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Magnolia
?
Ghoulardi Film Company
New Line Cinema New Line Cinema

Not part of a collection.

Magnolia

Things fall down. People look up. And when it rains, it pours.

1999 189 min ★ 7.7 (4,154) Released
Drama

On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.

Original title
Magnolia
Language
EN
Country
US
Budget
$37,000,000
Revenue
$48,451,803
Reviews & Ratings 5
CinemaSerf

CinemaSerf

Jul 12, 2026 · via TMDB

★ 7.0

This isn't so much a piece of cinema as a cinematographic exercise is crochet-work! There are nine folks central to it's plots - for there are at least three - yet as we progress we realise that there is a degree of integration between the characters that becomes less tangential as the stories unravel. "Jimmy" (Philip Baker Hall) has hosted a quiz series for thirty-odd years that showcases the precocious wisdom of the children of America. It's current champion is the astonishingly bright "Stanley" (Jeremy Blackman) but as their team achievements edge ever close to record-breaking territory, he becomes uncharacteristically nervous! Meantime, grown-up daughter "Claudia" (Melora Walters) has a penchant for the white powder and lives in a grubby apartment living a life that is only going to lead her in one direction. The there's "Frank" (Tom Cruise) who is the epitome of evangelising motivational speakers determined to make a decent living empowerng the male sex to take back control of their own sexual identity. He, of course, offers us an abject lesson in doing as I say not as I do. Another alumni of the quiz is "Donnie" (William H. Macy) whose own life wasn't exactly helped by being struck by lightning and so he is now largely only focused on getting some braces for his teeth and then, finally, there is the attentive police officer "Kurring" (John C. Reilly) who is struggling to deal with an unexpectedly quiet occupant of a woman's closet! Is "Jimmy" the only conduit for these interwoven characters here, or might the cancer suffering and bedridden "Partridge" (Jason Robards) have a part to play? Even as he lies on death's door consuming his oxygen from a cylinder contemplating his own life, not least his unfulfilled marriage to the gold-digging "Linda" (Julianne Moore). If that doesn't give you a clue as to the initial messiness of this, and as to why it needs to be just over the three hours long, then I don't know what will - but once we have established the premiss of interconnectivies of these folks, this is a surprisingly easy film to follow that is loaded with characterful performances and quirkiness as it makes evaluations of family, fame and loneliness. What is real? Who is real? Indeed, when might even be real? The timelines are often darting about from the youth of some to the old age of others then back again in fashion that can seem haphazard but that does actually knit together, after a fashion, as we end what could be the whole film or really just a few of it's constituent chapters. Now there is a great deal of padding here, and you have to be prepared for periods of time where the story inches at barely a glacial pace in whatever direction the auteur has selected for this phase of this drama, but with strong efforts from Moore, Philip Seymour Hoffman (the nurse), the understated Macy and from an out of his comfort zone Cruise, this is a film that benefits from a few viewings to appreciate it's nuanced and darkly comedic elements as well as it's more physocologically complex ones.

B

badelf

Feb 12, 2026 · via TMDB

★ 10.0

Directed by Paul Thomas Anderson I'm not sure if this entire film was built around Aimee Mann's "Wise Up," or if Magnolia is really a love letter to Aimee Mann herself. What's clear is that Paul Thomas Anderson wrote his sprawling, three-hour epic with her music as the foundation. Nine original songs from Mann comprise the soundtrack, her dark, sardonic style meshing perfectly with Anderson's vision of damaged people struggling through one terrible day in the San Fernando Valley. In the soundtrack liner notes, Anderson writes that all the stories branched off from one character inspired by Mann's music, adding, "You can look at the movie as the perfect memento to remember the songs that Aimee has made" (Tastemakers Music Magazine). Either way, the soundtrack is beautiful, essential, inseparable from what makes the film work. Watching all these characters descend into their own private hell for the first two acts is amazing. This is PTA's master class in casting. Julianne Moore, Philip Seymour Hoffman, John C. Reilly, Jason Robards, William H. Macy, Melora Walters — every one of them was cast perfectly. Moore's breakdown is magnetic, like watching a train wreck in slow motion; you can't look away even as you know it's going to end badly. Hoffman brought tears to my eyes with his tender performance as a nurse caring for a dying man, finding grace in the most ungraceful circumstances. Robards delivers a master class in not giving away the script until it says to do that, holding back emotion until the dam breaks. And then there's Tom Cruise, so perfect in his role as a toxic masculinity guru that it even makes him look like he can act. That alone should tell you how good Anderson is. "Wise Up" functions as the transition to the denouement, and it's brilliant, integral to the story. The film stops, or rather shifts gears entirely, as one by one each character begins singing along to Mann's song. It's structurally audacious, emotionally devastating, and it shouldn't work but absolutely does. That moment transforms Magnolia from a collection of intersecting stories into something unified, a recognition that all these broken people share the same fundamental truth: it's not going to stop until you wise up. This is Anderson at his most ambitious, most vulnerable, most willing to take enormous risks. Magnolia is messy, sprawling, occasionally excessive, but it earns every minute of its runtime through sheer emotional honesty and technical mastery. It's a film about forgiveness, regret, connection, and the possibility of grace in a graceless world, all underscored by Mann's songs that make the unspoken spoken, the unbearable bearable. This audio-visual art is a masterpiece.

Dharunn

Dharunn

Apr 19, 2023 · via TMDB

★ 10.0

Julianne Moore at her's Peak & and also all of em. **What the Frogs!**

GenerationofSwine

GenerationofSwine

Jan 11, 2023 · via TMDB

★ 1.0

I remember seeing this in the theater with one of my friends, during our first year in college. We had all found our way back to town and... given we lived in the sticks... we ended up going to the movies out of habit and for lack of anything else to do. And I'll be honest, at the time, I walked out of the theater kind of blown away. I hadn't really seen a movie like that before. I mean, the closest thing that came to it was American Beauty, and we had only seen that a few months prior... and that had more of a plot. At the time, I'll admit, I thought it was pretty good.... and then I returned to it and now, honestly, I just think it's pretentious. Pretentious really is the best way to describe it. When you first see it, it hits you one way because it's an odd movie that you really haven't seen before. And then, when go back to it, knowing a little more about it, you realize that the plot, the characters, the entire premise of the film is about as thin and transparent as a white chiffon shirt in a wet t-shirt contest. The presentation was there, but that's really all it was. Presentation and vapidness. It's show and tell with no real tell and the hopes that frogs might get the audience thinking enough to distract them away from the fact that there's no substance beyond the presentation.

JPV852

JPV852

Jul 16, 2022 · via TMDB

★ 8.0

Been a long time since I last watched this but even though this was 3 hours long, never felt the length and I was pretty much captivated throughout (although I did pause a few times to get refill on my drink or grab a snack). The performances all around were great, most notably Tom Cruise, Melora Walters, John C. Reilly and the young Jeremy Blackman (Stanley). It does get heavy-handed and while I "get" the raining frogs scene, that took me out a bit (albeit it was towards the end). **4.0/5** As a side, the other two kids (Julia and Richard) were hacks, counting on Stanley to carry them. Something that irked me the first time I saw this, lol.

User reviews courtesy of TMDB.

Keywords 16
becoming an adult bewildered chance child prodigy daughter dying and death farewell frog loss of loved one multiple storylines parent child relationship reconciliation regret san fernando valley suicide attempt unsociability
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Cast 68
Tom Cruise

Tom Cruise

Frank T.J. Mackey

Philip Baker Hall

Philip Baker Hall

Jimmy Gator

Philip Seymour Hoffman

Philip Seymour Hoffman

Phil Parma

Julianne Moore

Julianne Moore

Linda Partridge

William H. Macy

William H. Macy

Quiz Kid Donnie Smith

John C. Reilly

John C. Reilly

Officer Jim Kurring

Melora Walters

Melora Walters

Claudia Wilson Gator

Jeremy Blackman

Jeremy Blackman

Stanley Spector

Jason Robards

Jason Robards

Earl Partridge

Melinda Dillon

Melinda Dillon

Rose Gator

Michael Bowen

Michael Bowen

Rick Spector

April Grace

April Grace

Gwenovier

Ricky Jay

Ricky Jay

Burt Ramsey / Narrator

Pat Healy

Pat Healy

Sir Edmund William Godfrey / Young Pharmacy Kid

Neil Flynn

Neil Flynn

Stanley Berry

Rod McLachlan

Rod McLachlan

Daniel Hill

Allan Graf

Allan Graf

Firefighter

Patton Oswalt

Patton Oswalt

Delmer Darion

Brad Hunt

Brad Hunt

Craig Hansen

Jim Meskimen

Jim Meskimen

Forensic Scientist

Chris O'Hara

Chris O'Hara

Sydney Barringer

Clement Blake

Clement Blake

Arthur Barringer

Jim Ortlieb

Jim Ortlieb

Middle-Aged Guy

Thomas Jane

Thomas Jane

Young Jimmy Gator

Veronica Hart

Veronica Hart

Dentist Nurse #1

James Kiriyama-Lem

James Kiriyama-Lem

Dr. Lee

Jake Cross

Jake Cross

Pedestrian #1

John Pritchett

John Pritchett

Police Captain

Cleo King

Cleo King

Marcie

Don McManus

Don McManus

Dr. Landon

Michael Shamus Wiles

Michael Shamus Wiles

Captain Muffy

Jason Andrews

Jason Andrews

Doc

John S. Davies

John S. Davies

Cameraman

Kevin Breznahan

Kevin Breznahan

Geoff, Seminar Guy

Miguel Pérez

Miguel Pérez

Avi Solomon

Alfred Molina

Alfred Molina

Solomon Solomon

Neil Pepe

Neil Pepe

Officer #1

Lionel Mark Smith

Lionel Mark Smith

Detective

Annette Helde

Annette Helde

Coroner Woman

Felicity Huffman

Felicity Huffman

Cynthia

Scott Burkett

Scott Burkett

WDKK Page #1

Danny Wells

Danny Wells

Dick Jennings

Eileen Ryan

Eileen Ryan

Mary

Meagen Fay

Meagen Fay

Dr. Diane

Luis Guzmán

Luis Guzmán

Luis

Orlando Jones

Orlando Jones

Worm

Henry Gibson

Henry Gibson

Thurston Howell

Natalie Elizabeth Marston

Natalie Elizabeth Marston

Julia

Clark Gregg

Clark Gregg

WDKK Floor Director

Matt Gerald

Matt Gerald

Officer #2

Paul F. Tompkins

Paul F. Tompkins

Chad (Seduce & Destroy) (voice)

Mary Lynn Rajskub

Mary Lynn Rajskub

Janet (Frank's Assistant) (voice)

Jim Beaver

Jim Beaver

Smiling Peanut Patron #1

Ezra Buzzington

Ezra Buzzington

Smiling Peanut Patron #2

Michael Murphy

Michael Murphy

Alan Kligman, Esq.

Robert Downey Sr.

Robert Downey Sr.

WDKK Show Director

William Mapother

William Mapother

WDKK Show Director's Assistant

Mike Massa

Mike Massa

Paramedic #2

Dale Gibson

Dale Gibson

Paramedic #3

Scott Alan Smith

Scott Alan Smith

E.R. Doctor

Paul Thomas Anderson

Paul Thomas Anderson

Man Confiscating Sign (uncredited)

Miriam Margolyes

Miriam Margolyes

Faye Barringer (uncredited)

Robert Bella

Robert Bella

Detective #2 (uncredited)

Greg Bronson

Greg Bronson

Waiter (uncredited)

Phil Hawn

Phil Hawn

Bob (uncredited)

Spencer Kayden

Spencer Kayden

Seminar Patron (uncredited)

Aimee Mann

Aimee Mann

Hot Date Infomercial (uncredited)

Tom Ohmer

Tom Ohmer

Detective (uncredited)

Crew 47
Shepherd Frankel

Shepherd Frankel

Assistant Art Director

Mark Bridges

Mark Bridges

Production Design

Chris L. Spellman

Chris L. Spellman

Set Decoration

Robert Elswit

Robert Elswit

Director of Photography

Cynthia Pusheck

Cynthia Pusheck

Underwater Camera

Mark Bridges

Mark Bridges

Costume Design

Lois Burwell

Lois Burwell

Makeup Artist

Christopher Allen Nelson

Christopher Allen Nelson

Special Effects Makeup Artist

Joel Harlow

Joel Harlow

Special Effects Makeup Artist

Fiona Apple

Fiona Apple

Additional Music

Alan D. Purwin

Alan D. Purwin

Aerial Coordinator

Dana Kristen Vahle

Dana Kristen Vahle

Pilot

James Moran

James Moran

Set Production Assistant

Allan Graf

Allan Graf

Stunts

Bob Yerkes

Bob Yerkes

Stunts

Debbie Evans

Debbie Evans

Stunts

Hugh Aodh O'Brien

Hugh Aodh O'Brien

Stunts

Michael Adams

Michael Adams

Stunts

Mike Massa

Mike Massa

Stunts

Ousaun Elam

Ousaun Elam

Stunts

Phil Culotta

Phil Culotta

Stunts

Richard Burden

Richard Burden

Stunts

Paul Thomas Anderson

Paul Thomas Anderson

Director

Dylan Tichenor

Dylan Tichenor

Editor

James Plannette

James Plannette

Chief Lighting Technician

Barbara Harris

Barbara Harris

ADR Voice Casting

Dylan Tichenor

Dylan Tichenor

Associate Producer

Cassandra Kulukundis

Cassandra Kulukundis

Casting

Daniel Lupi

Daniel Lupi

Co-Producer

Lynn Harris

Lynn Harris

Executive Producer

Michael De Luca

Michael De Luca

Executive Producer

JoAnne Sellar

JoAnne Sellar

Producer

Paul Thomas Anderson

Paul Thomas Anderson

Producer

Daniel Lupi

Daniel Lupi

Unit Production Manager

Doc Kane

Doc Kane

ADR Mixer

Tom Boyd

Tom Boyd

Musician

Jon Brion

Jon Brion

Original Music Composer

Dennis Sands

Dennis Sands

Scoring Mixer

Aimee Mann

Aimee Mann

Songs

Richard King

Richard King

Sound Designer

John Pritchett

John Pritchett

Sound Mixer

Michael Semanick

Michael Semanick

Sound Re-Recording Mixer

Richard King

Richard King

Supervising Sound Editor

Colin Brady

Colin Brady

Animation

Erik A. Candiani

Erik A. Candiani

Visual Effects

Joe Letteri

Joe Letteri

Visual Effects Supervisor

Paul Thomas Anderson

Paul Thomas Anderson

Writer

Gallery 193
Videos 3
Similar Movies 431
US Release Dates 6

Dec 8, 1999

Westwood, California

R Premiere

Dec 17, 1999

R Theatrical (Limited)

Jan 7, 2000

R Theatrical

Jul 25, 2000

VHS

R Physical

Aug 29, 2000

New Line Platinum Series DVD

R Physical

Jan 19, 2010

Blu-ray

R Physical

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Greta Van Fleet: Live at Red Rocks

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Battle your watched movies head-to-head

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🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

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1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

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Movie Trivia

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What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

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Adventure 0%
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