Get the MovieNight app
Add it to your home screen — faster & full screen
Get the MovieNight app
Add it to your home screen — faster & full screen
Range Media Partners
Searchlight Pictures
The Picture Company
TSG Entertainment
Not part of a collection.
The ballad of a true original.
New York, early 1960s. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota arrives in the West Village with his guitar and revolutionary talent, destined to change the course of American music.
JPRetana
Jun 17, 2026 · via TMDB
Timothée Chalamet is too bland, insipid, milquetoast, and vanilla to play larger-than-life Bob Dylan. Even if A Complete Unknown (2024) is about Dylan’s humble beginnings, you still need someone who can hint at the greatness to come. Then again, this Bob Dylan is referred to as both a “jerk” and an “asshole.” If that’s the vibe co-writer/director James Mangold was aiming for, then Chalamet’s casting is spot on. No need to go method on this one; just be your usual rebarbative self. Whether Chalamet’s performance is accurate doesn’t really matter, though. A Complete Unknown is not a biopic so much as a spiritual successor to Masked and Anonymous, which wasn’t biographical but did star Dylan basically playing himself. In his review of Masked and Anonymous, Roger Ebert wrote, “I don’t have any idea what to think about [Bob Dylan]. He has so long since disappeared into his persona that there is little received sense of the person there.” A Complete Unknown seems made to remind us that Dylan remains to this day a cipher wrapped in an enigma smothered in secret sauce. The film’s title, I regret to report, is not ironic. In this case, there is little received sense of the person or the artist. The movie includes lots of song playing but precious little songwriting. And I don’t mean just the physical act of setting words on paper. I’m talking about letting inspiration find you working. For example, Dylan is shown watching a newscast regarding the Cuban missile crisis. That very same night, he has not only written “Masters of War” but is already performing it live (in reality, the song “was written over the winter of 1962-63”). I’m afraid that this lack of interest in Dylan’s creative process is a deliberate choice. At one point he whines, “Everyone asks where these songs come from ... But when you watch their faces, they’re not asking where the songs come from. They’re asking why the songs didn’t come to them.” I, for one, am asking where they come from — no more, no less —, and surely I can’t be the only one. Mangold, however, not only neglected but apparently actively refused to shed any light on Bob Dylan the songwriter. The same applies to Dylan’s personal life. The closing intertitles inform us that, in 1975, Joan Baez (Monica Barbaro) “wrote the hit “Diamonds and Rust” about her tempestuous relationship with Dylan.” We’ll have to go listen to it, since the film omits the “tempestuous” part. Dylan’s other romantic interest is on-and-off girlfriend Suze Rotolo — renamed Sylvie Russo (Elle Fanning) — who complains that she doesn’t “know” Dylan (join the club, sister) and ultimately breaks up with him because, well, I dunno. In her own words, “I feel like one of those plates, you know, that the French guy spins on those sticks on The Sullivan Show ... I’m sure it’s fun to be the guy, Bob, but I was a plate.” Huh? Between Dylan being Dylan (and not much else) and musical numbers of songs we have heard a thousand times, the movie slowly crawls toward the not-so-grand finale — the so-called electric controversy, to which the script alludes too early in a manner that feels more like preordination than foreshadowing. Other than that, there’s little in the way of build-up to it and zero follow-up after it, so that its causes and ramifications are left thoroughly unexamined. As depicted in A Complete Unknown, the moment wherein Dylan went electric was indeed an uncalled-for, rhymeless and reasonless jerk move. Do you know who was an early 1960s folk-singing jerk too (albeit a fictional one)? Llewyn Davis. The difference (other than a decent runtime) is that Inside Llewyn Davis didn’t hero-worship its jerk.
GenerationofSwine
May 26, 2025 · via TMDB
I wanted to see it in the theater, but on the way there I realized that I don't smoke enough pot to like more than a couple of his songs and one of them I liked better when Jimi did it anyway, so my wife and I went on a bike ride instead and I waited until it hit Hulu. The thing about it is, despite not liking his music, I do like the music from his era a hell of a lot, and the trivia, and even the conspiracies around them that I only sometimes believe... no, it's 2025, I don't know what to believe... but I know enough about Bob to be dangerous and that sort of means I know enough about him to be irritated on it's total lack of accuracy. I'm pretty sure AI wrote the bulk of the script. It's not that he wasn't iconic, I get that he was, I even understand why people like him, and Rod Stewart, I even like the occasional singer that is constantly off key, that wasn't the problem. The problem was that it wasn't a movie about Bob. It felt more like AI looking at Ray, Bohemian Rhapsody, Walk the Line, La Bamba, Great Balls of Fire, the biopics of famous musicians, combined it with Almost Famous, and then generated a generic script based on what AI thought his life story should be based of the success of other music biopics. It's so filtered, it's practically Bob Dylan with autotune. Not sure how people could like it.
Louisa Moore - Screen Zealots
Apr 4, 2025 · via TMDB
Bob Dylan fans should know that director James Mangold’s “A Complete Unknown” isn’t trying to do an in-depth study of the folk music legend, but it’s a solid ride for anyone who loves his music or is curious about his early days. The film gives us a peek into the ‘60s when Dylan was just starting to make waves, showing him as this enigmatic, difficult, and very self-absorbed figure who was about to change the music world for the better. A real treat for fans of Dylan’s music, the film captures the essence of the man without trying to over-analyze him. The story gives a cool glimpse of who he was during the pivotal time in his career when he went from a fresh-faced, unknown folk singer to a game-changing, controversial figure. Timothée Chalamet does a fantastic job portraying Dylan, both in terms of his look and his attitude. He channels the aloof, enigmatic, and often prickly demeanor that Dylan has always been (and remains) famous for. In reality, it’s a well-known fact that Dylan’s always been a bit of a jerk, and Chalamet nails that part of his personality. It’s not so much about exploring Dylan’s selfish psyche as it is about watching him move through this phase of his life, seemingly unaware or uninterested in the way he’s affecting those around him. His relationship with the iconic musicians in his orbit, like Joan Baez (Monica Barbaro, in a wonderfully understated performance) and Johnny Cash (Boyd Holbrook, who completely chews up the screen that is oh-so-Cashlike), feels a little cold and distant, which makes sense for the character. The film centers around the 1965 Newport Folk Festival, the infamous event where Dylan electrified his sound and alienated some of his folk music fans in the process. This moment, which was a major turning point in his career, is depicted in a way that focuses on the tension and not just the performance itself. Dylan’s self-centeredness and drive to push boundaries are clear, but the film doesn’t really dig too deep into the reasons behind his decisions. In other words, Dylan’s just kind of doing his thing, as artists often do. The supporting cast is solid as well, with Ed Norton as Pete Seeger adding some nice weight to the narrative, and Elle Fanning as Sylvie Russo playing a key role in Dylan’s personal life. The standout, of course, is the music. The renditions of Dylan’s classic songs are excellent (with Chalamet performing the tunes himself), and the film captures the electric energy of the era’s folk scene. “A Complete Unknown” doesn’t offer much new insight into Dylan as a person, but if you’re a fan of his music and the era, it’s a blast to spend time with him. This is not a groundbreaking biopic, but a fun, nostalgic journey through a key moment in music history. By: Louisa Moore / SCREEN ZEALOTS
r96sk
Jan 31, 2025 · via TMDB
<em>'A Complete Unknown'</em> is a biopic worth watching. I only know of Bob Dylan by name and possibly some vague recognition of a few of his songs, as is usual for me it seems; uncultured swine. Therefore, I was only coming into this to see how it came out as a film - it's very good! Timothée Chalamet's portrayal is impressive for the large majority, I will say his schtick comes across as a little forced in one or two parts (only one or two) and I also had difficulty totally understanding him in a few moments (only a few). Edward Norton is good too, I thought he'd feature more; if only because I saw him on the promo trail with Chalamet a lot. Elle Fanning and Monica Barbaro offer noteworthy performances, everyone on the cast is perfectly fine to be fair. The music seems well done to me, again I'm not someone who definitively knows Dylan's work but it felt well shown. It's possibly too prevalent, which is a weird thing to say about a musician biopic but there's a lot of music in this. The end at the festival is the scene that I'll remember most from this, the sound design is particularly excellent; was practically bouncing in my seat due to the noise. If I was to mention any negatives, or at least things that aren't proper positives, it would be the pacing and run time. Not that I'd explicitly class those as bad parts of this though.
Brent Marchant
Jan 28, 2025 · via TMDB
Tribute biographies have become an increasingly popular film genre in recent years, though, truthfully, they’re not all of the same caliber. Content and authenticity play significant roles in their overall quality, but, as experience has shown, these traits can vary widely, depending on the picture. As for writer-director James Mangold’s homage to musician-folk singer-songwriter Bob Dylan (Oscar nominee Timothée Chalamet), the film presents viewers with a mixed bag on these fronts. While this effort seems to mostly get things right in matters of authenticity, it comes up somewhat short on content, despite its protracted 2:21:00 runtime, what should amount to sufficient duration to nail down the most crucial cinematic particulars. “A Complete Unknown” follows Dylan from his arrival in New York in 1961, where he quickly became the latest sensation on the Greenwich Village folk music scene, through his rise to stardom as an emerging music industry icon and culminating in his controversial performance at the 1965 Newport Folk Festival, where he traded in his acoustic guitar for an electric model, a switch met with mixed reactions but that launched him in innovative new directions musically. Along the way, viewers are let in on passing scenes from his personal life, such as his friendships with fellow musicians Pete Seeger (Oscar nominee Edward Norton), Johnny Cash (Boyd Holbrook) and Woody Guthrie (Scoot McNairy), as well as his passionate but stormy romances with Sylvie Russo (a pseudonym for real life love interest Suze Rotolo) (National Board of Review Award winner Elle Fanning) and fellow folk singer Joan Baez (Oscar nominee Monica Barbaro). But, regrettably, much of the narrative is little more than a loosely strung together collection of sequences designed to showcase an array of Dylan’s greatest hits from the early days of his career, as well as those of his peers. While the songs are indeed capably performed by the actors themselves, after a while though, the film feels more like an anthology of music videos than an insightful biography. In fact, Dylan’s character comes across as largely enigmatic and inscrutable, a take on his persona alleged to be true to form but that doesn’t offer a great deal of enlightenment into his nature – that is, other than often making him look like a first-class jerk (the noble content of his social activism compositions notwithstanding). Consequently, this candid but somewhat unflattering approach almost makes one wonder whether a protagonist like Dylan is innately worthy of such an homage, even if the finished product is on point (and ironically lends credence to the meaning of the film’s title, whether intentional or not). All things considered, on balance, the filmmaker’s effort here is passable as a capably made tribute bio, with generally fine performances (especially Fanning, who genuinely should have earned supporting actress award kudos over her somewhat overrated co-star), commendable period piece production values and a fine soundtrack (if one is an ardent Dylan fan, that is, something I honestly can’t claim to be). But is this release really worthy of all the awards season attention it has garnered? That seems like something of a stretch to me, but, given the lackluster nature of the crop of 2024 awards season candidates, the pickings have admittedly been somewhat slim. Devotees of the protagonist are virtually certain to come away from this offering suitably impressed, though the rest of us are more likely to heave a modest shoulder shrug and move on to the next movie.
CinemaSerf
Jan 21, 2025 · via TMDB
I grew up in an household that loved Bob Dylan and Joan Baez (though not equally from parent to parent!), and I think it really only instilled in me a sense of contrariness. The more my dad banged on about how great Dylan and his lyrics were, the more that fell of deaf childish ears. Sitting down now I was worried I'd revert to my self of fifty-odd years ago, but thanks to a pretty convincing effort from Timothée Chalamet I actually found my feet moving - and not towards the door! It doesn't do him any harm that he resembles the man, and he manages to convey something of the spirit of this poet who, upon hearing that Woody Guthrie (Scoot McNairy) is on his last legs in hospital, travels to New York to track him down. He finds Pete Seeger (Edward Norton) at the bedside of a sick man, plays him a song he's written about his hero and now thanks to some patronage from Seeger he starts to get gigs, meets "Sylvie" (Elle Fanning) then the already successful Baez (Monica Barbara) before taking the world - and Johnny Cash (Boyd Holbrook) by storm. It's a classy biopic that, though chronological, isn't just a straight history of the man. It shows his character, warts and all, as he comes to terms with his success and some of the temptations and fickleness that goes along with it. Many critics say Dylan is the worst singer of his own songs and Chalamet keeps up that tradition offering some authentic sounding, but different enough, interpretations of some of the man's most recognisable songs. Barbaro also turns in well as Baez, though I found her voice just a little too operatic and not quite as effective. The production is clearly high-end with loads of attention to the detail, but essentially this is really a chance for Chalamet to show he is more than just a (very) skinny boy with floppy hair. Purists of the artiste may hate it, but I think it quite powerfully characterises this group of free thinking individuals in a 1960s America dealing with a presidential assassination, communist threats and a general sense of paranoia amongst a public that was clearly crying out for something to hope for. Dylan et al delivered some of that, and this comes across well.
User reviews courtesy of TMDB.
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
HBO Max Amazon Channel
YouTube TV
HBO Max
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Timothée Chalamet
Bob Dylan
Edward Norton
Pete Seeger
Elle Fanning
Sylvie Russo
Monica Barbaro
Joan Baez
Scoot McNairy
Woody Guthrie
Dan Fogler
Albert Grossman
Boyd Holbrook
Johnny Cash
Will Harrison
Bob Neuwirth
Joe Tippett
Dave Van Ronk
Eriko Hatsune
Toshi Seeger
Peter Gray Lewis
Frank (Lawyer)
Peter Gerety
Federal Judge
Lenny Grossman
Federal Court Clerk
David Wenzel
Cab Driver
Riley Hashimoto
Danny Seeger
Eloise Peyrot
Tinya Seeger
Maya Feldman
Mika Seeger
Reza Salazar
Tito (Gerdes Stage Manager)
James Austin Johnson
Gerdes M.C.
David Alan Basche
John Hammond
Joshua Henry
Brownie McGhee (Blues Musician)
Norbert Leo Butz
Alan Lomax
Alaina Surgener
Gena Russo
Martin Fisher
Civil Rights Speaker
Craig Geraghty
Mailman
Michael Everett Johnson
Orderly
Andy Talen
Jimmy Dean
Andrew Kober
Man On Payphone
Eric Berryman
Tom Wilson
Molly Jobe
CBS Receptionist
Taylor Valentine Lupini
Girl #2 (D.C. Hotel)
P.J. Byrne
Harold Levanthal
Nick Pupo
Peter Yarrow
Brendan Burke
Street Vendor
Laura Kariuki
Becka
Zoe Zien
Tilda
Kevyn Morrow
Party Guest #1
Andy Grotelueschen
Party Guest #2
Jonathan Spivey
Party Guest #3
Cilda Shaur
Party Guest #4
Clark Carmichael
Party Guest #5
Taylor Goodwyn
Woman at McAnn's
Arthur Langlie
Sylvie's New Boyfriend
Michael Chernus
Theodore Bikel
Jordan Goodsell
Roy Halee (Engineer)
Eli Brown
Mike Bloomfield
Liam Craig
Jonah (TV Floor Director)
Charlie Tahan
Al Kooper
Dave Maulbeck
Newport Cab Driver
Lorin Doctor
Spacey Girl
Alexis Felix
Newport Festival Fan #4
Will Price
Joe Boyd (Sound Engineer)
Kayli Carter
Maria Muldaur
Junior Cius
Texas Prison Working Group #2
Travis Patton
Texas Prison Working Group #3
Victor Sho
Texas Prison Working Group #4
James Archie Worley
Vendor Sings Opera
Bridget McGarry
Young Woman in Cocktail Dress (uncredited)
Michael Lepre
Cab Driver (uncredited)
Jon Gennari
Folk Festival Stage Manager (uncredited)
François Audouy
Production Design
Phedon Papamichael
Director of Photography
Arianne Phillips
Costume Design
Dean Neistat
Stunt Coordinator
Kevin Michael Murphy
Stunt Double
Anthony Mecca
Stunt Driver
Cort Hessler
Stunt Driver
Mariusz Kubicki
Stunt Driver
Neimah Djourabchi
Stunt Driver
Roy Farfel
Stunt Driver
Scott Burik
Stunt Driver
Shane Geraghty
Stunt Driver
Thomas Place
Stunt Driver
Aaron Joshua
Stunts
Alexa Marcigliano
Stunts
David Armstrong
Stunts
Dejay Roestenberg
Stunts
Donald J. Hewitt Jr.
Stunts
Gina Limbrick
Stunts
Kyli Zion
Stunts
Taylor Valentine Lupini
Stunts
James Mangold
Director
Andrew Buckland
Editor
Blake Simon
Associate Producer
Andrew Rona
Executive Producer
Brian Kavanaugh-Jones
Executive Producer
Alex Heineman
Producer
Fred Berger
Producer
James Mangold
Producer
Peter Jaysen
Producer
Timothée Chalamet
Producer
Steven Gizicki
Music Supervisor
Bob Dylan
Songs
Eric A. Norris
Sound Effects Editor
Paul Massey
Sound Re-Recording Mixer
Eric Vetro
Vocal Coach
Jasper Randall
Vocals
Julian Hutchens
Visual Effects Supervisor
James Mangold
Screenplay
Jay Cocks
Screenplay
Impure Blood
Ensemble
Ta třetí
Emekli Başkan
The Opera Game
No.6: The Musical
The Devil’s Blues
Take-Off
The Godfather
Schindler's List
The Green Mile
Forrest Gump
GoodFellas
Fight Club
Once Upon a Time in America
The Pianist
Dance of the Seven Veils
Apocalypse Now
CM Punk: Best in the World
Metropolis
Das Boot
Stalker
The Elephant Man
Music by John Williams
The Wages of Fear
Ugetsu
O Miúdo da Bica
Les Jeunes Filles
The Kotsiubynsky Family
Za ranních červánků
Nena, vom Teenie-Idol zur Poplegende
Faustrecht
To Kill a Mockingbird
Trainspotting
Blade Runner
I'm Still Here
Rebecca
Mirror
Raging Bull
A Bronx Tale
The Pursuit of Happyness
Downfall
A Beautiful Mind
Dances with Wolves
Somebody Up There Likes Me
Renaissance: A Film by Beyoncé
Anatomy of a Murder
Brokeback Mountain
All Quiet on the Western Front
The Grapes of Wrath
The King of Comedy
Do the Right Thing
Solaris
The Straight Story
Cool Hand Luke
Laurent Garnier: Off the Record
Entergalactic
A Moon in the Ordinary
The Hustler
If I Could Marry the Minister
What's Eating Gilbert Grape
Primal Fear
The Banker
Doctor Zhivago
The Diving Bell and the Butterfly
La mossa del cavallo
Cinderella Man
Malcolm X
Girl, Interrupted
Synecdoche, New York
Night on Earth
Walk the Line
The Name of the Rose
Eyes Wide Shut
Letters from Iwo Jima
Au Revoir les Enfants
The Inquisitor
Bis dass das Geld euch scheidet…
Crouching Tiger, Hidden Dragon
Erin Brockovich
The Experiment
Inside Man
The Last King of Scotland
Bob Dylan – Don't Look Back
The Godfather Part III
Interview with the Vampire
American Psycho
Frida
La Vie en Rose
Perfume: The Story of a Murderer
Jackie Brown
The Terminal
Bridge to Terabithia
Lord of War
Freddie Mercury: The Great Pretender
25th Hour
Whitney
Pocketful of Miracles
Sissi
Birds of Passage
I am the Secret in Your Heart
Halim
The Piano Teacher
Driving Miss Daisy
Man on the Moon
Maria Full of Grace
Synoikia to Oneiro
The Poseidon Adventure
The Hours
The Dreamers
Fear and Loathing in Las Vegas
Secret Sunshine
Deconstructing Harry
Beau Travail
Hunger
My Friend "A"
The Yin-Yang Master: Dream of Eternity
Shoot the Piano Player
12 Mighty Orphans
Stranger Than Paradise
Straw Dogs
Abraham
Eric Clapton: Life in 12 Bars
Murder at the Gallop
Desert Hearts
Sissi: The Young Empress
Sissi: The Fateful Years of an Empress
Murder Most Foul
Notes on a Scandal
Little Children
The Virgin Suicides
Brubaker
Sophie Scholl: The Final Days
The Bear
'Round Midnight
Super Duper Alice Cooper
The School of Rock
The Cider House Rules
A.I. Artificial Intelligence
Uptown Girls
Contempt
Chocolat
Transamerica
The Tin Drum
Mr. Holland's Opus
The Snow Walker
The Last Detail
Tea in the Harem
Silent Barricade
The Dimension Travelers
La vuelta del Coyote
My Hometown
Danny Says
Storm Over Jamaica
Věra Lukášová
Nobody Leaves Alive
Naked Lunch
Capote
The Wanderers
The Horse Whisperer
Michael Collins
The Story of Adèle H.
Lola
Frances
Dogfight
Ammonite
Viva Zapata!
Payback
Françoise Dolto, for the love of children
Leave No Trace
Vita & Virginia
Sand Dollar Cove
Klute
Bumpy
An American Tail
The Cement Garden
Bonjour Tristesse
Before Night Falls
The Forty-Year-Old Version
Harta Tahta Raisa
We Own the Night
The Mysterious Miss C.
Basquiat
To Die For
Working Girl
Emma
The Legend of Bagger Vance
Flash of Genius
Two for the Seesaw
Bartleby
M. Butterfly
Cantinflas
My Friend Dahmer
Secret Beyond the Door
The Man Who Fell to Earth
Pieces of April
Le Pion
The Work and the Glory II: American Zion
Foma Gordeyev
O Quinze
Enemies of Women
Reportáž psaná na oprátce
Authentik
Nobody Loves Kay
1984
The Perfect Storm
Music Within
All the Money in the World
Fame
The Seekers
Jungle Fever
The Greatest Story Ever Told
Salmon Fishing in the Yemen
Shaft
Teheran '43
Defiance
Tomato Red
My Dad and Mr. Ito
You Are God
Bat★21
Storm Over the Nile
Heart o' the Hills
Sleepless
24 Hours
The First Motion of the Immovable
Temno
Changing Lanes
Shortbus
Dom Juan
The Mothman Prophecies
Getting Go: The Go Doc Project
Land of Plenty
Alice Through the Looking Glass
Crouching Tiger, Hidden Dragon: Sword of Destiny
Devil's Knot
The Rules of Attraction
Beate Uhse - das Recht auf Liebe
Against All
Silvery Wind
Lullaby
The Door in the Floor
Şabaniye
The Boys & Girl from County Clare
Topaz
Love Is the Devil: Study for a Portrait of Francis Bacon
Anita and Me
Janis Joplin – The Kozmic Blues Video Anthology
Apostasy
The Lost Battalion
Teen Spirit
Pedro Osmar, Prá Liberdade Que Se Conquista
September Sky
女跳水队员
How to Forget You
Smetana
Something Is About to Happen
Solaris
Women Is Losers
Goya in Bordeaux
The Sensual Man
Atlantis
When You Finish Saving the World
Party Monster
Two Queens and One Consort
Tierra del fuego
Folle d'amore - Alda Merini
Gauguin: Voyage to Tahiti
Shooting Clerks
Let Them All Talk
Ask the Dust
Mad Dog Coll
His Mother's Eyes
The Stranger in My Home
Zubeidaa
As I Lay Dying
Gisela
The Broadway Melody
Ça sent la coupe
Three Lives
Made in Japan
Murder in the Cassava Patch
Urban Motives 4.1
Ex-Girlfriends
Child of God
Old Hickory
Lover Divine
Belated Flowers
Swindle
The Woman Whom Must Be Hanged
Lenin in Paris
My Wicked, Wicked Ways: The Legend of Errol Flynn
Lízino štěstí
Čierna minúta
The Horse That Cried
Dangerous Paradise
Nightmare in Venice
Here and There
Šílený kankán
Achena Uttam
Vamp In Symphony With The Norwegian Radio Orchestra
Kouzelný dům
Between Two-Spirit: Becoming a Woman at Sixty
Assassination
Harry S. Truman: Plain Speaking
James Joyce's 'Ulysses'
Lucrezia Borgia
The Cellist / Dances at a Gathering (The Royal Ballet)
Dáma s barzojem
Letters To Daniel
Flowers For Mrs. Harris
The Invisible Life of Addie Larue
The Awakening of Helena Ritchie
The Eternal Mother
The Seven Husbands of Evelyn Hugo
On m'a volé mon adolescence
Matapacos
Santini's Network
But Still We Sing
Na brehu priezračnej rieky
Ole Paus – 70 Years
Cover Up
Paraagan
Red Beast
Destructo Rock
Less is More
The Music We Call Country
Detransition, Baby
Bailey's Blues
Resilience & Sacrifice
Rukama nevinnosti
To Go to the Moon
Why Wait, Just Die
Les Misérables: 25th Anniversary in Concert
Clika
Clouds
Ford v Ferrari
Cabrini
tick, tick... BOOM!
Almost Famous
Elvis
The Best of Enemies
Rocketman
La Bamba
Inside Llewyn Davis
'Round Midnight
Cadillac Records
TÁR
The Doors
Ragtime
The Young One
Quadrophenia
The Wanderers
Velvet Goldmine
Jesus Revolution
Bound for Glory
Boychoir
Jersey Boys
Battle of the Year
Respect
All Eyez on Me
The Bikeriders
The Soloist
Back to Black
Ma Rainey's Black Bottom
Springsteen: Deliver Me from Nowhere
Bob Marley: One Love
I'm Not There
Cradle Will Rock
Born to Be Blue
Hounddog
Maria
Chevalier
The Testament of Ann Lee
Beyond the Sea
Passing
Blaze
I Am Woman
A
Wonderstruck
Teen Spirit
Grace Unplugged
Coda
O'Dessa
Dec 10, 2024
Los Angeles, California
Dec 14, 2024
MoMA - The Contenders
Dec 25, 2024
Feb 25, 2025
Mar 27, 2025
Hulu
Apr 1, 2025
Blu-ray
May 27, 2026
HBO Max
© 2025-2026 MovieNight. All rights reserved.
Versus
Sign in to play →
The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
Versus
Sign in to play →
The Stranglers - Live '78, SF
1978
Saddle Leather Law
1944
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
We use essential cookies to run MovieNight, plus analytics (Google Analytics) and advertising (Google AdSense) cookies. By continuing to browse, you agree to this — or click No and we won't. See our Terms & Privacy Policy to learn more.