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40 Acres and a Mule Filmworks
Universal Pictures
Not part of a collection.
It's the hottest day of the summer. You can do nothing, you can do something, or you can...
Sal is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
CinemaSerf
Jun 3, 2024 · via TMDB
Whilst there can be no doubt of the potency of the theme here, I thought the nature of the story telling was all over the place and angry. With temperatures rising, literally and metaphorically, the bored youth of an area of Brooklyn are becoming more and more frustrated. The thrust of these frustrations is epitomised by a battle of wills between Italian American pizzeria owner "Sal" (Danny Aiello) and his growing number of African American clientele. His walls are covered with famous faces - Al Pacino, Frank Sinatra, etc. from his heritage but his new customers feel that they are under represented. "Sal" isn't about to be bullied into anything, and to be fair to Spike Lee he does cleverly use this slow burning fuse to illustrate an whole slew of racial attitudes amongst a diverse community where change was coming - like it or not. As the heat shows no sign of abating, tempers finally flare and a denouement results in quite some eye-opening tragedy that though effective, I found completely anachronistic. It's told very much from one perspective but not puritanically. I think that might actually exacerbate my dislike of the proceedings because what appears to be happening to a decent and hard working American citizen is that he is being bullied, coerced and ultimately violated because he won't abandon his own traditions in favour of someone else's. It's cunningly depicting a change of identity for this community in a survival of the fittest fashion that I found quite intimidating. This isn't really about the characters themselves, more about the politics of a situation that became more and toxic as people left their conciliation hat at the door of reason on their way in. The dialogue struggled to get past the fu section of the dictionary and that just compounded the sense that it was more of a not so subtle rant than a story of respect offering any decent form societal evolution and equality. Maybe Lee would do it differently now? As it is, it's raw - but not in a good way.
Wuchak
Aug 23, 2021 · via TMDB
_**When someone does the wrong thing and others react the wrong way**_ On a hot summer day in a predominantly black neighborhood in Brooklyn, one person makes the wrong decision and sets off a chain of events that results in havoc. Rosie Perez is a highlight on the feminine front. “Do the Right Thing” was Spike Lee’s breakthrough film that he made when he was 31. It’s a stylish and spirited account of a mostly black community in New York City that’s well-rounded with drama, humor, entertainment, honesty and tragedy. On the one hand, this neighborhood seems like a pleasant enough place to live, if you don’t mind the big city. The characters are not painted as one-dimensional, generally speaking; they have both attributes and faults. Yet it’s a relatively peaceable environment with the various races/ethnicities getting along just fine with only minor (and amusing) altercations. Nevertheless, it’s a tinderbox that doesn’t take much to set aflame. The last act leaves a bad taste. I can’t believe Lee had the gonads to be this honest, but he shows why most people don’t want to live or do business in black neighborhoods, including many blacks. While people debate who’s right and who’s wrong, it’s simple to figure out: Buggin Out taking offense about something immaterial at Sal’s pizzeria is unjustified. If he thinks it’s that big of a deal he doesn’t have to dine there, plus he can start his own restaurant and decorate it however he wishes. At the same time, it could be argued that Sal should’ve reacted in a wiser way that turned away Buggin Out’s curious anger, rather than augment it. Meanwhile Radio Raheem makes a foolish decision by allowing Buggin Out to negatively influence him. Why can’t they just do the right thing? It’s frustrating. This is a well-made classic and worthy of its iconic status, it’s just not exactly my cup of tea due to the exasperating last act that’s too brutally honest. How about doing the right thing by making art that inspires hope, unity and healing for inner city communities? This piece points to the problem, inspires questions & debates, but offers no solutions except… move away from black neighborhoods. The film runs 2 hours and was shot in Bedford-Stuyvesant, Brooklyn. GRADE: B-
User reviews courtesy of TMDB.
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Danny Aiello
Sal
Ossie Davis
Da Mayor
Ruby Dee
Mother Sister
Richard Edson
Vito
Giancarlo Esposito
Buggin Out
Spike Lee
Mookie
Bill Nunn
Radio Raheem
John Turturro
Pino
Paul Benjamin
ML
Frankie Faison
Coconut Sid
Robin Harris
Sweet Dick Willie
Joie Lee
Jade
Miguel Sandoval
Officer Ponte
Rick Aiello
Officer Long
John Savage
Clifton
Samuel L. Jackson
Mister Señor Love Daddy
Rosie Perez
Tina
Roger Guenveur Smith
Smiley
Steve White
Ahmad
Martin Lawrence
Cee
Leonard L. Thomas
Punchy
Frank Vincent
Charlie
Luis Antonio Ramos
Stevie
Gwen McGee
Louise
Steve Park
Sonny
Shawn Elliott
Puerto Rican Icee Man
Sixto Ramos
Stevie's Friend
Nelson Vasquez
Stevie's Friend
Joel Nagle
Sergeant
Erik Dellums
Customer in Pizzeria (uncredited)
Nicholas Turturro
Policeman (uncredited)
Wynn Thomas
Production Design
John Newby
Camera Operator
Ernest R. Dickerson
Director of Photography
Darnell Martin
Second Assistant Camera
Ruth E. Carter
Costume Design
Millicent Shelton
Wardrobe Assistant
Eddie Smith
Stunt Coordinator
Danny Aiello III
Stunt Double
David S. Lomax
Stunts
Dominic Marcus
Stunts
Eric Payne
Stunts
Spike Lee
Director
Nandi Bowe
Second Assistant Director
Barry Alexander Brown
Editor
Robi Reed
Casting
Jon Kilik
Line Producer
Spike Lee
Producer
Bill Lee
Original Music Composer
Skip Lievsay
Sound Designer
Spike Lee
Screenplay
Jun 25, 1989
Hollywood, California
Jun 30, 1989
Jul 21, 1989
Jan 11, 1990
VHS
Jul 13, 1991
CBS
Oct 18, 1995
Criterion Special Edition LaserDisc
Jul 7, 1998
DVD
Feb 20, 2001
Criterion DVD
Sep 6, 2006
Amazon Prime Video
Jun 30, 2009
20th Anniversary Edition Blu-ray / DVD
Jan 10, 2012
Vudu / Google Play / Microsoft Video
Oct 12, 2017
Movies Anywhere
Jul 23, 2019
Criterion Blu-ray
Feb 2, 2021
4K Ultra HD Blu-ray
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The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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