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Columbia Pictures
Imagine Entertainment
Robert Langdon Collection
His greatest challenge. Humanity's last hope.
After waking up in a hospital with amnesia, professor Robert Langdon and a doctor must race against time to foil a deadly global plot.
Filipe Manuel Neto
Jan 4, 2023 · via TMDB
**Ron Howard's Inferno.** Dan Brown has made a lot of money from his mystery books, and his popularity has meant that virtually all of his stories have been ported to the big screen. For this film, Ron Howard adapted Brown's fourth novel, set between Florence, Venice and Istanbul. In the script, Robert Langdon wakes up in a hospital in Florence and discovers that he has been attacked and shot, and that he is being pursued because he knows something important, but has lost his memory. I mean, he knows as much as we do! He will be aided by an attractive doctor who will help him understand what is going on: so, we realize that a crazy Malthusian has decided to create a virus to decimate a third of the human race, and that he is about to spread it. If in the previous films based on Brown we had notable successes, this film would be doomed from the beginning: “Inferno” is perhaps the least inspired and most poorly written book by this author. And there are no miracles in these things: either the source material is good, or you can forget it. The screenplay is also a poor and unhappy adaptation. Because? Because it completely alters the end of the book and gives us an alternate, clichéd, idiotic ending, staying true to the beginning of the story, which starts too abruptly to work well on screen. That is, the script changes things that it should leave and respects the part of the book that most needed adaptations! The dialogues and the construction of the characters also sound bad, and everything has a poorly finished appearance. Ron Howard has reason to look at this film and bury his head in the sand like an ostrich. For a director of his caliber, with the accolades he has, this film is simply unacceptable. The amateurism, the carelessness, the almost negligent way in which details are approached… I would forgive a newcomer or an untalented director, but not Howard. The cast again has the participation of Tom Hanks in the role of the symbologist. Keeping his record impeccable, the actor perfectly fulfills the role and gives us everything he owes, in a committed and consistent work. Felicity Jones also did a good job, with a skillful harmony between rationality and emotion. The rest of the actors are far below: Omar Sy and Ana Ularu added little and have very little screen time; Irrfan Khan and Sidse Knudsen do a little more and better, but remain in very secondary positions. Ben Foster pretty much counts for nothing. Technically, the film relies heavily on green screen, massive CGI, and visual and special effects. Without them, the film collapses like a house of cards. I don't usually see problems in using these technologies, they can truly enrich a film, but here, I believe, they turned the film into a kind of giant video game, where everything is done against the clock, and where there are dangers so varied that we don't even feel them. The sets and costumes are pretty good, and the choice of filming locations respects the ideas and places the book visited. Also, the soundtrack, again by Hans Zimmer, is perfectly adequate. Unfortunately, the cinematography is thoughtlessly and inelegantly directed, and the entire editing job feels rushed, excessive and far too crude.
Reno
Jun 5, 2017 · via TMDB
**Racing to stop men with bad intention!** Compared to the first two films, it took a long time for the third film. But I expected 'The Lost Symbol' before this one. I don't know why they skipped that book from adapting which was done in the last minutes by the production house. My guess is it might be a controversial as the first one, or simply not good enough for the cinematic version. Anyway, this film was not as good as previous two. Once again, it was directed by Ron Howard and Tom Hanks returned as professor Robert Langdon. Two hours long, but very fast storytelling, non-stop adventures. This is another tale in the series about fighting against the men who believes in the ancient text that's written about to curb the issue the human would face in the future, which is now. After waking up without any memory, professor Langdon with the help of a young woman escape from an assassin. In result, they look for the reason why and whoever behind it wants them dead. So it's not a good story, but entertaining film. Especially if you like action-adventure- suspense. Nice cast, including Hanks and Jones. The other supporting cast was not bad either. Like always, it's a European adventure, particularly in Venice and neighbouring countries. Some cool secret places, might be the settings, but awesome. Since this part was not received well, I wonder the next one, 'Origin' would be made or not. Even before that, this time I expect 'The Lost Symbol' first to hit if they want to continue with the film series. This is not a film to recommend, but not bad for watching it once. _6/10_
User reviews courtesy of TMDB.
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Tom Hanks
Robert Langdon
Felicity Jones
Sienna Brooks
Omar Sy
Christoph Bouchard
Irrfan Khan
Harry Sims
Sidse Babett Knudsen
Elizabeth Sinskey
Ben Foster
Bertrand Zobrist
Ana Ularu
Vayentha
Ida Darvish
Marta Alvarez
Paolo Antonio Simioni
Dr. Marconi
Fausto Maria Sciarappa
Parker
Robin Mugnaini
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Paul Ritter
CRC Tech Arbogast
Vincenzo Tanassi
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Alessandro Fabrizi
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Simone Mariani
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Gábor Urmai
Ignazio Busoni
Jon Donahue
Richard
Fortunato Cerlino
Entrance Museum Guard
Attila Árpa
Local CRC Agent
Kata Sarbó
Florence Airport Gate Keeper
Francesca Inaudi
Venice Museum Guide
Maria Grazia Mandruzzato
Roma Merchant
Philip Arditti
Professor (Istanbul)
Mehmet Ergen
Mirsat
Vincent Riotta
Death Mask Guard
Luca Fiorilli
Video Technician
Cristian Stelluti
Bouchard Agent
Alberto Basaluzzo
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Gábor Nagypál
Student (Istanbul)
Gianni Annoni
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Mirjam Novak
CRC Tech
Rebecka Johnston
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Peter Schueller
Concert Patron
Lili Gesler
Concert Patron
Felipe Torres Urso
Concert Patron
Dino Conti
Death Mask Hall Guard
Mario Acampa
Death Mask Hall Guard
Xavier Laurent
Bouchard French Agent
Bálint Adorjáni
Turkish WHO Agent
Zsolt Páll
WHO Cistern Agent
Peter Linka
WHO Cistern Agent
Daniele Massaccesi
Camera Operator
Salvatore Totino
Director of Photography
Julian Day
Costume Design
Frances Hannon
Hair Designer
Siân Miller
Key Hair Stylist
Siân Miller
Key Makeup Artist
Frances Hannon
Makeup Designer
Wade Eastwood
Stunt Coordinator
Lucy Cork
Stunt Double
Claudio Pacifico
Stunt Driver
Emiliano Novelli
Stunt Driver
Maria Gnecchi
Stunt Driver
Asen Asenov
Stunts
Elitsa Razheva
Stunts
Gáspár Szabó
Stunts
Ivailo Dimitrov
Stunts
Iván Orsányi
Stunts
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Stunts
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Stunts
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Stunts
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Stunts
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Stunts
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Stunts
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Stunts
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Stunts
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Stunts
Teodor Tzolov
Stunts
Tomasz Krzemieniecki
Stunts
Tsvetolyub Iliev
Stunts
Vencislav Stojanov
Stunts
Wolfgang Stegemann
Stunts
Zahari Grozdanov
Stunts
Ron Howard
Director
Mathias Schnelting
First Assistant Director
Wade Eastwood
Second Unit Director
Murat Sağlam
Third Assistant Director
Béatrice Kruger
Casting
Nina Gold
Casting
Dan Brown
Executive Producer
David B. Householter
Executive Producer
Ute Leonhardt
Line Producer
Brian Grazer
Producer
Ron Howard
Producer
Joan Martorell
Orchestrator
Hans Zimmer
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Dan Brown
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David Koepp
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1989
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1987 · 14 wins
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1978 · 13 wins
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1981 · 11 wins
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