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The Last of the Mohicans
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20th Century Fox 20th Century Fox
Morgan Creek Entertainment Morgan Creek Entertainment

Not part of a collection.

The Last of the Mohicans

An epic adventure and passionate romance unfold against the panorama of a frontier wilderness ravaged by war.

1992 112 min ★ 7.4 (3,540) Released
Drama History War

In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.

Original title
The Last of the Mohicans
Language
EN
Country
US
Budget
$40,000,000
Revenue
$75,505,856
Reviews & Ratings 2
CinemaSerf

CinemaSerf

Aug 9, 2023 · via TMDB

★ 7.0

It might seem a bit petty, but as a Scot watching a film about a Canadian conflict in which half the characters - "Munro", "Campbell", "Cameron" et al are all Scottish, I found the constant interchangeability in the script between English and British really quite irritating. They are not synonymous terms - is it just lazy writing? Anyway, the rest of this is a great looking adaptation of a solid boy's-own story that tells of the war in North America between the French and the British. The former under the command of "Montcalm" (Patrice Chéreau) are laying siege to the fort held by the latter under the command of "Munro" (Maurice Roëves). To add to the woes of the besieged, his two daughters are being escorted to what he hopes will be safety with him, when they are the victims of betrayal at the hands of the duplicitous "Magua" (Wes Studi) and are only saved by the timely intervention of "Hawkeye" (Daniel Day-Lewis), his father "Chingachgook" (Russell Means) and brother "Uncas" (Eric Schweig). "Hawkeye" - indeed the whole colonial farming community - is viewed with mistrust by the military and when it becomes clear that the elder sibling "Cora" (Madeleine Stowe) is beginning to take a shine to our hero, they also incur the enmity of the conniving "Maj. Heyward" (Steven Waddington). It's a story of romance, certainly, but that's kept very much under control as the warring and scheming takes front and centre making sure the adventure keeps moving along apace. DDL is on good form here, nimbly skirmishing in the forest and proving extremely adept at reloading a musket in ten seconds flat! Waddington never was a very convincing actor, but he's adequate here as our story concludes with violence, sacrifice, honour, vengeance and a sense of the futility of war. Some of the siege photography and the more general cinematography is wonderful at creating some of the claustrophobic aspects of this hitherto densely forested, virgin and perilous, territory and even though they were always at war with each other, it also highlights just how little the indigenous population actually needed our presence on their continent. Big screen if you can - it's well worth the price of the ticket.

John Chard

John Chard

May 18, 2017 · via TMDB

★ 9.0

Death and honour are thought to be the same, but today I have learned that sometimes they are not. The Last of the Mohicans is directed by Michael Mann who also co-adapts the screenplay with Christopher Crowe from James Fenimore Cooper's novel of the same name. It stars Daniel Day-Lewis, Madeleine Stowe, Russell Means, Eric Schweig, Jodhi May, Steven Waddington and Wes Studi. Music is scored by Trevor Jones and Randy Edelman and cinematography by Dante Spinotti. 1757 during the French and Indian War, Hawkeye (Lewis), a white man who was adopted by the Mohicans, finds himself on a perilous journey to escort a couple of British sisters to their father's fort. This journey brings him, and his companions, into conflict with Magua (Studi), a sadistic Huron warrior seeking revenge on the girls' father. Inspired by the Randolph Scott film of the same name made in 1936, Michael Mann gives his all to create a stirring classical epic fit to sit in the company of the historical greats of old. Visually it's a treat of some magnitude, where aided by Spinotti, Mann frames his characters in the glorious vistas provided by the North Carolinas. For those with a bent for historical narratives, Mann's film also is not found wanting, in fact it's a cerebral delight. There's romantic strands that sit right in the colourful quilt, action expertly staged and handled by the talented director and the cast, led by a superbly athletic and serious Day-Lewis, are impressive and doing justice to the requisite characters written on the page, and the musical score enhances mood with swirling beauty coupling with primitive potency that wraps itself snugly around the story. Mann gets all the key ingredients right, but it's his ability to balance the human drama with the energised action that is most impressive. The film is also thankfully devoid of boorish filler, this is a troubled time in history, with much political activity and complex racial manoeuvres, but Mann doesn't need to fill the screen with political posturing and drawn out speeches. We know all we need to know about the period in question, but the story is kept intimate, the focus on a small group of people, of whose fate we most assuredly have interest in. While on the edges of the frame we know we are witnessing the death of an era, for better or worse on different sides of the coin. Also pays to note that Mann's well known penchant for the meticulous is evident as well, for he details the native characters with considerable care. It's not flawless, accents fluctuate, the odd fake look slips into the production design and the director does what many American directors do, they come dangerously close to caricaturing their British officers, but this is still great heroic escapism tinged with romanticism. Something for everyone who loves classical cinema in fact. 9/10

User reviews courtesy of TMDB.

Keywords 13
18th century based on novel or book colonialism french and indian war historical inspirational interracial relationship love triangle native american period drama revenge warfare warrior
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Cast 28
Daniel Day-Lewis

Daniel Day-Lewis

Hawkeye

Madeleine Stowe

Madeleine Stowe

Cora

Jodhi May

Jodhi May

Alice

Russell Means

Russell Means

Chingachgook

Wes Studi

Wes Studi

Magua

Eric Schweig

Eric Schweig

Uncas

Steven Waddington

Steven Waddington

Heyward

Maurice Roëves

Maurice Roëves

Colonel Munro

Pete Postlethwaite

Pete Postlethwaite

Captain Beams

Colm Meaney

Colm Meaney

Major Ambrose

Patrice Chéreau

Patrice Chéreau

General Montcalm

Edward Blatchford

Edward Blatchford

Jack Winthrop

Terry Kinney

Terry Kinney

John Cameron

Justin M. Rice

Justin M. Rice

James Cameron

Dennis Banks

Dennis Banks

Ongewasgone

Malcolm Storry

Malcolm Storry

Phelps

David Schofield

David Schofield

Sergeant Major

Dylan Baker

Dylan Baker

Bougainville

Tim Hopper

Tim Hopper

Ian

Gregory Zaragoza

Gregory Zaragoza

Abenaki Chief

Mark Joy

Mark Joy

Henri

Jared Harris

Jared Harris

British Lieutenant

Michael Flannery

Michael Flannery

Sentry

Tom McGowan

Tom McGowan

Rich Merchant

Sebastian Roché

Sebastian Roché

Martin

John Harrington Bland

John Harrington Bland

British Soldier (uncredited)

Bill Chemerka

Bill Chemerka

Royal Artillerist (uncredited)

Benton Jennings

Benton Jennings

Scottish Officer (uncredited)

Crew 48
Mark Ricker

Mark Ricker

Set Dresser

Dante Spinotti

Dante Spinotti

Director of Photography

David Sanderson

David Sanderson

First Assistant Camera

Melissa Yonkey

Melissa Yonkey

Assistant Hairstylist

Peter Robb-King

Peter Robb-King

Key Makeup Artist

Daniel Lanois

Daniel Lanois

Additional Music

Dale Dye

Dale Dye

Military Consultant

Scott R. Fisher

Scott R. Fisher

Special Effects

Bernie Pock

Bernie Pock

Stunts

Billy D. Lucas

Billy D. Lucas

Stunts

Clint Lilley

Clint Lilley

Stunts

Don Ruffin

Don Ruffin

Stunts

Lance Gilbert

Lance Gilbert

Stunts

Lonnie R. Smith Jr.

Lonnie R. Smith Jr.

Stunts

Mario Roberts

Mario Roberts

Stunts

Ric Roman Waugh

Ric Roman Waugh

Stunts

Scott Waugh

Scott Waugh

Stunts

Stanton Barrett

Stanton Barrett

Stunts

Tim Gilbert

Tim Gilbert

Stunts

Tim Trella

Tim Trella

Stunts

Troy Gilbert

Troy Gilbert

Stunts

Dale Dye

Dale Dye

Technical Advisor

Michael Mann

Michael Mann

Director

Daniel M. Stillman

Daniel M. Stillman

Second Assistant Director

Arthur Schmidt

Arthur Schmidt

Editor

Bonnie Arnold

Bonnie Arnold

Associate Producer

Bonnie Timmermann

Bonnie Timmermann

Casting

Susie Figgis

Susie Figgis

Casting

James G. Robinson

James G. Robinson

Executive Producer

Michael Mann

Michael Mann

Producer

Ned Dowd

Ned Dowd

Supervising Producer

Ned Dowd

Ned Dowd

Unit Production Manager

Wylie Stateman

Wylie Stateman

Additional Sound Re-Recording Mixer

Karen Baker Landers

Karen Baker Landers

Assistant Sound Editor

Randy Edelman

Randy Edelman

Conductor

Alicia Stevenson

Alicia Stevenson

Foley Artist

Randy Edelman

Randy Edelman

Original Music Composer

Trevor Jones

Trevor Jones

Original Music Composer

Dennis Sands

Dennis Sands

Scoring Mixer

Lon Bender

Lon Bender

Sound Designer

Scott Martin Gershin

Scott Martin Gershin

Sound Editor

Doug Hemphill

Doug Hemphill

Sound Re-Recording Mixer

Paul Massey

Paul Massey

Sound Re-Recording Mixer

Lon Bender

Lon Bender

Sound Supervisor

John L. Balderston

John L. Balderston

Adaptation

James Fenimore Cooper

James Fenimore Cooper

Novel

Philip Dunne

Philip Dunne

Original Film Writer

Michael Mann

Michael Mann

Screenplay

Gallery 168
Videos 1
Similar Movies 283
Recommended 63
US Release Dates 1

Sep 25, 1992

R Theatrical

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Bicara Cinta

Bicara Cinta

2020

VS
The Pied Pipers of Harlow

The Pied Pipers of Harlow

1965

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Battle your watched movies head-to-head

Community Top Movies

🥇 Evil Dead II

Evil Dead II

1987 · 14 wins

🥈 The Dark Knight

The Dark Knight

2008 · 14 wins

🥉 Halloween

Halloween

1978 · 13 wins

#4 Final Destination

Final Destination

2000 · 12 wins

#5 Halloween II

Halloween II

1981 · 11 wins

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Movie Trivia

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What movie experience do you prefer?

Movie theater — theater popcorn with Icee/soda & maybe nachos 67%
At home — relaxed on your favorite couch or chair with whatever drinks & snacks are in the kitchen 33%
3 votes

What is your favorite movie genre?

Action 50%
Adventure 0%
Animation 0%
Comedy 0%
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