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Lifeforce
No Trailer Available
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Easedram
?
Golan-Globus Productions
?
London-Cannon Films
The Cannon Group The Cannon Group

Not part of a collection.

Lifeforce

In the blink of an eye, the terror begins.

1985 102 min ★ 6.2 (763) Released
Action Horror Mystery Science Fiction

A race of space vampires arrives in London and infects the populace, commencing an apocalyptic descent into chaos.

Original title
Lifeforce
Language
EN
Country
US,GB
Budget
$25,000,000
Revenue
$11,603,545
Reviews & Ratings 5
specimenb

specimenb

Aug 10, 2026 · via TMDB

★ 4.0

*Lifeforce* sounded like it should have been a blast—space vampires, Halley’s Comet, and an apocalyptic London—but I found it mostly loud, silly, and painfully uneven. The movie jumps between sci-fi, horror, disaster spectacle, and exploitation so abruptly that none of its ideas get enough room to work. There are a few impressive effects and some memorably bizarre images, but they cannot rescue the clunky dialogue, sluggish stretches, and performances that never make the story feel grounded. Instead of becoming the wild cult classic it clearly wants to be, *Lifeforce* felt like a confused mess with an expensive-looking shell. Its reputation for being brazenly strange yet uneven—and criticism of its slow pace—fits my experience exactly.

T

tmdb28039023

Aug 29, 2022 · via TMDB

★ 5.0

Lifeforce is the best Dracula from Space movie I’ve ever seen. I haven’t seen that many, mind you, and Vampirella and Dracula 3000 sure as shit didn’t set that particular bar especially high; on the other hand, Lifeforce is better-looking than many sci-fi/fantasy films released as recently as this the year of Our Lord 2022, vis-a-vis practical, mechanical special effects versus CGI and motion capture visual effects (it doesn’t hurt Lifeforce either that there’s generous full-frontal female nudity courtesy of French uber-babe Mathilda May). The script is not without its share of silliness (consider this piece of dialogue: "Sir, we've found a naked girl in Hyde park. The body is in an indescribable condition" — but you just kind of described it, didn’t you? I mean, "a naked girl" is a reasonably specific description), but the movie’s weak spot lies in a deliberate choice: comparing the plot’s events to the "vampires of legend," which the film’s quasi-Van Helsing eventually concludes "came from creatures such as these. Perhaps even from these very creatures." Somehow it never occurs to Dr. Fallada (Frank Finlay) to wonder, if "these very creatures" needed an astronaut to bring them to Earth in his space shuttle, how the "vampires of legend" arrived in our planet the first time around. How the good doctor correctly guessed that a "leaded metal shaft, penetrating not through the heart, but through the energy center two inches below the heart [how he knows so much about the creatures’ anatomy is anybody’s guess, considering the things human form is but a disguise]. Not steel, but leaded iron" (he calls this the "old way," but wouldn’t that be a wooden stake through the heart?) would prove fatal to the aliens is another secret I’m afraid he takes to his grave. There is also some mumbo-jumbo about how "The process of conversion releases a life energy" that "can be collected ... The male vampire's collecting life energy. But he has to send it through her to get it up to the collector" and some other such nonsense. The filmmakers should have treated the word "vampire" as anathema, and avoid any and all direct references to it. Take for instance the aforementioned space shuttle, which anyone familiar with Bram Stoker will identify as an allusion to the Demeter; this is a clever little touch, but it won’t impede any viewer’s enjoyment of the film if the parallelism escapes them. My point is that you don’t have to be the boy who cried vampire when the thought is already in pretty much everybody’s mind. There are shades of other works here (Invasion of the Body Snatchers, Night of the Living Dead, Solaris, and even Ghostbusters), but the movie doesn’t feel the need to overtly draw attention to them — so why the hard-on for vampires? Other than that, Lifeforce is a satisfying minor diversion for fans of old-school horror.

A

adorablepanic

May 4, 2020 · via TMDB

★ 7.0

LIFEFORCE (1985) - By the mid '80s, Cannon Films was looking to move away from low-budget, disposable fare like HOSPITAL MASSACRE (1981) and BREAKIN' 2: ELECTRIC BOOGALOO (1984). Owners Menahem Golan and Yoram Globus had loftier ambitions: They wanted a blockbuster; a big-budget smash that they could call their own. To this end, they signed director Tobe Hooper to a three-picture deal and turned him loose with $25,000,000 and free reign to create the movie he wanted. Working with a stellar, mostly British cast (save token American star Steve Railsback, who apparently misplaced his charisma at Heathrow; and startlingly uninhibited French goddess Mathilda May); legendary composer Henry Mancini; and a screenplay co-written by the man who wrote ALIEN (1979), Hooper unleashed a wonderfully unwieldy miasma of genres. What starts out as a science fiction mystery gradually morphs into full blown, zombie apocalypse horror - played with square-jawed seriousness by all involved. Unfortunately, this film got lost among that years' heavy-hitters like BACK TO THE FUTURE and the second RAMBO film, and earned back less than half its budget. Cannon Films ceased operations in 1994, but their ambitious attempt to stand amongst the major studios keeps giving back to its growing cult audience via home video. Sometimes success takes a few decades.

Gimly

Gimly

Sep 7, 2018 · via TMDB

★ 5.0

The promise of 1980s, practical effects, and energy vampires with no clothes on is apparently all it takes to get me to watch a movie. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

T

teix

Jan 4, 2016 · via TMDB

Great sci-fi flick. The story is very good, and the production and the actors did a great job. I don't think this movie is outdated, just more campy and enjoyable. A must see sci-fi classic.

User reviews courtesy of TMDB.

Keywords 8
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Cast 28
Steve Railsback

Steve Railsback

Col. Tom Carlsen

Peter Firth

Peter Firth

Col. Colin Caine

Frank Finlay

Frank Finlay

Dr. Hans Fallada

Mathilda May

Mathilda May

Space Girl

Patrick Stewart

Patrick Stewart

Dr. Armstrong

Michael Gothard

Michael Gothard

Dr. Bukovsky

Nicholas Ball

Nicholas Ball

Roger Derebridge

Aubrey Morris

Aubrey Morris

Sir Percy Heseltine

Nancy Paul

Nancy Paul

Ellen Donaldson

John Hallam

John Hallam

Lamson

Chris Jagger

Chris Jagger

First Vampire

Derek Benfield

Derek Benfield

Physician

Jerome Willis

Jerome Willis

Pathologist

John Woodnutt

John Woodnutt

Metallurgist

Peter Porteous

Peter Porteous

Prime Minister

Sidney Kean

Sidney Kean

Brash Guard

Julian Firth

Julian Firth

Second Boy in Park

Carl Rigg

Carl Rigg

First Radar Technician

Emma Jacobs

Emma Jacobs

2nd Crewperson

Richard Oldfield

Richard Oldfield

Mission Leader

Burnell Tucker

Burnell Tucker

NASA Man

Michael Fitzpatrick

Michael Fitzpatrick

2nd NASA Officer

Sidney Livingstone

Sidney Livingstone

Ned Price

John Larroquette

John Larroquette

Narrator (uncredited)

Stuart Milligan

Stuart Milligan

NASA Technician (uncredited)

Kerry Shale

Kerry Shale

Rawlins (voice) (uncredited)

Guy Standeven

Guy Standeven

Technician (uncredited)

Elizabeth Heery

Elizabeth Heery

2nd Radar Technician

Crew 26
Reg Hill

Reg Hill

Art Department Assistant

Alan Hume

Alan Hume

Director of Photography

David White

David White

Prosthetics

Michael Kamen

Michael Kamen

Additional Music

David White

David White

Makeup Effects

Chris Corbould

Chris Corbould

Special Effects

Alf Joint

Alf Joint

Stunts

Andy Bradford

Andy Bradford

Stunts

Chris Webb

Chris Webb

Stunts

Dickey Beer

Dickey Beer

Stunts

Fred Haggerty

Fred Haggerty

Stunts

Gareth Milne

Gareth Milne

Stunts

Nick Hobbs

Nick Hobbs

Stunts

Ray Ford

Ray Ford

Stunts

Tracey Eddon

Tracey Eddon

Stunts

Tobe Hooper

Tobe Hooper

Director

Derek Cracknell

Derek Cracknell

First Assistant Director

Derek Cracknell

Derek Cracknell

Second Unit Director

Menahem Golan

Menahem Golan

Producer

Yoram Globus

Yoram Globus

Producer

Henry Mancini

Henry Mancini

Original Music Composer

John Dykstra

John Dykstra

Visual Effects

Dan O'Bannon

Dan O'Bannon

Screenplay

Don Jakoby

Don Jakoby

Screenplay

Michael Armstrong

Michael Armstrong

Screenplay

Olaf Pooley

Olaf Pooley

Screenplay

Gallery 169
Videos 8
Similar Movies 249
US Release Dates 4

Jun 21, 1985

R Theatrical

May 27, 1998

DVD

R Physical

Jun 18, 2013

Blu-ray

R Physical

May 24, 2022

4K Ultra HD

R Physical

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In Order to Pass

In Order to Pass

1982

VS
Best of British: TVR

Best of British: TVR

Sign in to vote

Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Final Destination

Final Destination

2000 · 12 wins

#4 Top Gun: Maverick

Top Gun: Maverick

2022 · 11 wins

#5 Joker

Joker

2019 · 11 wins

Sign in to build your own ranking
0 Points
0/0 Correct
0 Streak

Playing as a guest — sign in to save your score and rank on the leaderboard.

Movie Trivia

Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.

What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 100%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 0%
2 votes

What is your favorite movie genre?

Action 0%
Adventure 0%
Animation 0%
Comedy 0%
Crime 0%
Documentary 0%
Drama 0%
Family 0%
Fantasy 0%
History 0%
Horror 100%
Music 0%
Mystery 0%
Romance 0%
Science Fiction 0%
Thriller 0%
War 0%
Western 0%
2 votes

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