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A Band Apart
Jersey Films
Miramax
Not part of a collection.
You won’t know the facts until you’ve seen the fiction.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
mwallace666
Aug 14, 2026 · via TMDB
.Cinema at its coolest. Chaotic, stylish, endlessly quotable, and somehow perfect in every damn way.
shanmuk2346
Jul 25, 2026 · via TMDB
Pulp Fiction taught me that silence can be as powerful as dialogue—it builds curiosity and keeps you waiting for what's next.
Filipe Manuel Neto
Jan 21, 2023 · via TMDB
**One of the unavoidable movies to know Tarantino… but I think it's not as incredible as it is sometimes said to be.** This was one of the films that consolidated Tarantino's career and made him one of the "superstar" directors who, whenever he releases a film, whether good or bad, attracts a legion to the cinema. I was never a fan of his, and I don't think I will be. He made some films that I liked and others that I hated. I wouldn't call it regular, a “safe bet”, but we can't deny it, it's original, true to his style and doesn't seem concerned about pleasing anyone. The film follows more than one plot: we have a couple of violent bandits who try to rob a cafeteria, we have a boxer at the end of his career who has to flee after winning a fight he had agreed he would lose, we have a couple of murderers in the pay of a mobster who are tasked with recovering a stolen suitcase, and we also have the capricious girlfriend of that same mobster, whose boredom forces her darling to assign one of his assassins to babysit for her. What unites them all? In addition to the fact that they naturally intersect, they are all part of the same violent, brutal and marginal universe. For many, this film is one of the best of the 90's. I would never consider it as such, that is, for me, an exaggeration. It's reasonably good, it's gained cult status, it has fans, but it's not a masterpiece, not for me. It's not a boring film, it doesn't tire us out and the various sub-plots are intertwined very well, with skill and elegance. There's a lot of violence, heavy slang and drugs, and that can be really hard at times, I felt that too. However, this heavier language, drugs and violence end up being a natural part of the underworld of crime and marginality where the characters move, so it's something we can count on right from the start. And there are no sympathetic characters who can arouse some empathy, so it doesn't matter to us whether they live or die in the most unpleasant ways (and some of them suffer a lot). These are all qualities, and will be even more valued by those who are more familiar with the “pulp” literary subgenre. I'm not, it's not part of my culture, and I even had to go look it up on the Internet to understand what it was, and what its characteristics were. Despite that, there are a few things about this film that I really didn't like or felt over the top. One of them is the dialogues. There are scenes with a lot of dialogues, dialogues without any interest, which can dwell on boring topics, just because. One of them, right at the beginning of the film, is about foot massages, just to give a small example. There are many scenes that seem overly drawn out due to these endless dialogues. I also think the film has too many images of bare feet. Tarantino gained fame as a fetishist, but he always said he wasn't… watching this film makes it hard to believe him. And one of the characters, who is a murderer, makes a very long quote from the Bible… it's the kind of “literature” that I think an underworld murderer probably wouldn't know by heart. The actors are very good, we have several notable names: John Travolta is excellent in the role he was given, with that black suit and his hair soaked in oil. Samuel L. Jackson is not far behind, and Uma Thurman is fantastic. I would say that, at least, Thurman and Travolta achieve performances at the best level of their respective careers in this film. Bruce Willis isn't bad, but he's just not that interesting. I enjoyed seeing my countrywoman Maria de Medeiros in her only major international role, I'm sorry she couldn't go further, but that's life. Tarantino also appears in the film, and it would have been much better if he hadn't. He's a ham as an actor. Technically, the film has many qualities, starting with the excellent cinematography, with vivid colors and good lighting. There are excellent action scenes, for all tastes, and the soundtrack makes good use of several musical themes that we know very well.
alksjalksj
Dec 16, 2022 · via TMDB
really fun to watch and the attention to detail is great
crastana
Jul 18, 2022 · via TMDB
Tarantino is the most overrated director of our times, all his films are silly but people say they are masterpieces, perhaps they are but not for the right way, the only good thing about Tarantino is that he isn't afraid of revenge for the sake of making his characters good.
CinemaSerf
Jun 29, 2022 · via TMDB
Ving Rhames ("Wallace") is the kingpin who provides the loosest of templates for a couple of inter-twining tales that are amusing, bizarre and sometimes down right dangerous before we get a sort of alignment at the conclusion. "Winnfield" (Samuel L. Jackson) and "Vincent Vega" (John Travolta) are a pair of dapper enforcers, despatched to retrieve a stolen briefcase. Though their manner may be precise, the execution of their tasks are usually more hit and miss, definitely messy - and frequently requiring of the specialist clean-up services of "Mr. Wolf" (Harvey Keitel). "Vega" is also charged by his boss with looking after his cocaine-loving wife "Mia" (Uma Thurman) and that flirts with dancing and disaster too. Meantime, ageing boxer "Butch" (Bruce Willis) is supposed to help the boss by taking an early dive in a fight. Instead he manages to kill his opponent! Soon he is intent on fleeing town, well at least he tries before he and "Wallace" end up being the playthings of some interesting characters who keep their own leather-clad gimp locked in a box... It's really difficult to make sense of the narrative in writing. It flows really well, but at differing speeds and in several different directions at once. The stories are violent but delivered in an almost tongue-in cheek way. The dance between "Mia" and "Vega" has become the stuff of cinema legend; there is loads of chemistry - especially between Travolta and an on form Jackson who really does deliver his biblical verses with a puritanical - an lethal - zeal; Willis is as good here as he ever was and you cannot but feel sorry for poor old "Pumpkin" (Tim Roth) and his pal "Honey Bunny" (Amanda Plummer) whose habit of committing petty robberies when they realise that nobody ever thinks to hit a restaurant, all goes awry. The dialogue is cleverly targeted, with wit and pith but also used sparingly when the first rate soundtrack is allowed to let everyone come up for air. Tarantino himself features towards the end as just about everybody gets their just desserts. This is a classy and sharp piece of enigmatic and enjoyable cinema held together well by a creative and visionary director who appreciates how to get the best of a cast that know how to entertain!
User reviews courtesy of TMDB.
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John Travolta
Vincent Vega
Samuel L. Jackson
Jules Winnfield
Uma Thurman
Mia Wallace
Bruce Willis
Butch Coolidge
Ving Rhames
Marsellus Wallace
Harvey Keitel
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Hold Hands You Lovebirds (archive footage)
Brenda Hillhouse
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Robert Ruth
Sportscaster #1 - Coffee Shop
Rich Turner
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Don Blakely
Wilson's Trainer
Karen Maruyama
Gawker #1
Kathy Griffin
Kathy Griffin
Venessia Valentino
Pedestrian / Bonnie Dimmick
Linda Kaye
Shot Woman
Alexis Arquette
Fourth Man
Julia Sweeney
Raquel
Lawrence Bender
Long Hair Yuppy Scum
Cie Allman
Winston Wolfe's Girlfriend at Party (uncredited)
Ani Sava
Woman in Bathroom (uncredited)
Richard Rossi
Diner Patron #2 (uncredited)
Emily Wolfe
Art Department Coordinator
David Wasco
Production Design
Sandy Reynolds-Wasco
Set Decoration
Andrzej Sekula
Director of Photography
Ziad Doueiri
First Assistant Camera
Mary Claire Hannan
Assistant Costume Designer
Kevin McTurk
Special Effects Assistant
Kevin McTurk
Special Effects Technician
Cameron Oppenheimer
Stand In
Cameron Oppenheimer
Stunts
Dennis Madalone
Stunts
Agnès B.
Thanks
Jennifer Beals
Thanks
Lee Stollman
Thanks
Scott Spiegel
Thanks
Stephen Martines
Thanks
Quentin Tarantino
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Sally Menke
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Tatiana S. Riegel
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Ronnie Yeskel
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Bob Weinstein
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Harvey Weinstein
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Richard N. Gladstein
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Danny DeVito
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Michael Shamberg
Executive Producer
Stacey Sher
Executive Producer
Haley Sweet
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Lawrence Bender
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Mary Ramos
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Stephen Hunter Flick
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Quentin Tarantino
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Roger Avary
Story
Quentin Tarantino
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1982
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2019 · 11 wins
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