Get the MovieNight app
Add it to your home screen — faster & full screen
Malpaso Productions
Universal Pictures
Not part of a collection.
his love...or his life...
Offbeat Civil War drama in which a wounded Yankee soldier, after finding refuge in an isolated girls' school in the South towards the end of the war, becomes the object of the young women's sexual fantasies. The soldier manipulates the situation for his own gratification, but when he refuses to completely comply with the girls' wishes, they make it very difficult for him to leave.
Martin Oaks
Sep 26, 2026 · via TMDB
**Anatomy of manipulation** In 1971, Donald Siegel delivered one of the most fascinating, atypical, and dark works of American cinema of that decade. With astonishing audacity, he managed to subvert the tropes of the war genre and the Western to venture into the realms of psychological thriller and Southern Gothic. The story is set in 1864, during the final stages of the American Civil War; there, John McBurney, a severely wounded Union Army corporal, is rescued by Amy, a young girl from the nearby Farnsworth Seminary. This girls' boarding school, surviving in absolute isolation under Confederate territory, becomes the setting for a dense chamber drama after the strict headmistress, Martha Farnsworth, and the timid teacher, Edwina Dabney, decide to shelter the enemy soldier under the guise of Christian charity and medical care before turning him over to local patrols. The arrival of this mature, attractive, and mysterious man at a mansion inhabited exclusively by women of different ages—doomed to frustration, loneliness, and rigid sexual repression—acts as a violent psychological catalyst. Fully aware of his fragile predicament, McBurney decides to use manipulation and deceit as survival tools, orchestrating a subtle game of seduction tailored down to the millimeter to the emotional voids of each of his hostesses. Unfortunately overshadowed by the runaway success of "Dirty Harry", released the same year by the same director, "The Beguiled" stands out, in retrospect, as the artistic pinnacle of the fruitful collaboration between Siegel and Eastwood. Tarantino aptly went as far as to define it as the closest Siegel ever came to making an auteur film, and the piece completely justifies that status thanks to a bold mise-en-scène that progressively dismantles the physical, unshakeable masculinity that Eastwood usually projected on the big screen. His performance is daring and superb, shedding the traditional hero role to embody an opportunistic parasite whose own charms end up backfiring in the most tragic way possible.
r96sk
Jan 14, 2022 · via TMDB
Undeniably creepy. I'm not entirely sure how I feel about <em>'The Beguiled'</em>, though. It's definitely one of the more bizarre films that I've seen, intentionally so of course. I'm just not convinced if it's a good film though, it does do a grand job at making the viewer feel uncomfortable but beyond that I'm not sold. Take out the oddness and there's not much there, I feel. With that said, it undoubtedly leaves an imprint and does what it intends to so I guess it levels out to be something worth watching. Clint Eastwood gives an almost eerily convincing performance, while those behind him are all solid - with the standouts, to me, being Geraldine Page and Mae Mercer. It's certainly 'out there', you gotta give it that. Overall I have mixed feelings, but I am leaning closer to positive than negative.
User reviews courtesy of TMDB.
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Criterion Channel
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Clint Eastwood
John McBurney
Geraldine Page
Martha
Elizabeth Hartman
Edwina
Jo Ann Harris
Carol
Darleen Carr
Doris
Mae Mercer
Hallie
Pamelyn Ferdin
Amy
Melody Thomas Scott
Abigail
Peggy Drier
Lizzie
Patricia Mattick
Janie
Charlie Briggs
1st Confederate Captain
George Dunn
Sam Jefferson
Charles G. Martin
2nd Confederate Captain
Matt Clark
Scrogins
Patrick Culliton
Miles Farnswoth
Buddy Van Horn
Soldier
Victor Izay
Wagon Driver (uncredited)
Jim Malinda
Wade (uncredited)
Bill Lee
Singer (uncredited)
Jim Malinda
Confederate Sergeant (uncredited)
Helen Colvig
Costume Design
Bud Westmore
Makeup Artist
Buddy Van Horn
Stunt Coordinator
Buddy Van Horn
Stunt Double
Don Siegel
Director
Clint Eastwood
Executive Producer
Don Siegel
Producer
Lalo Schifrin
Original Music Composer
Thomas Cullinan
Novel
Albert Maltz
Screenplay
Mar 31, 1971
© 2025-2026 MovieNight. All rights reserved.
Versus
Sign in to play →
Hila
Reversal
2001
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
Versus
Sign in to play →
Hila
Reversal
2001
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
We use essential cookies to run MovieNight, plus analytics (Google Analytics) and advertising (Google AdSense) cookies. By continuing to browse, you agree to this — or click No and we won't. See our Terms & Privacy Policy to learn more.