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The Saul Zaentz Company
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The Man... The Music... The Madness... The Murder... The Motion Picture.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
CinemaSerf
Jan 7, 2023 · via TMDB
Rarely can I think of a more worthy multi-award winning performance than that from F. Murray Abraham in this masterfully crafted - if entirely speculative - retrospective on the life and times of Wolfgang Amadeus Mozart (portrayed here by the astonishingly effective Tom Hulce). Abraham portrays the duplicitous, envious and malevolent Antonio Salieri, the court composer to Emperor Joseph II of Austria (Jeffery Jones). He is talented, up to point, and settled in his politically influential and wealthy role, but growing up, he has always been aware of this other young boy who can play, perfectly, composing as he goes. Initially in awe of this man's predigious talent, it isn't long before the green eyed monster starts to rear it's ugly head, and jealousy soon starts to drive his every waking moment. Meantime, the young maestro is attracting more and more attention, acclaim and is soon rivalling Salieri for the attentions of the Emperor himself. At this stage, Salieri must act. How? Well fortunately he is ably assisted by Mozart's own self-destructive character. As a child, compared to a performing monkey, he always had issues with his father (Roy Dotrice) and even when married to Stanzi (Elizabeth Berridge) with his own child, we feel that he is always in search of adulation, appreciation and love whilst treading a very fine line between despair and a chronic fear of poverty and failure - one which leads him to an increasingly addictive existence. What is also striking here, is the extent to which Mozart's music has become pervasive in not just cinema history, but in our broader environment too. I found myself familiar - to varying degrees - with much of the superbly delivered soundtrack. It's all told via a rather apposite "confession" between Salieri and a priest who, as the story develops, struggles with his own faith and his belief that all sins can be forgiven. Perhaps some can't? The attention to detail here is fantastic: the sets, costumes and the location photography contribute hugely to the wonderfully rich look and feel of a film that just oozes style and confidence. Hulce's portrayal of the creative virtuoso as he descends into a maelstrom of misery is thoroughly convincing, and by the end - historical fact being adhered to, at least in this - I felt emotionally drained by the strength of these two tours de forces. A big screen with big sound is a must here, and I think you will find the three hours that this lasts will just fly by.
Wuchak
Dec 20, 2020 · via TMDB
_**Lively costume biography about Mozart’s last nine years in Austria**_ Antonio Salieri (F. Murray Abraham) is a competent but mediocre composer in Vienna, Austria, in the late 1700s. He recognizes the God-given genius of the younger Wolfgang Amadeus Mozart (Tom Hulce) and struggles with bitter envy. The story is told in flashback as Salieri shares it with a cleric decades later at an asylum. “Amadeus” (1984) is an entertaining costume drama that successfully takes you back to Vienna from 1783-1791. Mozart was basically the rock star of the era and some of his dynamic music even evokes certain modern rock styles. Giving the main characters personality helps bring the events alive and the flashback structure makes for compelling storytelling. On the feminine front, Elizabeth Berridge plays Amadeus’ cute & feisty wife, Constanze, while Christine Ebersole is on hand as a ravishing opera singer, sorta reminiscent of Tina Root of Switchblade Symphony (albeit taller). The original Broadway play concentrated on character motivation with music in the background while the movie focuses a little too much on it. Unless you’re an opera aficionado, the extensive scenes of Mozart's and Salieri's operas being performed become tiresome after a while and unnecessarily bloat the film, somewhat muting the story. When the Emperor yawns during a performance of “Figaro” I could relate because a lot of opera music sounds the same to me. Nonetheless, this is an informative and amusing biography of Wolfgang’s last nine years; very well done. The movie runs 2 hours, 40 minutes and was shot mostly in the Czech Republic. GRADE: B+/A-
User reviews courtesy of TMDB.
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F. Murray Abraham
Antonio Salieri
Tom Hulce
Wolfgang Amadeus Mozart
Elizabeth Berridge
Constanze Mozart
Simon Callow
Emanuel Schikaneder
Roy Dotrice
Leopold Mozart
Christine Ebersole
Katerina Cavalieri
Jeffrey Jones
Emperor Joseph II
Charles Kay
Count Orsini-Rosenberg
Kenny Baker
Parody Commendatore
Barbara Bryne
Frau Weber
Roderick Cook
Count Von Strack
Richard Frank
Father Vogler
Philip Lenkowsky
Salieri's Servant
Cynthia Nixon
Lorl
Brian Pettifer
Hospital Attendant
Vincent Schiavelli
Salieri's Valet
Douglas Seale
Count Arco
Karl-Heinz Teuber
Wig Salesman
Samuel Ramey
Figaro in 'The Marriage of Figaro' (singing voice)
Felicity Lott
Countess in 'The Marriage of Figaro' (singing voice)
Richard Stilwell
Count Almaviva in 'The Marriage of Figaro' (singing voice)
Isobel Buchanan
Susanna in 'The Marriage of Figaro' (singing voice)
Anne Howells
Cherubino in 'The Marriage of Figaro' (singing voice)
Alexander Oliver
Basilio in 'The Marriage of Figaro' (singing voice)
Robin Leggate
Don Curzio in 'The Marriage of Figaro' (singing voice)
John Tomlinson
Dr. Bartolo in 'The Marriage of Figaro' (singing voice)
Willard White
Antonio in 'The Marriage of Figaro' (singing voice)
Karel Fiala
Don Giovanni in 'Don Giovanni'
Richard Stilwell
Don Giovanni in 'Don Giovanni' (singing voice)
John Tomlinson
Commendatore in 'Don Giovanni' (singing voice)
Willard White
Leporello in 'Don Giovanni' (singing voice)
John Carrafa
Dancer
Raymond Kurshals
Dancer
Tom Rawe
Dancer
Hana Brejchová
Memeber of the Emperor's Family
Miriam Chytilová
Sophie Weber
Karel Effa
Leporello
Radka Fidlerová
Soprano
Karel Hábl
Emperor's Spy
Aťka Janoušková
Dwarf
Jiří Krytinář
Dwarf
Jan Kuželka
Salieri's Chef
Jiří Lír
Salzburg Man
Lenka Loubalová
Singer
Jitka Molavcová
Actress
Pavel Nový
Emperor's Spy
Jan Pohan
Emperor's Aide
Tereza Pokorná-Herzová
Actress
Dana Vávrová
Josefine Weber
Zdeněk Mahler
Cardinal (uncredited)
Karel Černý
Art Direction
Jiří Krejčík
Assistant Camera
Miroslav Ondříček
Director of Photography
Karl-Heinz Teuber
Assistant Makeup Artist
Theodor Pištěk
Costume Design
Dick Smith
Makeup Artist
Twyla Tharp
Choreographer
Miloš Forman
Director
Bonnie Timmermann
Additional Casting
Neville Marriner
Conductor
Wolfgang Amadeus Mozart
Music
Zdeněk Mahler
Music Consultant
Mark Adler
Music Editor
Neville Marriner
Music Supervisor
Ivo Špalj
Sound
Todd Boekelheide
Sound Re-Recording Mixer
Peter Shaffer
Screenplay
Peter Shaffer
Theatre Play
Sep 6, 1984
Westwood, California
Sep 12, 1984
New York
Sep 19, 1984
Mar 19, 2002
Director's cut
Jul 24, 2002
Director's Cut 180 minutes version
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Versus
Sign in to play →
What a Carry On!
1973
Beautiful Noise
2014
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
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