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Universal International Pictures
Universal Pictures
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This was the moment unashamed... when this man and this woman felt the first ecstasy of their Magnificent Obsession
Reckless playboy Bob Merrick crashes his speedboat, requiring emergency attention from the town’s only resuscitator while a local hero, Dr. Phillips, dies waiting for the life-saving device. Merrick then tries to right his wrongs with the doctor’s widow, Helen, falling in love with her in the process.
CinemaSerf
Mar 12, 2026 · via TMDB
I felt a bit sorry for poor old “Bob” (Rock Hudson) in this. Sure, he’s an obnoxious and selfish playboy but when he gets involved in an accident that requires the resuscitator he awakens to quite a lot of disdain from those in the hospital. Why? Well it seems that at the same time, a local surgeon got into difficulties of his own and as the machine was busy elsewhere, well he perished. “Bob” is fairly upset by this news, so offers the hospital $25,000 to pay his bill and get it another gadget. This only seems to make matters worse for the recently widowed “Helen” (Jane Wyman) who gives him short shrift. Then she, herself, gets into an accident that robs her of her memory and her sight. Determined more than ever to help, “Bob” resurrects his own former medical career; assumes a fake identity then also pays for the world’s top specialists to evaluate her - all while they fall in love. When the physicians reluctantly admit defeat, she absconds with instructions he leave her be and time marches on. What chance, though, that medical science might advance and maybe they could reconcile their love - a love based on one huge great lie? With quite an effective effort from Otto Kruger’s inspirational “Randolph”, the character of “Bob” evolves quite profoundly before our eyes and I have to say that the usually quite soporific Hudson does rise to the occasion, especially as the film nears a conclusion that treads the line between sentimentality and plausibility quite precariously. Wyman also contributes strongly as a grief stricken woman whose judgment is clearly compromised by the tragic death of her husband and clouded by a few somewhat unfair assumptions of her own. There is plenty of chemistry on display here, some strong supporting efforts from the likes of Agnes Moorhead and Barbara Rush and all in all I was surprised at how well this stayed away from the pitfalls of melodrama. Worth a watch.
John Chard
Nov 25, 2019 · via TMDB
Doc Rock and the playboy redemption. Magnificent Obsession is adapted from a novel by Lloyd C Douglas, and it had been previously filmed back in 1935 with Irene Dunne and Robert Taylor in the leads. Here the piece is directed by melodrama maestro Douglas Sirk and features Jane Wyman and Rock Hudson as the emotionally charged leads. The story revolves around Bob Merrick (Hudson), a playboy who is inadvertently responsible for the death of Helen Phillips' (Wyman) husband. As he starts to find a soul in amongst his playboy image, he desperately wants to make peace with Helen, but during his efforts to apologise she is tragically blinded in an accident. As Helen recuperates, Bob worms his way into Helen's life by posing as someone else, they amazingly start to fall in love, but the truth will out and tragedy seems to permanently hover over this newly formed alliance. As with the best of Douglas Sirk, Magnificent Obsession is loaded with drama and unashamed assaults on the viewers emotional fortitude. It is quite simply a weeper, a stress relief server for those so inclined. No bad thing that, though, just as long as the viewer is fully aware of the type of film they are getting. To only market it as a romance piece is something of a disservice because at the core it's one of redemption, where even religion is neatly threaded into the deftly assembled script. Technically it has a lot going for it, Frank Skinner's score is smoothly gorgeous, with Chopin's Études perfectly accompanying the blossoming romance, while the colour photography from Russell Metty is sensibly unobtrusive. Rock Hudson would jump on to the map with his performance here (proving he could act if given the meat to chew on), and Wyman would get Oscar nomination for her emotionally driven turn. All in all it's a film that's well worth watching, on proviso if you choose to be in that weeper frame of mind! 7.5/10
User reviews courtesy of TMDB.
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Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Jane Wyman
Helen Phillips
Rock Hudson
Bob Merrick
Barbara Rush
Joyce Phillips
Agnes Moorehead
Nancy Ashford
Otto Kruger
Edward Randolph
Gregg Palmer
Tom Masterson
Paul Cavanagh
Dr. Henry Giraud
Sara Shane
Valerie Daniels
Richard H. Cutting
Dr. Derwin Dodge
Judy Nugent
Judy
Helen Kleeb
Mrs. Eden
Rudolph Anders
Dr. Albert Fuss
Fred Nurney
Dr. Laradetti
John Mylong
Dr. Hofer
Mae Clarke
Mrs. Miller
Harvey Grant
Chris
Joseph Mell
Dan
Will J. White
State Police Sergeant Bill Ames (uncredited)
William Leslie
Bar Patron (uncredited)
Bud Westmore
Makeup Artist
Douglas Sirk
Director
Ross Hunter
Producer
Frank Skinner
Original Music Composer
Sarah Y. Mason
Other
Victor Heerman
Other
Jul 15, 1954
Cleveland, Ohio
Aug 4, 1954
New York City, New York
Aug 7, 1954
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Leo Kottke: Home + Away
1989
Match in a Haystack
2025
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Battle your watched movies head-to-head
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Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
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