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Universal Pictures
Darkman Collection
They destroyed everything he had, everything he was. Now, crime has a new enemy and justice has a new face.
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
kevin2019
Mar 14, 2026 · via TMDB
"Darkman" almost seems to be an innovative combination of a superhero movie and Gaston Leroux's classic 1909 novel "The Phantom of the Opera" as it aspires to be so much more than the sum of its parts. It does often achieve an emotional poignancy (especially when it comes to the relationship between Peyton Westlake and Julie Hastings), but it is all too clear their love can never continue no matter how much each one of them wishes it to. Sam Raimi is on superb form in the director's chair as you would expect and he successfully injects the proceedings with his marvellously restless energy and this results in some especially excellent action sequences which have been presented with great imagination by a director with an exceptionally superior visual flare.
JPV852
Feb 19, 2024 · via TMDB
Seen this one a few times over the years and while some scenes were really cheesy due to the visual effects of that era, it still is quite entertaining and solid performances from Neeson and McDormand even with some of the overly dramatic dialogue especially from Neeson. Fine way to spend 90-minutes still.
GenerationofSwine
Jan 12, 2023 · via TMDB
This is interesting... this is one of those B-Movie gems that is packed full of pro-talent before they really became pro-talent. And that is right down to the Cohens who did uncredited script polishing. This is worth the watch, even if you are one of those people that hates B-movies... wrongly hates. And, it's a comic book movie, it is over the top, it is campy, it packs serious action into a short little plot that still manages to be compelling. The MCU could take lessons on story crafting from this.
d54.pod
Aug 30, 2022 · via TMDB
Full Review: https://open.spotify.com/episode/6ODe6zr5oNHl6lkcjoOcPB?si=0aad71ce959743a3 I recently rewatched Darkman and there is just so much to like about this movie. In comparison to today's superhero overdose, Darkman just sticks to the basics and tells an incredible emotional and captivating story which is real. No over the top CGI, no storylines forced in by studio producers, not really any characters used just as a device, no cut scenes of blatant Easter Eggs and no political agenda in sight. Comedy is used appropriately and not to undercut the tone of particular scenes and characters. I really miss these kind of movies in today's superhero landscape. I do like the MCU and how they bought these comic book characters to screen, but after watching Darkman (after about 15 years or so) the MCU are doing so much wrong. I loved you could just watch this movie and not have to worry about what is means to the overarching story or where this story and character fit into the larger universe. It also did such a great job of focusing purely on one character and the journey through the pain he has to go through. I love this movie, it's one of those movies which will always stick in my memory. It's a real testament to great film making and knowing what works.
John Chard
Jun 14, 2014 · via TMDB
Enter Darkman. Sam Raimi’s trial run for the Spider-Man franchise is a whole bunch of fun. Liam Neeson plays Dr. Peyton Westlake, a super scientist who after a major run-in with the villainous Robert G. Durant (Larry Drake), reinvents himself as Darkman, a super-anti-hero who sets about ridding L.A. of its mobsters. It’s a comic book film that isn’t based on a comic book, Raimi inventing his own tortured protagonist whilst homaging similar beings of eras past. All the silliness of such fare is here of course, overblown violence and colourful characters are frequent, but there’s good thought gone into the revenge theme, while the action sequences are often excellent. The pace hardly sags, as Raimi’s creations move about a Los Angeles that is equally decaying or affluent, and in Neeson the story has a lead actor with swagger, pathos and emotional force in abundance. 7/10
User reviews courtesy of TMDB.
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Philo
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Liam Neeson
Peyton Westlake / Darkman
Frances McDormand
Julie Hastings
Colin Friels
Louis Strack Jr.
Larry Drake
Robert G. Durant
Nelson Mashita
Yakitito
Jessie Lawrence Ferguson
Eddie Black
Rafael H. Robledo
Rudy Guzman
Dan Hicks
Skip
Ted Raimi
Rick
Dan Bell
Smiley
Nicholas Worth
Pauly
Aaron Lustig
Martin Katz
Arsenio Trinidad
Hung Fat
Said Faraj
Convenience Store Clerk
Nathan Jung
Chinese Warrior
Professor Toru Tanaka
Chinese Warrior #2
John Lisbon Wood
Carnival Booth Attendant
Frank Noon
Side Show Barker
William Dear
Limo Driver
Julius Harris
Gravedigger
Bridget Hoffman
Computer (Voice)
Philip A. Gillis
Priest
Maggie Moore
Nurse
Sean Daniel
Policeman #2
John Landis
Physician
John Cameron
Bartender
Craig Hosking
Helicopter Pilot
Cliff Fleming
Police Helicopter Pilot
Andy Bale
Dockworker #1
Neal McDonough
Dockworker #2
Stuart Cornfeld
Dockworker #3
William Lustig
Dockworker
Scott Spiegel
Dockworker
Bruce Campbell
Final Shemp
Jenny Agutter
Burn Doctor (uncredited)
Ethan Coen
Oldsmobile Passenger (uncredited)
Joel Coen
Oldsmobile Driver (uncredited)
Josh Becker
Carnival Goer (uncredited)
Christopher Doyle
Goon at Construction Site (uncredited)
Tony Gardner
Burn Ward Nurse / Lizard Man (uncredited)
Randy Ser
Production Design
Pablo Ferro
Title Designer
Bill Pope
Director of Photography
Peter Deming
Second Unit Director of Photography
Tony Gardner
Special Effects Makeup Artist
Roger Nall
Scenic Artist
Christopher Doyle
Stunt Coordinator
George B. Colucci Jr.
Stunt Double
Allan Graf
Stunts
Chuck Borden
Stunts
Debbie Evans
Stunts
Dennis Madalone
Stunts
Gene LeBell
Stunts
Gregory J. Barnett
Stunts
John Casino
Stunts
Manny Perry
Stunts
Tim Trella
Stunts
Barbara Anne Klein
Utility Stunts
Sam Raimi
Director
Bob Murawski
Assistant Editor
Darrin Navarro
Assistant Editor
Robert Tapert
Producer
Patricia Whitcher
Production Manager
Mark P. Stoeckinger
ADR Editor
Steve Bartek
Orchestrator
Danny Elfman
Original Music Composer
Kevin Hearst
Sound Editor
Scott Martin Gershin
Sound Editor
Doug Beswick
Mechanical Designer
Craig Barron
Visual Effects Supervisor
Chuck Pfarrer
Screenplay
Ivan Raimi
Screenplay
Sam Raimi
Screenplay
Sam Raimi
Story
Aug 24, 1990
Feb 14, 1991
VHS
Mar 31, 1998
DVD
Jul 31, 2007
HD DVD
Jun 15, 2010
Blu-ray
Feb 20, 2024
4K Ultra HD Blu-ray
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Too Much, Too Young: Children of the Middle Ages
2011
900 Neighbours
2006
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Battle your watched movies head-to-head
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Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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