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The Cannon Group
Not part of a collection.
In the blink of an eye, the terror begins.
A race of space vampires arrives in London and infects the populace, commencing an apocalyptic descent into chaos.
specimenb
Aug 10, 2026 · via TMDB
*Lifeforce* sounded like it should have been a blast—space vampires, Halley’s Comet, and an apocalyptic London—but I found it mostly loud, silly, and painfully uneven. The movie jumps between sci-fi, horror, disaster spectacle, and exploitation so abruptly that none of its ideas get enough room to work. There are a few impressive effects and some memorably bizarre images, but they cannot rescue the clunky dialogue, sluggish stretches, and performances that never make the story feel grounded. Instead of becoming the wild cult classic it clearly wants to be, *Lifeforce* felt like a confused mess with an expensive-looking shell. Its reputation for being brazenly strange yet uneven—and criticism of its slow pace—fits my experience exactly.
tmdb28039023
Aug 29, 2022 · via TMDB
Lifeforce is the best Dracula from Space movie I’ve ever seen. I haven’t seen that many, mind you, and Vampirella and Dracula 3000 sure as shit didn’t set that particular bar especially high; on the other hand, Lifeforce is better-looking than many sci-fi/fantasy films released as recently as this the year of Our Lord 2022, vis-a-vis practical, mechanical special effects versus CGI and motion capture visual effects (it doesn’t hurt Lifeforce either that there’s generous full-frontal female nudity courtesy of French uber-babe Mathilda May). The script is not without its share of silliness (consider this piece of dialogue: "Sir, we've found a naked girl in Hyde park. The body is in an indescribable condition" — but you just kind of described it, didn’t you? I mean, "a naked girl" is a reasonably specific description), but the movie’s weak spot lies in a deliberate choice: comparing the plot’s events to the "vampires of legend," which the film’s quasi-Van Helsing eventually concludes "came from creatures such as these. Perhaps even from these very creatures." Somehow it never occurs to Dr. Fallada (Frank Finlay) to wonder, if "these very creatures" needed an astronaut to bring them to Earth in his space shuttle, how the "vampires of legend" arrived in our planet the first time around. How the good doctor correctly guessed that a "leaded metal shaft, penetrating not through the heart, but through the energy center two inches below the heart [how he knows so much about the creatures’ anatomy is anybody’s guess, considering the things human form is but a disguise]. Not steel, but leaded iron" (he calls this the "old way," but wouldn’t that be a wooden stake through the heart?) would prove fatal to the aliens is another secret I’m afraid he takes to his grave. There is also some mumbo-jumbo about how "The process of conversion releases a life energy" that "can be collected ... The male vampire's collecting life energy. But he has to send it through her to get it up to the collector" and some other such nonsense. The filmmakers should have treated the word "vampire" as anathema, and avoid any and all direct references to it. Take for instance the aforementioned space shuttle, which anyone familiar with Bram Stoker will identify as an allusion to the Demeter; this is a clever little touch, but it won’t impede any viewer’s enjoyment of the film if the parallelism escapes them. My point is that you don’t have to be the boy who cried vampire when the thought is already in pretty much everybody’s mind. There are shades of other works here (Invasion of the Body Snatchers, Night of the Living Dead, Solaris, and even Ghostbusters), but the movie doesn’t feel the need to overtly draw attention to them — so why the hard-on for vampires? Other than that, Lifeforce is a satisfying minor diversion for fans of old-school horror.
adorablepanic
May 4, 2020 · via TMDB
LIFEFORCE (1985) - By the mid '80s, Cannon Films was looking to move away from low-budget, disposable fare like HOSPITAL MASSACRE (1981) and BREAKIN' 2: ELECTRIC BOOGALOO (1984). Owners Menahem Golan and Yoram Globus had loftier ambitions: They wanted a blockbuster; a big-budget smash that they could call their own. To this end, they signed director Tobe Hooper to a three-picture deal and turned him loose with $25,000,000 and free reign to create the movie he wanted. Working with a stellar, mostly British cast (save token American star Steve Railsback, who apparently misplaced his charisma at Heathrow; and startlingly uninhibited French goddess Mathilda May); legendary composer Henry Mancini; and a screenplay co-written by the man who wrote ALIEN (1979), Hooper unleashed a wonderfully unwieldy miasma of genres. What starts out as a science fiction mystery gradually morphs into full blown, zombie apocalypse horror - played with square-jawed seriousness by all involved. Unfortunately, this film got lost among that years' heavy-hitters like BACK TO THE FUTURE and the second RAMBO film, and earned back less than half its budget. Cannon Films ceased operations in 1994, but their ambitious attempt to stand amongst the major studios keeps giving back to its growing cult audience via home video. Sometimes success takes a few decades.
Gimly
Sep 7, 2018 · via TMDB
The promise of 1980s, practical effects, and energy vampires with no clothes on is apparently all it takes to get me to watch a movie. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
teix
Jan 4, 2016 · via TMDB
Great sci-fi flick. The story is very good, and the production and the actors did a great job. I don't think this movie is outdated, just more campy and enjoyable. A must see sci-fi classic.
User reviews courtesy of TMDB.
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Steve Railsback
Col. Tom Carlsen
Peter Firth
Col. Colin Caine
Frank Finlay
Dr. Hans Fallada
Mathilda May
Space Girl
Patrick Stewart
Dr. Armstrong
Michael Gothard
Dr. Bukovsky
Nicholas Ball
Roger Derebridge
Aubrey Morris
Sir Percy Heseltine
Nancy Paul
Ellen Donaldson
John Hallam
Lamson
Chris Jagger
First Vampire
Derek Benfield
Physician
Jerome Willis
Pathologist
John Woodnutt
Metallurgist
Peter Porteous
Prime Minister
Sidney Kean
Brash Guard
Julian Firth
Second Boy in Park
Carl Rigg
First Radar Technician
Emma Jacobs
2nd Crewperson
Richard Oldfield
Mission Leader
Burnell Tucker
NASA Man
Michael Fitzpatrick
2nd NASA Officer
Sidney Livingstone
Ned Price
John Larroquette
Narrator (uncredited)
Stuart Milligan
NASA Technician (uncredited)
Kerry Shale
Rawlins (voice) (uncredited)
Guy Standeven
Technician (uncredited)
Elizabeth Heery
2nd Radar Technician
Reg Hill
Art Department Assistant
Alan Hume
Director of Photography
David White
Prosthetics
Michael Kamen
Additional Music
David White
Makeup Effects
Chris Corbould
Special Effects
Alf Joint
Stunts
Andy Bradford
Stunts
Chris Webb
Stunts
Dickey Beer
Stunts
Fred Haggerty
Stunts
Gareth Milne
Stunts
Nick Hobbs
Stunts
Ray Ford
Stunts
Tracey Eddon
Stunts
Tobe Hooper
Director
Derek Cracknell
First Assistant Director
Derek Cracknell
Second Unit Director
Menahem Golan
Producer
Yoram Globus
Producer
Henry Mancini
Original Music Composer
John Dykstra
Visual Effects
Dan O'Bannon
Screenplay
Don Jakoby
Screenplay
Michael Armstrong
Screenplay
Olaf Pooley
Screenplay
Jun 21, 1985
May 27, 1998
DVD
Jun 18, 2013
Blu-ray
May 24, 2022
4K Ultra HD
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Versus
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In Order to Pass
1982
Best of British: TVR
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Final Destination
2000 · 12 wins
Top Gun: Maverick
2022 · 11 wins
Joker
2019 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
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