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Atomic Monster
Blumhouse Productions
Divide / Conquer
M3GAN Collection
She's more than a toy. She's family.
A brilliant toy company roboticist uses artificial intelligence to develop M3GAN, a life-like doll programmed to emotionally bond with her newly orphaned niece. But when the doll's programming works too well, she becomes overprotective of her new friend with terrifying results.
GenerationofSwine
Oct 26, 2025 · via TMDB
Have you seen Child's Play? Any of them? Imagine the pitch for this, "We're going to make Child's Play, but with a female lead, and then we are going to take away all the charm and humor." And the end result is Child's Play, with little in the way of horror, and none of the the charm and humor. But people love it, probably because "Look, it's new thing."
Alunauwie
Sep 30, 2025 · via TMDB
Megan blends familiar horror and sci-fi tropes into a visually compelling film, elevated by strong production and chilling performances. While some plot points stretch logic—especially around corporate protocols and character decisions—the suspenseful buildup and eerie execution make it an engaging watch for adult thriller fans. Read the full review here: (Indonesian version : alunauwie.com) and (English version : uwiepuspita.com)
RalphRahal
Mar 6, 2025 · via TMDB
M3GAN is a fun mix of sci-fi, horror, and satire, playing on our growing fascination (and fear) of AI. The plot is simple but effective, following a tech-driven story that doesn’t waste much time on deep explanations. Instead, it throws us straight into the chaos of a hyper-intelligent AI doll bonding with a child in ways that quickly spiral out of control. While the movie touches on interesting themes about technology and parenting, it doesn't go too deep into the mechanics of M3GAN’s creation, which leaves some questions unanswered. That being said, it still delivers an engaging and entertaining ride. The directing keeps things moving at a steady pace, balancing horror and humor well. The cinematography is solid, with some nice shots that make M3GAN feel eerily lifelike. The use of lighting and framing helps create an unsettling atmosphere, especially when the doll is in focus. The acting is a mixed bag, while the young girl and the actress behind M3GAN absolutely carry the film, some of the supporting performances feel flat. There are moments where certain characters feel like they’re reading off a script rather than delivering natural dialogue, which can take you out of the moment. The script is decent, with some sharp moments of humor and tension, but it could have used a bit more depth in certain areas, especially around M3GAN’s development and motivations. The sound design and score work well in building suspense, adding to the film’s creepy but playful tone. Overall, M3GAN is a fun watch, especially if you enjoy AI-themed horror with a touch of dark humor. It may not be groundbreaking, but it knows exactly what it is and plays to its strengths.
r96sk
Feb 9, 2025 · via TMDB
<em>'M3GAN'</em> works for one reason and one reason only: the robot. I could honestly do without the entirety of the scenes that are predominantly about the adults, but the <i>Model 3 Generative Android</i> is, surprisingly, highly entertaining to watch. The look is good, the effects are very convincing and, unexpectedly, the dialogue really adds to the character; it is lively and amusing, which can't always be said in this genre. They could've perhaps made the robot more unsettling, though it is minorly creepy once or twice. Allison Williams, despite my lack of overt interest in the older folk, is solid in a prominent role. She looks like Amanda Peet to me in this, I even had to check it wasn't Peet; even though I knew the years/ages totally didn't work. Violet McGraw is decent. Less said about Ronny Chieng, the better. The only thing I knew about this before watching was the dance, which isn't featured as much as I was anticipating based on how much I saw it referenced when the film came out. On similar-ish note, I enjoyed the uses of "Titanium" and "Toy Soldiers" in this. As a big fan of the other, I second any calls for a crossover with <em>'Chucky'</em>... Don Mancini's one, obviously.
Dean
Aug 24, 2024 · via TMDB
What a great movie... Loved it.
Filipe Manuel Neto
May 27, 2023 · via TMDB
**It's an enjoyable film, it carries a pertinent anti-tech message, but it's not even close to being a horror film.** First, let me make one thing clear: horror movies have an imperative duty to scare and disturb us. Tension, suspense, fear and some scares are something that should not be missing. It's the essence of horror cinema, right? So, can someone explain to me where came from the bad idea of making horror movies for teenagers who aren't old enough to ride a motorcycle? Don't get me wrong… the movie is good, and I liked it, but I can't consider it a horror movie. It is not able to frighten anyone! It has no scares (we are able to predict them from a mile!), it has no tension or suspense. As a horror movie, forget it. As the people say, it rains, but it doesn't get us wet, do you understand? The script begins with a young girl who loses her parents in a tragic accident and goes to live with an aunt who works in a large corporation of highly technological toys. Things aren't easy and neither of them is prepared for the situation. It is in this context that we met M3GAN, a prototype of a toy that is, basically, an android child that is capable of learning, improving itself, teaching and, basically, replacing parents in the tiring task of… being parents. The problem is that, being a machine, it has no notion of good or bad, right or wrong, and that seems to have been a secondary detail in its programming. So it's no surprise that she quickly turns into a sly, cynical creature who kills without any remorse. The film was directed by Gerard Johnstone, an illustrious unknown. Who is behind the project is the producer and screenwriter James Wan, who we know from “Saw” and “Conjuring 2”. Wan's brand is everywhere. It would have been better if he had directed it and the project had evolved into a somber film, a true horror piece. Allison Williams does the main character well, giving us yet another excellent job. The actress is living a happy moment in her professional life after having shone in “Get Out” and seems to be managing to take advantage of the opportunities. Amie Donald and Jenna Davis, in turn, give body and voice (respectively) to M3GAN, complementing the work with an animatronic doll created for this purpose. The animatronic doll is nothing new. Cinema has used this technology for decades, and Spielberg's shark – one of the first and most infamous examples – is proof of that. However, the special effects and CGI are to be congratulated. The film utilizes a number of expensive visual and digital resources to excellent effect, wonderfully complementing what was done in the studio. The sound (particularly the sound effects related to the doll) also deserves praise, and the cinematography, even though it doesn't bring new or innovative features, makes the best use of it all. The film has good costumes and convincing sets, as well as a very good, modern and fun soundtrack. It's on the editing table that things go wrong: either because of the excessive length, or because it wants to target young age groups, the film was badly edited, and the cuts are rough. There are even scenes from the trailer that, because they are not in the final cut, make it difficult to understand the story: for example, the scene where Gemma orders M3EGAN to protect Cady, which appears in the trailer and was cut from the film, but which would help to understand why the doll starts to behave that way to protect its young owner. The only real fear that this film conveys is the credible possibility that, in the medium term, there will be some toy similar to M3GAN. Advances in AI, computing, robot creation and design, or other technologies make it plausible. Will it be that one day we will have robots and androids that, due to their characteristics, will be considered alive and, as such, immortal and, therefore, superior to the humans who created them? I don't think anyone wants to see that. Therefore, the film carries with it a message of distrust in technology, visible not only in M3GAN, but also in Cady's technological dependence. I can do nothing but applaud: the generations born after the year 2000 saw their childhood dominated by cell phones, iPads or computers, to the point of despising conventional games and toys and alienating themselves from living together, normal and healthy, with other children. I'm not making it up, this is a fact that we can all see in a short trip to any school. And if there are parents who appreciate the creation of devices that keep their children busy, I am in the group of parents who see technology as something that should be dosed in a more measured way, allowing children a normal childhood before introducing them to the digital and tech world. I think there is a time for everything in life, and childhood shouldn't be spent looking at screens and LCDs.
User reviews courtesy of TMDB.
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Allison Williams
Gemma
Violet McGraw
Cady
Amie Donald
M3gan
Jenna Davis
M3gan (voice)
Ronny Chieng
David
Brian Jordan Alvarez
Cole
Jen Van Epps
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Natasha Daniel
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Jaya Beach-Robertson
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Peter McCaffrey
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Lyn Moncrief
Second Unit Director of Photography
Simon Raby
Second Unit Director of Photography
Ida Munro
Costume Standby
Adrien Morot
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Kathy Tse
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Paul Lewis
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Alaina Wilks
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Isaac Hamon
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Lex D. Geddings
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Ashlee Fidow
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Gerard Johnstone
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Sarah Domeier Lindo
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Terri Taylor
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Adam Hendricks
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Allison Williams
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Greg Gilreath
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Judson Scott
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Michael Clear
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Ryan Turek
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Alayna Glasthal
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Danielle Bozzone
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Jon Romano
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James Wan
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Jason Blum
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Jeffrey Roy
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Andrea von Foerster
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The Brother
2017
80 Day Obsession: Day 75 AAA (Phase 1)
2018
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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