the movie confuses cinematic language with music video vibes. The music stops being an emotional add-on and turns into a storytelling crutch, playing non-stop and never giving the story the quiet breathing room that some dramatic scenes really need. Looking at the cinematography, director Craig Gillespie gets it right by bringing over the restless camera work and fast movements that worked so well for him in I, Tonya. There's this purposely cartoonish energy in how the action is shot—with digital long takes, quick zooms, and creative transitions—that perfectly fits the extravagant, slightly absurd world of high fashion. This dynamic directing style sets the mood of the scenes and helps cover up some of the story's clichés, keeping you visually hooked even when the plot is just running in circles. One thing that definitely splits audiences is how much they "sanitized" the main character. The script tries super hard to give Cruella a tragic backstory to justify her actions, which kinda waters down the sadistic vibe that made her famous in the first place. Instead of the evil, threatening figure from the original cartoon, we get a misunderstood, rebellious young woman fighting a corporate "system." While this anti-hero makeover definitely pulls in a modern crowd and makes us root for her, it also feels like a super safe and cautious move by Disney. It's pretty clear the studio was afraid to embrace and show pure, unadulterated villainy. This is where the shiny dress starts showing its loose threads. Clocking in at around 2 hours and 14 minutes, Cruella is way too long. Anyone paying attention will feel the pacing drag in the second act. The story would have packed a much bigger punch if it had been tightened up in the editing room, trimming a good 20 to 30 minutes of repetitive stuff. Plus, underneath all the edgy visuals, the script is pretty predictable. Disney's attempt to "clear the name" of their villain by creating obvious parallels with movies like Joker leads to writing traps and plot twists that savvy viewers can see coming a mile away. At the end of the day, Cruella is one of those rare movies we didn't necessarily need, but its stunning aesthetics and charismatic acting make it a genuinely fun watch. It's a mixed bag of a movie: it suffers from being too long, leaning too heavily on music video editing, and having a predictable, sanitized script. But it wins big by delivering drop-dead gorgeous visuals, a rebellious attitude, and a fantastic showdown between the two lead actresses. I highly recommend grabbing some popcorn, joining this London punk revolution, and watching the film. Just let yourself get swept up in the spectacle and make up your own mind about how fashion and revenge came together to create this iconic villain.

Andre Gonzales

Andre Gonzales

Jun 19, 2023 · via TMDB

★ 6.0

Pretty decent movie. Was not expecting the movie to be that entertaining. I love the little twist into the movie.

B

beyondthecineramadome

Jun 20, 2022 · via TMDB

★ 5.0

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/punk-fashion-cruella-review<a> There are many aspects of _Cruella_ that are easy to love. The campiness of Emma Stone’s performance as the titular Cruella, Emma Thompson doing her best Meryl Streep in a The Devil Wears Prada impression, the fashion, the development of Anita Darling’s character (lovingly played by Kirby Howell-Baptiste). All of these things make _Cruella_ the perfect summer movie. It’s a film that doesn’t take a lot of brainpower to follow, and it leaves the audience feeling light and happy. This is a summer blockbuster with loose ties to a beloved franchise and a guaranteed instant hit for Disney.

Giovanni

Giovanni

Aug 19, 2021 · via TMDB

★ 9.0

Cruella is an excellent movie. Disney tried a character’s revolution and we loved it. The villain is not anymore the bad guy. Everyone has a past and everyone can change. But how? Cruella will entertain you and teach you a lot of good things, about you ego and alter ego. But also about relationships between mum and daughter, friends and good people who can change the story. If you want to discover more, all the details at SpotaMovie.com Enjoy it!

Peter McGinn

Peter McGinn

Jul 23, 2021 · via TMDB

This is a fun movie to watch. I have never watched 101 Dalmatians in any form so I don’t have any bias as some do comparing it to other films. The script is intelligent and witty despite having several writers involved, which often leads to a flailing disorganized mess. Some of the stunts Estella/Cruella pulls off are crazily original as she fine tunes her knack for bad behavior. I will not go on and on about it — I just plain enjoyed watching it. A small part of me wonders how this crook with a heart turns into what seems to be a more evil incarnation of her later, but since I don’t know the 101 Dalmatians story, I don’t need to worry about it, and neither should you.

Kathy Bowing

Kathy Bowing

Jul 21, 2021 · via TMDB

★ 10.0

I advise watching this movie as an independent film that tells a separate story, which is different from "101 Dalmatians". I also want to say that the film is suitable and those who just want to relax in the evening, and see something funny and not loaded with a deep narrative and plot strokes.

User reviews courtesy of TMDB.

Keywords 8
1970s anti hero fashion fashion designer live action remake origin story punk rock villain
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Cast 57
Emma Stone

Emma Stone

Estella / Cruella

Emma Thompson

Emma Thompson

The Baroness

Joel Fry

Joel Fry

Jasper

Paul Walter Hauser

Paul Walter Hauser

Horace

John McCrea

John McCrea

Artie

Emily Beecham

Emily Beecham

Catherine / Maid

Mark Strong

Mark Strong

John the Valet

Kayvan Novak

Kayvan Novak

Roger

Kirby Howell-Baptiste

Kirby Howell-Baptiste

Anita Darling

Jamie Demetriou

Jamie Demetriou

Gerald

Niamh Lynch

Niamh Lynch

Liberty Shop Girl

Andrew Leung

Andrew Leung

Jeffrey

Ed Birch

Ed Birch

Baroness Head of Security

Dylan Lowe

Dylan Lowe

Mean Ginger

Paul Bazely

Paul Bazely

Police Commissioner

Abraham Popoola

Abraham Popoola

George

Leo Bill

Leo Bill

Headmaster

Ninette Finch

Ninette Finch

Lady

Sarah Crowden

Sarah Crowden

Beehive Lady

Asmara Gabrielle

Asmara Gabrielle

Teacher

Tom Turner

Tom Turner

The Baron

Thomas Padden

Thomas Padden

Viking Gala Security Guard

Carl Rice

Carl Rice

Viking Gala Security Guard

Chris Ryman

Chris Ryman

Viking Gala Security Guard

Javone Prince

Javone Prince

Ipswich Manor Security Guard

Hannah Stokely

Hannah Stokely

Rich Woman

Haruka Abe

Haruka Abe

Liberty Woman

Steve Edge

Steve Edge

Steven the Jewellery Shop Assistant

Richard David-Caine

Richard David-Caine

Dog Groomer

Waleed Akhtar

Waleed Akhtar

Policeman

Janet Henfrey

Janet Henfrey

Society Maven

Camilla Roholm

Camilla Roholm

Society Maven

Joey Akubeze

Joey Akubeze

French Speaking Ipswich Manor Guard

Conor Moloney

Conor Moloney

Rich Man

Robert Cawsey

Robert Cawsey

Swanky Bar Waiter

Ed Kear

Ed Kear

Interviewer

Sid Sagar

Sid Sagar

Mark

Jacqueline Chan

Jacqueline Chan

Jewellery Shop Assistant

Hermione Gulliford

Hermione Gulliford

Posh Guest

Surinder Duhra

Surinder Duhra

Lawyer

Peter Singh

Peter Singh

Country Constable

Geoffrey Burton

Geoffrey Burton

Elderly Man

Paul Chowdhry

Paul Chowdhry

Restaurant Owner

Tim Steed

Tim Steed

Frederick

John Mackay

John Mackay

House of Baroness Men

Nathan Amzi

Nathan Amzi

House of Baroness Men

Trevor Laird

Trevor Laird

Asthma Man

Joshua Hill

Joshua Hill

Viking Gala Guard

Michelle Greenidge

Michelle Greenidge

Viking Gala Guard

Angela Sims

Angela Sims

Society Maven

Geraldine Fitzgerald

Geraldine Fitzgerald

Society Maven

Tipper Seifert-Cleveland

Tipper Seifert-Cleveland

Estella (12 yrs)

Billie Gadsdon

Billie Gadsdon

Estella (Age 5)

Florisa Kamara

Florisa Kamara

Anita (12 yrs)

Crystal Wingx

Crystal Wingx

Head Seamstress With Newspaper (uncredited)

Robert Ryan

Robert Ryan

Ball Guest (uncredited)

Maddie Evans

Maddie Evans

Ginger's Gang (uncredited)

Crew 53
Fiona Crombie

Fiona Crombie

Production Design

Alice Felton

Alice Felton

Set Decoration

Nicolas Karakatsanis

Nicolas Karakatsanis

Director of Photography

Jenny Beavan

Jenny Beavan

Costume Design

Nadia Stacey

Nadia Stacey

Hair Designer

Naomi Donne

Naomi Donne

Hairstylist

Naomi Donne

Naomi Donne

Makeup Artist

Nadia Stacey

Nadia Stacey

Makeup Designer

Adam Murray

Adam Murray

Choreographer

Lucy Scarfe

Lucy Scarfe

Stand In

Elizabeth Donker Curtius

Elizabeth Donker Curtius

Stunt Double

Holly Barnard

Holly Barnard

Stunt Double

Adam Bowman

Adam Bowman

Stunts

Bogdan Kumšackij

Bogdan Kumšackij

Stunts

Bradley Farmer

Bradley Farmer

Stunts

David Cheung

David Cheung

Stunts

Doren John Farmer

Doren John Farmer

Stunts

Douglas Robson

Douglas Robson

Stunts

Elizabeth Donker Curtius

Elizabeth Donker Curtius

Stunts

Erol Ismail

Erol Ismail

Stunts

Jonathan Cohen

Jonathan Cohen

Stunts

Kenny Knight

Kenny Knight

Stunts

Laura Swift

Laura Swift

Stunts

Levan Doran

Levan Doran

Stunts

Lloyd Bass

Lloyd Bass

Stunts

Lucy Allen

Lucy Allen

Stunts

Marvin Campbell

Marvin Campbell

Stunts

Matt Crook

Matt Crook

Stunts

Stuart Boother

Stuart Boother

Stunts

Craig Gillespie

Craig Gillespie

Director

Tatiana S. Riegel

Tatiana S. Riegel

Editor

Emma Stone

Emma Stone

Executive Producer

Glenn Close

Glenn Close

Producer

Jared LeBoff

Jared LeBoff

Producer

Marc Platt

Marc Platt

Producer

Susan Jacobs

Susan Jacobs

Music Supervisor

Nicholas Britell

Nicholas Britell

Original Music Composer

Paul Munro

Paul Munro

Production Sound Mixer

Florence Welch

Florence Welch

Songs

Nina Simone

Nina Simone

Songs

Tina Turner

Tina Turner

Songs

Ron Bartlett

Ron Bartlett

Sound Re-Recording Mixer

Mark P. Stoeckinger

Mark P. Stoeckinger

Supervising Sound Editor

Dan Blacker

Dan Blacker

Animation Supervisor

Ben Krolick

Ben Krolick

Lead Animator

Adam Keane

Adam Keane

Visual Effects Production Assistant

Damien Stumpf

Damien Stumpf

Visual Effects Supervisor

Dodie Smith

Dodie Smith

Novel

Dana Fox

Dana Fox

Screenplay

Tony McNamara

Tony McNamara

Screenplay

Aline Brosh McKenna

Aline Brosh McKenna

Story

Kelly Marcel

Kelly Marcel

Story

Steve Zissis

Steve Zissis

Story

Gallery 265
Videos 24
Similar Movies 247
Recommended 71
US Release Dates 4

May 18, 2021

Los Angeles, California

Premiere

May 28, 2021

Disney+ Premier Access

PG-13 Digital

Jun 25, 2021

PG-13 Digital

Sep 21, 2021

PG-13 Physical

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Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

Sign in to build your own ranking
0 Points
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0 Streak

Playing as a guest — sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 33%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
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Music 0%
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3 votes

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