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Let the sunshine in!
Upon receiving his draft notice and leaving his family ranch in Oklahoma, Claude heads to New York and befriends a tribe of long-haired hippies on his way to boot camp.
CinemaSerf
Oct 21, 2024 · via TMDB
I watched much of this convinced that Treat Williams was a very young Tommy Lee Jones, and despite the look of the film dating, it's still quite a potent and entertaining look at life amidst the draft. The rather naive "Claude" (John Savage) arrives from his home in rural Oklahoma into a New York brimming with vibrancy and eccentricity. He's on his way to join up to fight in Vietnam when he encounters "Berger" (Williams) and starts to fall into a life of gentle hedonism leading to his love of "Shiela" (Beverly D'Angelo). She and "Berger are from different sides of the tracks, but despite her silver spoon she has quite a rebellious nature and very much embraces her hippie existence protesting the war whilst stoked up on weed, emotion and idealism. They only have a few days, but in those days their relationships develop, thrive, vacillate and ultimately Milos Forman presents us with a quite subtly scathing commentary on a mid-1960s USA. I still think this works better on the stage - the confined space there forces the characters and scenarios together better, but this is still a strong big-screen adaptation that allows the music and dance numbers to retain much of their punch. The characterisations run deep too with plenty of their gang having slightly more than bit parts to complement the thrust of the burgeoning romance. It's perhaps that that lets this down a little. The pair are rarely seen together and the portrayal of their "love" is a wee bit on the shallow side. Musically, there are more than a few familiar numbers to keep the pace rollicking along, and perhaps the fairly explicit nature of some of the lyrics explains why this did rather better on the European Awards circuit than it did in the USA (or the UK). "Aquarius", "Good Morning Starshine" and the title song are maybe the most memorable but there are plenty more to get our teeth into as the rawness of the original Gerome Ragni book is framed within a cityscape dealing with racism, homophobia and just about everything to preclude the concept of "free love" (or even creatively inexpensive love). It's holding it's relevance quite well and is well worth two hours.
User reviews courtesy of TMDB.
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John Savage
Claude Hooper Bukowski
Treat Williams
George Berger
Beverly D'Angelo
Sheila Franklin
Annie Golden
Jeannie Ryan
Dorsey Wright
Lafayette aka Hud
Don Dacus
Woof
Cheryl Barnes
Hud’s Fiancée
Richard Bright
Fenton
Nicholas Ray
The General
Charlotte Rae
Lady in Pink
Miles Chapin
Steve
Antonia Rey
Mrs. Berger
Jane Booke
Debutante #1
Suzanna Love
Debutante #2
Michael Jeter
Sheldon
Ren Woods
'Aquarius' Soloist
Nell Carter
Ain't Got No' / 'White Boys
Kurt Yaghjian
Ain't Got No
Ellen Foley
Black Boys
Charlayne Woodard
White Boys
Leata Galloway
Electric Blues
Grand L. Bush
Flesh Failures
Melba Moore
'3-5-0-0' Soloist
Ronnie Dyson
'3-5-0-0' Soloist
Rose Marie Wright
Dancer
Tom Rawe
Dancer
Shelley Washington
Dancer
Christine Uchida
Dancer
Raymond Kurshals
Dancer
Sara Rudner
Dancer
Twyla Tharp
The Priestess (uncredited)
Peter Maloney
Court Clerk (uncredited)
Miroslav Ondříček
Director of Photography
Ann Roth
Costume Design
Twyla Tharp
Choreographer
Miloš Forman
Director
Alan Heim
Editor
Lynzee Klingman
Editor
Robert Greenhut
Associate Producer
Robert Greenhut
Production Manager
Gerome Ragni
Lyricist
James Rado
Lyricist
Gerome Ragni
Screenplay
James Rado
Screenplay
Mar 14, 1979
New York City, New York
Mar 15, 1979
Apr 27, 1999
DVD
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Bicara Cinta
2020
The Pied Pipers of Harlow
1965
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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