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20th Century Fox
Amblin Entertainment
Cruise/Wagner Productions
Not part of a collection.
Everybody runs.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Joogle83
Jul 21, 2026 · via TMDB
Another standout in Spielberg's filmography and a shining example of smart, socially aware science fiction that continues to resonate today.Minority Report is a thought-provoking and masterful film, with themes that remain strikingly relevant in today's world. In an age of mass surveillance and diminishing privacy-especially in a post-9/11 and post-COVID-19 society-the film's questions about free will, determinism, and the human condition hit harder than ever.Based on the short story by Philip K. ****, Minority Report moves beyond the androids and replicants of earlier **** adaptations like Blade Runner. Instead, it turns the lens inward, asking whether we are the criminals-whether guilt can exist before a crime is committed, and if our choices are ever truly our own. It explores the tension between personal agency and a system that claims to know our future.Spielberg skillfully blends high-concept sci-fi with noir and moral drama, creating something that feels like a fusion of Blade Runner and Total Recall. While the pacing may be slower than expected at times, the payoff is well worth it. The film doesn't just entertain-it lingers in your ****'s easy to see why Minority Report ranks at #19 on Empire's list of the 50 Best Sci-Fi Movies. It's another standout in Spielberg's filmography and a shining example of smart, socially aware science fiction that continues to resonate today.,Amazing Score from John Williams(AI: Artificial Intelligence ) and, Cinematography By Janusz Kaminski(Amistad) Direction from Steven Spielberg(Jurassic Park) Another standout in Spielberg's filmography and a shining example of smart, socially aware science fiction that continues to resonate today. 9/10.
CinemaSerf
Sep 3, 2023 · via TMDB
So - can you be arrested for a crime that you haven't actually committed yet? I suppose that is conspiracy - but this cleverly crafted crime drama questions even the morality of that stance. Tom Cruise is a policeman in the "pre-crime" unit who uses information from three people who are able to see into the future, to arrest the spiralling crime rates by intercepting the perpetrators on the cusp of their criminality. Murderers, rapists, bank robbers - you name it, and this has a profound effect on the crime rate. All looks plain sailing until Cruise "Anderton" becomes embroiled in a potential killing of his own, and his erstwhile colleagues - not least Colin Farrell ("Witwer") and Max von Sydow ("Director Burgess') are on his trail using his own techniques against him. Steven Spielberg has concocted a plot that, though complex, is relatively easy to follow with plenty of action and thriller elements that do exactly what they are supposed to. The ending is maybe just a bit disappointing - far too tidy for my liking; but Cruise, Farrell and von Sydow combine well to generate a fair degree of menace and suspense to keep it interesting. The CGI hasn't really stood the test of time so well and I hope Bulgari (amongst others) got their money's worth - I wouldn't rush out and buy one, but I would watch the film again.
Andre Gonzales
Jul 19, 2023 · via TMDB
Really good movie. This is one of those movies where you really gotta pay attention to it to understand it fully. Great storyline too. I'm sure our world will eventually end up this way. Hope not though!
Gimly
Jun 11, 2017 · via TMDB
Works more on the strength of Spielberg than of Cruise. _Final rating:★★★ - I personally recommend you give it a go._
John Chard
Apr 13, 2016 · via TMDB
Spielberg does Tech-Noir! The year is 2054 and the murder rate in Washington is zero, the reason? Three Pre-Cognitives (each named after a literary great) whose combined abilities witness murders before they actually occur. Apparently faultless, it's then something of a surprise to Pre-Crime chief John Anderton (Tom Cruise) when the Pre-Cogs predict he is to murder a man named Leo Crow. Forced to go on the run, and haunted by a family tragedy, Anderton must evade the system he so perfectly executed himself. Can he find a flaw? Or is he actually about to commit a murder? Everybody Runs! That was the tag line that accompanied the explosive trailer for Steven Spielberg's, Tom Cruise starrer, Minority Report. This marketing tool indicated that the great bearded one had adapted from the Phillip K Dick short story and created an action monster? He hadn't, he had in fact created something far far better than popcorn fodder. Minority Report was the next project for Spielberg following the equally dark and intriguing AI: Artificial Intelligence, both films serving to note that Spielberg was capable of thought provoking science fiction outside of the standard crowd pleasers that many critics love to decry. In fact, it's arguable that Spielberg may have hit his creative peak with Minority Report, for the messages and crawling dystopian bleakness on show paint a picture not so much as a future far away in our lives, but of one we live in now. Big thematic points of reference dot themselves throughout the piece. Such as the changing of eye balls, or that in these post 9/11 years we yearn, and always will, to be safer. Here in this bleached shadowy world, a world of metallic tones and visual stings (ace cinematographer Janusz Kaminski on duty), we are safe under Pre-Crime. Yet still it's a world without soul, it has no heart, it's almost as if inhuman in itself, suggesting that the World's problems are not easily vanquished by technology - a total sacrifice of the World's inhabitant's souls. Spielberg of course is well served by the supreme professionals he has at his disposal, he has also managed to garner a great performance from Tom Cruise, something that critic and fan favourite directors have not managed to do previously. Believable grief, action work as strong as ever, it is however with his ability to imbue a tortured film noir protagonist where Cruise excels the most. Alongside Cruise and operating with great impact are Samantha Morton as Pre-Cog Agatha and Max Von Sydow, the latter adding that touch of experienced know how needed for his particularly important character. The odd casting choice appeared to be Colin Farrell as the meddling, almost vindictive Danny Witwer, but he plays well off of Cruise, this even if he veers dangerously close to comic book villainy at times (check out a holy smoke Batman scene). What action there is is first rate, from a jet back pack pursuit, to car jumping heroics, the sequences are crafted with Spielberg's deft eye for an action sequence. While the sick sticks (yes you read right) metal spiders and a brilliant Peter Stormare cameo should hopefully have you squirming and grinning in equal measure. Which brings us to the finale, an ending that may not be a complete surprise (yet it still doesn't cop-out in context to Anderton's tragedy), but things are rounded off in true classic noir tradition, where it closes down a thinking man's tech-noir. Superb. 9/10
User reviews courtesy of TMDB.
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Tom Cruise
Chief John Anderton
Colin Farrell
Danny Witwer
Samantha Morton
Agatha
Max von Sydow
Director Lamar Burgess
Lois Smith
Dr. Iris Hineman
Peter Stormare
Dr. Solomon Eddie
Tim Blake Nelson
Gideon
Steve Harris
Jad
Kathryn Morris
Lara Clarke
Mike Binder
Leo Crow
Daniel London
Wally the Caretaker
Neal McDonough
Fletcher
Jessica Capshaw
Evanna
Patrick Kilpatrick
Knott
Jessica Harper
Anne Lively
Ashley Crow
Sarah Marks
Arye Gross
Howard Marks
Richard Coca
Pre-Crime Cop
Keith Campbell
Pre-Crime Cop
Kirk B.R. Woller
Pre-Crime Cop
Klea Scott
Pre-Crime Cop
Frank Grillo
Pre-Crime Cop
Anna Maria Horsford
Casey
Eugene Osment
Jad's Technician
Vené L. Arcoraci
Office Worker
Keith Flippen
Tour Guide
Radmar Agana Jao
Technician
Karina Logue
Technician
Victoria Garcia-Kelleher
Technician
Jim Rash
Technician
Tom Choi
Paymen - Agent #2
Tom Whitenight
Price - Agent #3
William Morts
Foley - Agent #4
George D. Wallace
Chief Justice Pollard
Ann Ryerson
Dr. Katherine James
Tyler Patrick Jones
Older Sean
Dominic Scott Kay
Younger Sean
Joel Gretsch
Donald Doobin
Jason Antoon
Rufus Riley at Cyber Parlor
Scott Frank
Conceited Customer
Rocael Leiva
Hamburger Dad
Caroline Lagerfelt
Greta Van Eyck
Danny Parker-Lopes
Man
Katy Boyer
Mother
Fiona Hale
Old Woman
Pamela Roberts
Violent Wife
Clement Blake
Husband
Victor Raider-Wexler
Attorney General Nash
Nancy Linehan Charles
Celeste Burgess
Dude Walker
Reporter
William Mapother
Hotel Clerk
Bonnie Morgan
Contortionist
Ana Maria Quintana
Murder Bystander
Tonya Ivey
Gap Girl
John Bennett
Adulation #4
Ron Ulstad
Adulation #6
Blake Bashoff
Pre-Crime Public Service Announcer
David Doty
Pre-Crime Public Service Announcer
Gina Gallego
Pre-Crime Public Service Announcer
David Hornsby
Pre-Crime Public Service Announcer
Anne Judson-Yager
Pre-Crime Public Service Announcer
Meredith Monroe
Pre-Crime Public Service Announcer
Benita Krista Nall
Pre-Crime Public Service Announcer
Jorge-Luis Pallo
Pre-Crime Public Service Announcer
Elizabeth Payne
Pre-Crime Public Service Announcer
Jarah Mariano
AMEX Polynesian Woman
Vanessa Asbert
Bulgari Model
Paul Thomas Anderson
Bus Passenger (uncredited)
Cameron Crowe
Bus Passenger (uncredited)
Cameron Diaz
Bus Passenger (uncredited)
Ramsey Avery
Art Direction
Seth Reed
Art Direction
Alex McDowell
Production Design
Peter Ramsey
Storyboard Artist
Chris Gorak
Supervising Art Director
Janusz Kamiński
Director of Photography
Steven Meizler
First Assistant Camera
Deborah L. Scott
Costume Design
Candace Neal
Hairstylist
Michèle Burke
Makeup Designer
Jake Garber
Makeup Effects
Craig Hosking
Pilot
Tom Martinek
Sequence Supervisor
James Bomalick
Special Effects Technician
Chris L. Spellman
Stand In
Brian Smrz
Stunt Coordinator
Gregg Smrz
Stunt Coordinator
Keith Campbell
Stunt Double
Al Goto
Stunts
Andy Gill
Stunts
Anthony Alvarez
Stunts
April Weeden
Stunts
Bobby Burns
Stunts
Carl Paoli
Stunts
Dana Dru Evenson
Stunts
Dane Farwell
Stunts
David Wald
Stunts
Dennis Keiffer
Stunts
Eddie J. Fernandez
Stunts
Eddie Perez
Stunts
Erik Stabenau
Stunts
J.P. Romano
Stunts
Jake Teague
Stunts
Jeannie Epper
Stunts
Jeff Habberstad
Stunts
John Branagan
Stunts
John Hateley
Stunts
Keii Johnston
Stunts
Lisa Dempsey
Stunts
Mark Aaron Wagner
Stunts
Mark Stefanich
Stunts
Michael Trisler
Stunts
Pat Romano
Stunts
Paul M. Lane
Stunts
Petra Sprecher
Stunts
Philip Tan
Stunts
Randy Hall
Stunts
Richie Gaona
Stunts
Rick Miller
Stunts
Robert Bastens
Stunts
Rosine 'Ace' Hatem
Stunts
Steve Kelso
Stunts
Toby Holguin
Stunts
Troy Gilbert
Stunts
William Washington
Stunts
Glenn Derry
Video Assist Operator
Steven Spielberg
Director
Sergio Mimica-Gezzan
First Assistant Director
Ana Maria Quintana
Script Supervisor
Brian Smrz
Second Unit Director
Scott Frank
Second Unit Director
Michael Kahn
Editor
Sergio Mimica-Gezzan
Associate Producer
Denise Chamian
Casting
Ronald Shusett
Executive Producer
Gerald R. Molen
Producer
Jan de Bont
Producer
Walter F. Parkes
Producer
Ted Robbins
Unit Production Manager
Peter Myles
Music Editor
John Williams
Original Music Composer
Gary Rydstrom
Sound Designer
Walter Werzowa
Sound Designer
Kyrsten Mate
Sound Effects Editor
Andy Nelson
Sound Re-Recording Mixer
Gary Rydstrom
Sound Re-Recording Mixer
Gary Rydstrom
Supervising Sound Editor
Richard Hymns
Supervising Sound Editor
Elissa Bello
2D Artist
Erik Winquist
Compositing Artist
Scott Farrar
Visual Effects Supervisor
Scott Frank
Screenplay
Philip K. Dick
Short Story
Jun 17, 2002
New York City, New York
Jun 21, 2002
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Stripper Wives
1999
Sally's Beauty Spot
1990
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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Movie Trivia
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