Walt Disney Pictures
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The Finest Hours
32 survivors, room for 12.
The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.
- Original title
- The Finest Hours
- Language
- EN
- Country
- US
- Budget
- $80,000,000
- Revenue
- $52,099,090
r96sk
Nov 15, 2020 · via TMDB
Good. Nothing more than that, but nothing less either. <em>'The Finest Hours'</em> is a little bit too on the nose in parts, I felt like some of the cast were overacting here and there - especially Casey Affleck (Ray), not that he is bad though. Chris Pine is enjoyable in the lead role. Pacing is iffy, but the effects are excellent - from the ships to the water scenes, impressive! The (true) story, meanwhile, is as hearty as you'd expect. Worth watching.
StbMDB
May 15, 2017 · via TMDB
First and foremost this film reminds me of Hacksaw Ridge, second and no less important it's just as good as the afore mentioned film in the sense that the main character is just as law-bound as the religious lad in Hacksaw going about his day saving people's lives in the middle of a hurricane, ergo in The Finest Hour's case while on sea - with a life-guard boat, just as feature-some as the soldier saving soldiers in the middle of a war without shooting a f#cking gun! And, supposedly, this happened in real life! #OhLordy that was a good watch.
Reno
Jun 4, 2016 · via TMDB
> A very much acceptable film that inspired by a real event except long pauses and too much ineffective sentiment. A disaster drama-thriller based on the true account of the 1952. So much better film than I anticipated. But there are a few things I did not like; like the frequent pauses in the narration where nothing really happens other that space given for the emotional background score to pull the viewers in. In a result, it did not work, definitely not for me. Yeah, in the many important scenes, it froze like it happens in the chess games before anybody move their pawn. In the crucial part of the narration, when the boat was overcrowded, there was an unnecessary pause which annoyed me. It was surely a remarkable segment of the story, but sentimentally failed to appeal or maybe you can call it a too much of the sentiment. Honestly, I liked the story, but the film exceeded its runtime to slow down the portrayal of the event which is surely a drawback than any kind of benefit. I loved the performances, everybody was good and so the CGI, which was not a top notch yet acceptable. Especially as it takes place in the dark time, they had the advantage to depict the atmosphere as much as close to how it would have looked 65 years ago and as well to avoid the errors. I never saw its trailer or the teaser, but I knew about this project and after seeing its posters I though it would be about the offshore oil rig. When I saw the film, I realised I was wrong and surprise do such thing happen in real. The film was also did not let my interest fall. Thanks to the director who always try different genre yet he's not a mega budget filmmaker. A good film, but like I said should have been even better. Especially should have out classed in the sentimental segments. I don't know how good was the digital 3D version of it, but still this regular version is worth to give it a shot. 7½/10
User reviews courtesy of TMDB.
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Chris Pine
Bernie Webber
Casey Affleck
Ray Sybert
Ben Foster
Richard Livesey
Eric Bana
Daniel Cluff
Holliday Grainger
Miriam Webber
John Ortiz
Wallace Quirey
Kyle Gallner
Andy Fitzgerald
John Magaro
Ervin Maske
Graham McTavish
Frank Fauteux
Michael Raymond-James
D.A. Brown
Beau Knapp
Mel Gouthro
Josh Stewart
Tchuda Southerland
Abraham Benrubi
George 'Tiny' Myers
Keiynan Lonsdale
Eldon Hanan
Rachel Brosnahan
Bea Hansen
Benjamin Koldyke
Donald Bangs
Matthew Maher
Carl Nickerson
Jesse Gabbard
Domingo Garcia
Danny Connelly
Dave Ryder
John Franchi
Fisherman at Bar
Michael Maggiani
Bell Telephone Supervisor
Michael Corenblith
Production Design
Javier Aguirresarobe
Director of Photography
Donna Casey-Aira
Costume Supervisor
Whitney James
Makeup Department Head
Dan Marshall
Choreographer
Airon Armstrong
Stunt Double
Caroline Vexler
Stunt Double
Dave Reaves
Stunt Double
Evan Dane Taylor
Stunt Double
Jodi Michelle Pynn
Stunt Double
Mariusz Kubicki
Stunt Double
Pete Klein
Stunt Double
Thomas La Marche
Stunt Double
Tim Trella
Stunt Double
Aaron Vexler
Stunts
George B. Colucci Jr.
Stunts
Peter Epstein
Stunts
Craig Gillespie
Director
Tatiana S. Riegel
Editor
Douglas C. Merrifield
Executive Producer
Jim Whitaker
Producer
Dan O'Connell
Foley
Carter Burwell
Original Music Composer
Dean A. Zupancic
Sound Re-Recording Mixer
Mark P. Stoeckinger
Supervising Sound Editor
Seth Maury
Visual Effects Supervisor
Scott Silver
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Jan 29, 2016
