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The Ladd Company
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Crime, passion and lust for power.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
CinemaSerf
May 25, 2023 · via TMDB
Told by way of a really potent (and well scored by Morricone) retrospective, this sits us down and takes us through a forty year period in the life of the now down-at-heel "Noodles" (Robert De Niro) and of the development of the city of New York. The contents of an old briefcase serve as an aide memoire as the retrospective illustrates just how he and three of his childhood friends decided that the gutter was not for them, and that using the "system" to get on was the only way. Prohibition, violence, crime, brutality were the currency back then and "Noodles" learned not to have scruples about such things. Love, romance feature too - choices, compromises and tragedy all feature as Sergio Leone and De Niro immerses us in the characterful and emotionally charged chronology. The film looks great, the attention to detail is superb, and a really strong supporting cast help offer us s sense that we are actually there for much of the time. Living and breathing the squalor, the danger, the opportunity and perhaps, the inevitability, of the paths these kids took in a the 1930s. It is very long, but that's effective rather than dull. It allows the characters to develop, to breathe and then to disappear - only, perhaps, to reappear in a different guise later on. Ageing is also a factor here too - just as they rose, others rise too with differing standards and ethics - their sense of loyalty and integrity not quite marrying up! No Oscar nominations which is really rather odd - this is easily one of the best, most authentic-looking, depictions of the rise of NYC that cinema has ever delivered. Director's cut on a big screen if you can - it helps focus the attention, shows the cinematography to best effect and helps appreciate just how vast Leone's vision was.
Filipe Manuel Neto
Oct 10, 2022 · via TMDB
**It's an excellent film, which proves the importance of good post-production, and how bad editing can ruin the whole thing.** There are certain films that impress us so much when we see them that we are really surprised when we discover how ignored they were by the great awards. This film is one of them: I was really shocked to find that it wasn't even nominated for an Oscar or a Golden Globe… and I had to read a bit to understand why that happened. The film is perhaps one of the best in Sérgio Leone's extensive filmography, and is often compared to other great gangster films such as "Godfather". I, personally, wouldn't dare to do that, but I could still put this film in the “top ten” of the great mobster films. Amazingly, it was a huge box office failure in the US because they insisted on releasing there an extremely cut version, with about two and a half hours. A version so forgettable and badly edited that no one understood the story and that the film had no chance of running for the highest awards in the industry! It was a shot in the foot and proves the importance of a good edition for the quality of the product. Sometimes a longer film is preferable to a sterile, abridged version. The script is wonderful and follows the criminal path of a small group of youngsters from a Jewish community in New York, stretching from the 20s to the 60s. The story revolves around Noodles, but the main character ends up being Max, who becomes the gang's boss. The relationship between them is very well explored. However, not everything went well: there is a love sub-plot between Noodles and Deborah that is never taken further, there are several characters that seem too sketchy and underdeveloped and there are situations that the film doesn't know how to explore as it should (the most glaring being the violent death of the youngest gang member). I just can't say how many of these problems started in the editing room, with radical cuts in the story told. Robert DeNiro was one of the first names to be hired for the cast, and had a say in the choice of several other actors. DeNiro is impeccable, and he provides us with excellent quality work. Moreover, I think that this helped to glue the actor's image a little to the criminal films in the popular imagination, along with “Taxi Driver” and “Goodfellas”. James Woods is also amazing in the role he has been given and leaves with this film his greatest film work. Elizabeth McGovern also does very well here, although I feel that the actress was not able to make her career take off afterward (I only saw her really successful now, with “Downton Abbey”). I also liked the brief, but remarkable, participation of Jennifer Connelly, still very young. And I feel sorry for Joe Pesci, because the actor is wasted by appearing only in a couple of scenes (perhaps another victim of the radical cuts in the editing room). Leone uses everything he knows in this film and provides us with incredible, beautiful cinematography, which knows how to take advantage of slow camera movements, close-ups in the most striking scenes and intense colors. The flashbacks are quite well-marked, and anyone familiar with the cinematic resource will have no difficulty in following the temporal advances and retreats that take place. The special effects do their job well, the costumes are excellent, and the characterization has its moments (DeNiro has been masterfully aged, and very much resembles what he is today). As a film where crime and violence are things we expect to find, we have an array of violent scenes and graphic situations that include not only brutal murders, beatings and shootings but also teen sex, voyeurism and, most notably, a long and particularly graphic rape scene. It's not a movie for the faint-hearted. A final word for the soundtrack, by Ennio Morricone. It is highly regarded by connoisseurs and I admit it works, but I'm not a fan of the pan pipe. I feel it gives the film an oriental touch, it would be something I would expect more from a martial arts film soundtrack.
Andres Gomez
Mar 15, 2013 · via TMDB
Stereotypical Sergio Leone film with endless waitings and sight crossings. One of the performances that made Robert de Niro de actor he is and an interesting way of telling a story and the evolution of America during the years of the alcohol prohibition.
User reviews courtesy of TMDB.
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Amazon Video
Apple TV Store
Google Play Movies
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Fandango At Home
Robert De Niro
Noodles
James Woods
Max
Elizabeth McGovern
Deborah
Joe Pesci
Frankie
Burt Young
Joe
Tuesday Weld
Carol
Treat Williams
Jimmy O'Donnell
Danny Aiello
Police Chief Aiello
Richard Bright
Chicken Joe
James Hayden
Patsy
William Forsythe
Cockeye
Darlanne Fluegel
Eve
Richard Foronjy
Whitey
Robert Harper
Sharkey
Olga Karlatos
Woman in Puppet Theatre
Mario Brega
Mandy
Frank Gio
Beefy
Scott Schutzman Tiler
Young Noodles
Rusty Jacobs
Young Max / David
Brian Bloom
Young Patsy
James Russo
Bugsy
Clem Caserta
Al Capuano
Paul Herman
Monkey
Joey Faye
Adorable Old Man
Tandy Cronyn
Reporter #1
Arnon Milchan
Chauffeur
Marcia Jean Kurtz
Max's Mother
Estelle Harris
Peggy's Mother
Jennifer Connelly
Young Deborah
Salvatore Billa
Beefy's Thug (uncredited)
Scott Coffey
Bugsy's Gang (uncredited)
Marco Stefanelli
Bugsy's Gang (uncredited)
Bruno Bilotta
Chinese Theater Spectator (uncredited)
Mark Frazer
Pimp (uncredited)
Maria Pia Monicelli
Prostitute (uncredited)
Rossana Canghiari
Speakeasy Patron (uncredited)
Ryan Paris
Speakeasy Patron (uncredited)
Claudio Mancini
Syndacalist (uncredited)
Louise Fletcher
Director of Riverdale Cemetery
Osvaldo Desideri
Set Decoration
Raffaella Leone
Assistant Costume Designer
Gabriella Pescucci
Costume Design
Benito Stefanelli
Stunt Coordinator
Dennis T. Benatar
Assistant Director
Sergio Leone
Director
Zach Staenberg
Additional Editor
Nino Baragli
Editor
John Newby
Gaffer
Robert Benmussa
Consulting Producer
Claudio Mancini
Executive Producer
Arnon Milchan
Producer
Simona Patitucci
Production Assistant
Ennio Morricone
Music Director
Gheorghe Zamfir
Musician
Ennio Morricone
Original Music Composer
Jean-Pierre Ruh
Sound Engineer
Franco Arcalli
Screenplay
Franco Ferrini
Screenplay
Leonardo Benvenuti
Screenplay
Sergio Leone
Screenplay
Impure Blood
Dysphoria
The Moises Padilla Story
The Tower of Lies
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Sternenhoch
Wild Geese
Nothing But the Truth
Biela stužka v tvojich vlasoch
Horali
Every Moment of You
Nos vemos a la vuelta
Warm Bread, Cold Mindset
Palette
Adventures of Lazare
The Witness
Tough as They Come
Crime Takes a Holiday
Smrť šitá na mieru
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Svatba bez prstýnku
Echo
Macbeth
The Shawshank Redemption
12 Angry Men
Seven Samurai
Final Justice
A Stroll to Syracuse
Pulp Fiction
Forrest Gump
City of God
American History X
Apocalypse Now
The Lion King
Gladiator
Saving Private Ryan
The Prestige
Bloody Morning
The Handmaiden
The Departed
Taxi Driver
Paris, Texas
Double Indemnity
Metropolis
Eternal Sunshine of the Spotless Mind
Das Boot
Children of Paradise
The Wages of Fear
Amadeus
The Lives of Others
Ran
Stairway to Heaven
Life and Death in Flanders
House Made of Dawn
How Do I Know
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Blade Runner
Sanjuro
Downfall
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Dancer in the Dark
Anatomy of a Murder
Network
I Am a Fugitive from a Chain Gang
The King of Comedy
Day for Night
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Gloomy Sunday
The Color Purple
Who's Afraid of Virginia Woolf?
Annie Hall
Planet of the Apes
The Maltese Falcon
Turtles Can Fly
Bis zur Wahrheit
The Hustler
If I Could Marry the Minister
Boyz n the Hood
The Man from Earth
The Last Emperor
Blue Velvet
Sleepers
Laura
Kind Hearts and Coronets
Beasts of No Nation
Harold and Maude
JFK
Talk to Her
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Police Story
Let the Right One In
True Romance
The Passion of the Christ
Who Framed Roger Rabbit
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4 Months, 3 Weeks and 2 Days
First Blood
Walk the Line
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Shooting Dogs
Key Largo
A Chinese Odyssey Part One: Pandora's Box
Leave Her to Heaven
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Eyes Wide Shut
The Great Silence
To Wong Foo, Thanks for Everything! Julie Newmar
A Christmas Carol
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Miller's Crossing
The Lord of the Rings: The Rings of Power Global Fan Screening
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Cabaret
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Boys Don't Cry
Inside Man
It Happened in Broad Daylight
The Remains of the Day
The Long Goodbye
Sicko
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Kes
Ball of Fire
Killers of the Flower Moon
Jacob's Ladder
Eastern Promises
Murder She Said
Golden Queen
Dead Man
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Dead Man Walking
Good Morning, Vietnam
Lolita
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Stroszek
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Torch Song Trilogy
The Letter
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Assault on Precinct 13
The Secret Scripture
Closely Watched Trains
Tell No One
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The Choice
The Hours
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Take My Eyes
Fear and Loathing in Las Vegas
God Does Not Believe in Us Anymore
Master and Commander: The Far Side of the World
Fist of Fury
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National Velvet
Sound! Euphonium The Movie: May the Melody Reach You!
The Yin-Yang Master: Dream of Eternity
Happening
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C(r)ook
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A Better Tomorrow II
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Filosofi Kopi 2: Ben & Jody
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Opožděná vražda
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2:37
Bugsy Malone
Bringing Out the Dead
K-19: The Widowmaker
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The Door in the Floor
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A Round Trip to Love
Our Meal for Tomorrow
Evil Nanny
Cain's Shadow
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Alexander
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Rape for Profit
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Animal Farm
Hustle
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Essex Boys
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Angel
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Downloading Nancy
Knock Knock
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A Father's Choice
Police Academy 6: City Under Siege
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Ça sent la coupe
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Grilled
Hunting List
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The New Interns
Someone She Knows
A Round Trip to Love 2
Literally, Right Before Aaron
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The Corpse Had a Familiar Face
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Melissa P.
Love's Confusion
Old Goriot
The Enigma of the Folies-Bergère
Queen of the Night
What Death Leaves Behind
A Dead Man Cannot Live
The Piano Player
Exit to Eden
Loitering with Intent
Mark of the Astro-Zombies
The Horse That Cried
Dangerous Paradise
Nightmare in Venice
Sugar and Salt
2 Women
Heartless
Father Sergius
Strange Daughter
Diary Of A Dying Wolf
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Muž v osidlech
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Kouzelný dům
My Beautiful Jinjiimaa
Berna's Tail
Warriors of Horseshoe 3: Redemption
Butterfly in the Typewriter
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Match
Cadence
Baby Nymph
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Džarkovia
The Invisible Life of Addie Larue
The Mystery of Murder: A Horizon Guide
Rajamaa
The Yearbook (Movie)
Semestr něžnosti
Měsíční údolí
Bile
Drop-Outs
APOTHEOSIS 85
Mučivé tajomstvo
Strýčkov sen
The Food on the Table
I'm Heather
L'Inverno
Procissão de Memórias
The Girls I’ve Been
Detransition, Baby
7 Miles Out
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Bacio
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Cucaracha
Quem trocou as memórias de lugar
Distance
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The Godfather Part II
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A Clockwork Orange
Taxi Driver
Requiem for a Dream
Casino
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The Untouchables
Mysterious Skin
American Gangster
Donnie Brasco
Menace II Society
Midnight Cowboy
Eyes Wide Shut
Miller's Crossing
American Psycho
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25th Hour
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State of Grace
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The Funeral
South Central
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Light Sleeper
The Gambler
We Own the Night
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The Informer
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Luckiest Girl Alive
Gotti
Summer of Sam
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Joe
The Girl on the Train
Auto Focus
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Cop
A Walk Among the Tombstones
Mobsters
Bugsy
Live by Night
The Alto Knights
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Shaft
The Krays
Joe the King
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New York City, New York (Uncut Version)
Aug 1, 1985
Oct 23, 1992
Los Angeles, California
Nov 23, 2012
New York City, New York (Director's Cut)
Sep 27, 2014
New York Film Festival
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