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Noah
Paramount Pictures Paramount Pictures
Protozoa Pictures Protozoa Pictures
Regency Enterprises Regency Enterprises

Not part of a collection.

Noah

The end of the world… is just the beginning.

2014 138 min ★ 5.7 (6,702) Released
Adventure Drama

A man who suffers visions of an apocalyptic deluge takes measures to protect his family from the coming flood.

Original title
Noah
Language
EN
Country
US
Budget
$125,000,000
Revenue
$362,600,000
Reviews & Ratings 5
Wuchak

Wuchak

Mar 5, 2024 · via TMDB

★ 6.0

**_The “least-biblical biblical film ever made”_** Helmed by Darren Aronofsky, "Noah" (2014) is his imaginative reimagining of the story from Judeo-Christian Scripture. Being an artistic filmmaker, the production values are top notch, including the quality cast and stellar Icelandic locations, not to mention there’s a moving spirit of reverence to the proceedings. The storytelling is compelling enough, although I started getting a little bored in the second half when the protagonists are stuck in the ark. The title blurb above is from Aronofsky himself, who described himself as not religious, but he once practiced Judaism and was interested in the Noah story, especially the environmentalist angle, yet other parts as well. The movie creatively adds lumbering rock creatures obviously inspired by the fallen “sons of God” and the giant Nephilim they fathered from Genesis 6. I found them interesting, but they are not part of the scriptural story. The worst deviation is the depiction of the title character (Russell Crowe), who is described in the Bible as a righteous, blameless man who walked with God. We know Noah wasn’t perfect and that he sinned myriad times during his life, but the second half of the film erroneously portrays him as an extreme misanthrope bent on wiping out humanity. Meanwhile the villain of the piece, Tubal-Cain (Ray Winstone), soundly believes that humans were made in God’s image and had dominion over the animals. He also believed in the right to hunt animals for sustenance even though such food was divinely prohibited before the global flood, which is the setting of the story; so, as depicted in the movie, Tubal-Cain was in sin on this count. (The fruits of the earth, by the way, were more nutritious and better adapted for the sustenance of the human body prior to the flood; later, they were less capable of supporting the growing feebleness of the body). Needless to say, “Noah” can only be appreciated as an artistic movie inspired by the biblical story. The rock creatures are fantastical and plentiful bits are totally unbiblical. Nevertheless, a lot of key scriptural truths are featured, like the existence of God, the intelligent design of physical creation, the intrinsic corruption of humanity, divine judgment, the global flood, the ark-vessel that saves some people & animals, and love overcoming righteous wrath for a second chance. The film runs 2 hours, 18 minutes, and was shot in southern Iceland, including Dyrhólaey, Fossvogur, Reynisfjara, as well as a set of Noah’s Ark at the Planting Fields Arboretum State Historic Park on Long Island. “Noah” was a success at the box office, earning $359.2 million worldwide on a cost of $125 million. GRADE: B-/C+

GenerationofSwine

GenerationofSwine

Jan 14, 2023 · via TMDB

★ 6.0

I feel obligated to watch and review movies like this. I am just happy as a clam that they make movies based on real life or mythological things simply because it gets people interested in it. I mean, I'm a historian...one that has spent his life walking that fine line between history, geology, and a Catholic faith... They never agree. Don't worry, I don't care about how historically accurate movies are and being a historian I play lip service to the presumed accuracy of my religion. ...And as someone with a deep understanding of geology, when it comes to even 5,000 years ago I play lip service to my own profession. I think it's hysterical that people are hating on this film for religious reasons. "Noah" is largely Biblically inaccurate, which is even funnier than usual given that every Priest I've ever had recognizes Noah as Gilgamesh. So to hate it on a religious stance is idiotic to begin with...and to hate a totally religiously inaccurate film simply because it's based on a tale from the Abrahamic Holy books is as idiotic because, well, it's not even accurate to those. So we'll erase all the Religious and history crap now and just look at the movie. If you didn't see this in the theater and if you don't have a, well, an Ark sized TV...it might not be worth it. The main selling point is really watching the Great Flood, the Deluge is sort of why people like me want to see it...and we want to see it BIG. HUGE. ENORMOUS. So...a small screen and you might as well be watching abrupt History Channel "The Bible" miniseries...and just leave it at that. In fact, you may be better off passing if you don't watch it big...because without the enormity of the flood on the enormous screen you are left with Russell Crowe and that just hurts. Yup...Russell Crowe. What you have here, minus the flood (which is the star of the show) is Crowe, a man that is so convinced that he is God's gift to acting that he totally forgot how to do it. I don't care how you feel about religion (as long as you tolerate all of them) and I don't care how you feel about accuracy in film...no matter your feelings you have to endure Crowe. If you can do that more power to you. But then you have Jennifer Connelly and yeah, you may think she's still eye candy--and you would be right--but that doesn't change the fact that she still can't emote. Thankfully you have Watson, who manages to out act both of them...and Hopkins if he really had a role in all of this worth his skills. So if you have the means to watch it big...the flood is worth the price of admission...if you don't beware of the Crowe.

T

tmdb28039023

Sep 6, 2022 · via TMDB

★ 2.0

Watching Noah, it occurs to me that it must have been made by atheists. After all, they are treating the Word of God as little more than a first draft. On the other hand, though, co-writer/director Darren Aronofsky isn’t fucking around with the old "thou shalt not take the name of the Lord your God in vain," making sure to substitute the G word with the epithet "the Creator." Thus, Noah (Russell Crowe) tells his wife Naamah (Jennifer Connelly) that “[the Creator] is going to destroy the world” (after which he will presumably be known as “the Destroyer”) by way of a flood, which may have given rise to the expression 'when it rains it pours;' I mean, the characters are already living in a post-apocalyptic wasteland; destroying it would certainly qualify as overkill. Noah turns to his grandfather Methuselah (Anthony Hopkins) for advice — by the way, according to the Bible, Noah invented wine, but what the Good Book doesn’t say is that Methuselah invented tea; the latter is a miracle in itself, since water and leaves, the two essential ingredients to prepare this beverage (not to mention the fuel needed to start a fire and the kindle to keep it burning), are entirely conspicuous by their absence. Luckily, Methuselah has a magical seed that can grow an entire forest overnight, but which he had apparently been saving to give to Noah. Noah uses the wood from the trees in this forest to build the Ark, which follows the Field of Dreams Principle; i.e., 'If you build it, they will come' — 'they' being two of each animal, all of which without exception clearly belong to the computatrum generatae genus, but then the visual effects are one of the few pleasures to be had here; in particular the “Watchers” (fallen angels turned into semi-anthropomorphic rock formations voiced by Frank Langella and Nick Nolte, among others), as well as the montage that accompanies Noah's narration of Genesis. Additionally, the Ark itself and the accompanying flood are not unimpressive, and I like how Aronofsky has Noah's sons succumb to Rapid Aging Syndrome to indicate the passage of the many years it would take to complete such a gargantuan project. The problem with this is that they grow up to be Emma Watson, Logan Lerman, Douglas Booth, etc., all of them with impossibly perfect hair, skin, and teeth (unless, of course, Methuselah also invented shampoo and toothpaste, in addition to tea). All things considered, however, the real highlight of the film is Ray Winstone's performance as Tubalcaín. Winstone is nominally the villain, but his character is really the most sensible of all (and Winstone’s delivery lends eve more weight to his convictions), correctly pointing out that both the Creator and the proto-David Koresh that Crowe plays Noah as — although his madness is justifiable; "if the noise of all those animals didn't drive Noah insane (not to mention the insect bites), the smell should have killed him" (The Skeptic’s Dictionary) — have become drunk with power.

G

Grant English

Nov 4, 2014 · via TMDB

This is a hard movie to watch and rate. The Good: The images of the flood coming from both above and below the earth were spectacular. The trauma that Noah deals with during the flood and post-flood is beautifully depicted. I loved the image of Noah realizing that the ‘sickness’ is in him as well as the others. The story-telling of creation to fall to the flood was beautifully done. I also liked the tension of Noah and the family on the ark as they wrestle with the possibility that the Creator has forgotten them. So with all that good, what ruins the movie? I do think a director/writer has an obligation to the source material. Subtract the religious aspect of this movie and imagine the outrage if someone changed the story of Harry Potter or Thor. (Oh wait…they are doing that.) Point is: if you have source material, use it. Go ahead and be creative when there are blanks to fill in but why have source material if you're not going to use it? The director did merge two ancient flood stories – the Bible and the Babylonian Enuma Elish. In the end – neither tradition gets a clear telling of their story. Other issues? The role of Methusala was a complete waste of the talented Anthony Hopkins. And I still have no idea as to why he was even in the film. The conclusion felt hollow and rushed. Noah at the beginning of the film leads an isolationist lifestyle focused on raising his children to be good stewards of the earth. How is this different at the end of the film? It's not. Their understanding of life, the Creator, the world isn't any different than the beginning. There really isn't a pay off to the story...at all. It's just an average film and I expected more with this cast.

D

Dark Jedi

Oct 5, 2014 · via TMDB

★ 4.0

Let me make it clear from the beginning, I do not care if a movie like this is 100% true to the bible and I could not care less about the creationist fanatics moaning about how this and that movie is telling the wrong story or is distorting their religion. But this attempt to re-tell the story is just bad. The first half of the movie is not all bad. It is actually somewhat enjoyable. The dark scenery is sometimes depressing and beautiful at the same time. I did like the watchers. It added a bit of extra to the movie and the fight when Tubal-Cain tried to capture the ark was not bad at all. However, then it went downhill quickly with Noah going more and more nuts and Tubal-Cain, having survived, is subverting Noah’s son Ham. Not that Noah did not really bring that upon himself to some extent though. The parts where Noah want to kill his grandchildren and stops in the last minute is just Hollywood soap-opera bullshit. Also, do not get me started about the ridiculous scene where Anthony Hopkins goes berry hunting like some mental retard. Up until about half the movie I did not really understand all the very negative reviews but after having watched through the miserable last half I have to say that I do understand them more. I think the one-star ones are a bit harsh since the movie is often quite beautiful and the acting, despite the crappy script, is quite good, but the lousy script is just destroying the movie. Definitely a disappointment.

User reviews courtesy of TMDB.

Keywords 13
apocalypse apologetic bible biblical epic condescending fairy tale flood genesis god noah noah's ark old testament reflective
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Cast 54
Russell Crowe

Russell Crowe

Noah

Jennifer Connelly

Jennifer Connelly

Naameh

Ray Winstone

Ray Winstone

Tubal-cain

Anthony Hopkins

Anthony Hopkins

Methuselah

Emma Watson

Emma Watson

Ila

Logan Lerman

Logan Lerman

Ham

Douglas Booth

Douglas Booth

Shem

Nick Nolte

Nick Nolte

Samyaza (voice)

Mark Margolis

Mark Margolis

Magog (voice)

Kevin Durand

Kevin Durand

Rameel (voice)

Leo McHugh Carroll

Leo McHugh Carroll

Japheth

Marton Csokas

Marton Csokas

Lamech

Finn Wittrock

Finn Wittrock

Young Tubal-cain

Madison Davenport

Madison Davenport

Na'el

Gavin Casalegno

Gavin Casalegno

Young Shem

Nolan Gross

Nolan Gross

Young Ham

Dakota Goyo

Dakota Goyo

Young Noah

Ariane Rinehart

Ariane Rinehart

Eve

Don Harvey

Don Harvey

Mean Uncle

Sami Gayle

Sami Gayle

Refugee Daughter

Sophie Nyweide

Sophie Nyweide

Younger Sister

Ezra Barnes

Ezra Barnes

Refugee Father

Nurit Monacelli

Nurit Monacelli

Refugee Mother

Barry Sloane

Barry Sloane

Poacher Leader

Arna Magnea Danks

Arna Magnea Danks

Laughing Poacher

Gregg Bello

Gregg Bello

Testu-col

Frank Langella

Frank Langella

Og (voice)

Jóhannes Haukur Jóhannesson

Jóhannes Haukur Jóhannesson

Cain (uncredited)

Arnar Dan

Arnar Dan

Abel (uncredited)

Gabriel F. Bellotti

Gabriel F. Bellotti

Refugee (uncredited)

Anne Bergstedt Jordanova

Anne Bergstedt Jordanova

Wife Maiden (uncredited)

Lucas McHugh Carroll

Lucas McHugh Carroll

Refugee (uncredited)

Adam Celentano

Adam Celentano

Refugee (uncredited)

Ludovic Coutaud

Ludovic Coutaud

Refugee (uncredited)

Jeff El Eini

Jeff El Eini

Soldier (uncredited)

Jim Ford

Jim Ford

Refugee (uncredited)

David Itchkawitz

David Itchkawitz

Wedge Soldier (uncredited)

Anna Kuchma

Anna Kuchma

Refugee (uncredited)

Kirk Larsen

Kirk Larsen

Warlord (uncredited)

Raymond Mamrak

Raymond Mamrak

Refugee (uncredited)

Davy J. Marr

Davy J. Marr

Refugee (uncredited)

Brian Matthews

Brian Matthews

Soldier (uncredited)

Kevin Medina

Kevin Medina

Soldier (uncredited)

Róisín Monaghan

Róisín Monaghan

Refugee (uncredited)

Julian Murdoch

Julian Murdoch

Warlord's Child (uncredited)

Simon Pearl

Simon Pearl

Additional Voices (uncredited)

Marek Radin

Marek Radin

Soldier (uncredited)

Giovanni Sanseviero

Giovanni Sanseviero

The Blacksmith Boss (uncredited)

Sarah Schoofs

Sarah Schoofs

Refugee (uncredited)

Maria Shamkalian

Maria Shamkalian

Outcast (uncredited)

McKenzie Shea

McKenzie Shea

Maiden (uncredited)

Lawrence Smith

Lawrence Smith

Warlord (uncredited)

Stephen Stanton

Stephen Stanton

Additional Voices (uncredited)

Boriana Williams

Boriana Williams

Refugee (uncredited)

Crew 35
Kyle Cooper

Kyle Cooper

Conceptual Design

Mark Friedberg

Mark Friedberg

Production Design

Matthew Libatique

Matthew Libatique

Director of Photography

Lukasz Jogalla

Lukasz Jogalla

Second Unit Director of Photography

Michael Wilkinson

Michael Wilkinson

Costume Design

Ugla Hauksdóttir

Ugla Hauksdóttir

Other

Aaron Vexler

Aaron Vexler

Stunts

Aja Frary

Aja Frary

Stunts

Chris Cenatiempo

Chris Cenatiempo

Stunts

Declan Mulvey

Declan Mulvey

Stunts

Jodi Michelle Pynn

Jodi Michelle Pynn

Stunts

Peter Epstein

Peter Epstein

Stunts

Tim Rigby

Tim Rigby

Stunts

Tina McKissick

Tina McKissick

Stunts

Troy Gilbert

Troy Gilbert

Stunts

Satoshi Kon

Satoshi Kon

Thanks

Darren Aronofsky

Darren Aronofsky

Director

Michele Ziegler

Michele Ziegler

First Assistant Director

Andrew Weisblum

Andrew Weisblum

Editor

Mary Vernieu

Mary Vernieu

Casting

Suzanne Smith Crowley

Suzanne Smith Crowley

Casting

Ari Handel

Ari Handel

Executive Producer

Tyson Bidner

Tyson Bidner

Location Manager

Arnon Milchan

Arnon Milchan

Producer

Darren Aronofsky

Darren Aronofsky

Producer

Mary Parent

Mary Parent

Producer

Clint Mansell

Clint Mansell

Original Music Composer

Patti Smith

Patti Smith

Songs

Russell Crowe

Russell Crowe

Songs

Craig Henighan

Craig Henighan

Supervising Sound Editor

Neville Page

Neville Page

Creature Design

Lee Briggs

Lee Briggs

Visual Effects Production Manager

Ben Snow

Ben Snow

Visual Effects Supervisor

Ari Handel

Ari Handel

Writer

Darren Aronofsky

Darren Aronofsky

Writer

Gallery 166
Videos 6
Similar Movies 186
US Release Dates 2

Mar 26, 2014

New York City, New York

PG-13 Premiere

Mar 28, 2014

PG-13 Theatrical

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