Bad Robot
Domain Entertainment
Warner Bros. Pictures
Not part of a collection.
The End of Oak Street
Where goes the neighborhood.
After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.
- Original title
- The End of Oak Street
- Language
- EN
- Country
- US
- Budget
- $80,000,000
- Revenue
- $106,380,151
ianrathbone
Aug 21, 2026 · via TMDB
Dread creeps, chaos strikes / Jurassic meets Gremlins' smile / Anne Hathaway owns it #filmreviewhaiku
CinemaSerf
Aug 15, 2026 · via TMDB
Ok, so the whole premiss is fairly flawed. The idea that dinosaurs could roam the streets of an American town without the military - normally first on the scene if you drop your ice cream - taking centre stage with their missiles, tanks and helicopters is even more far-fetched than the idea that velociraptors and Tyrannosaurs might be gobbling up suburban citizens. But it's true! After some some very loud and unexplained noises and some brightly flashing lights, the "Platt" family awaken to find their dog missing. Perhaps "Starbuck" has gone for a coffee? Son "Brian" (Christian Convery) is very concerned but soon that's the least of his problems as with dad "Greg" (Ewan McGregor), mum "Denise" (Anne Hathaway) and sister "Audrey" (Maisy Stella) they find themselves holed up in a home with some seriously noisy and peckish neighbours. How can they possibly fight back with - literally - only a bow and arrow and a baseball bat? What now ensues is just good fun, and what's more all of the cast look like they are enjoying this daft Jurassic romp with shades of "Mysterious Island" (1961) thrown in for good measure. It's end-to-end stuff with plenty going on and although I could have done without some of the obligatory family dysfunction that always seems neccessary these days, I found this to be a great deal better than I was expecting and Hathaway proved to be something of an entertaining revelation.
Manuel São Bento
Aug 15, 2026 · via TMDB
Check out my full review @ https://movieswetextedabout.com/the-end-of-oak-street-movie-review-a-stylish-amblin-style-spectacle-undone-by-tonal-indecision/ Rating: B- THE END OF OAK STREET is a well-built summer blockbuster whose biggest obstacle is its own indecision about what it wants to be. The dinosaur spectacle is thrilling, Anne Hathaway anchors it with real gravity, Michael Giacchino’s score elevates nearly every set piece, and the Amblin-inspired craft on display is a genuine pleasure to watch unfold — but the moment the film tries to layer real emotional stakes onto a story built for popcorn thrills, the seams show, and they never fully close back up. Setting the right tone is a promise to the audience about how much to feel, and breaking that promise even once can undo a lot of goodwill a movie has otherwise earned.
MovieGuys
Aug 15, 2026 · via TMDB
"The End of Oak Street" is yet another fossilized production from an entertainment industry out of fresh ideas. This is essentially Jurassic Park in 1980's US suburbia. The lead in is overlong, rather boring, more than a little cliched, leaning heavily on 80's nostalgia to carry it. Beyond that, it's predictable dinosaur action hi-jinks, a basic family adventure, with a dash of time travel nonsense. Very limited upsides include okay but hardly sterling acting and reasonable special effects. In summary, in this reviewers estimation this flick is what you churn out when you have no fresh ideas. A wholly bland watch that wont challenge the synapses.
Brent Marchant
Aug 14, 2026 · via TMDB
When it comes to summertime movies, many viewers expect fun thrill rides, escapist fare at its best. At the same time, though, as the summer movie season winds down, expectations tend to lower by the time August rolls around, when the dregs of its remaining releases are unceremoniously rolled out. But, every so often, audiences are in for an unexpected nifty little treat when a sleeper offering hits theaters. Such is the case with the latest effort from writer-director David Robert Mitchell, a Spielbergian sci-fi retrothriller that skillfully drops elements of the “Jurassic Park” franchise into 1980s suburbia, and it does so with a deft mix of heart-pounding action-adventure and raucous, often-campy humor. The film follows the adventures of the Platt family, mother Denise (Anne Hathaway), father Greg (Ewan McGregor), and teenage children Audrey (Maisy Stella) and Brian (Christian Convery), along with their mischievous but resourceful pooch, an Australian cattle dog named Starbuck. On the surface, everything seems fine, though, as soon becomes apparent, there are some simmering troubles in family household (marital discord, financial difficulties, potential problem drinking, the dashed dreams of adolescence). However, after a bright, intense light appears during a thunderstorm one night, the Platts’ world gets turned upside down as their neighborhood experiences a series of infrastructure collapses, along with the appearance of anomalous plant life, specimens that appear to belong to extinct prehistoric species. But that’s only the beginning, as these developments are followed by the presence of dinosaurs. Needless to say, the residents of Oak Street are stunned at what they find, and it’s not long before survival and escape become imminent concerns. But how? What’s more, how did all of this come about? Those are the questions the family and their neighbors face as their world crumbles around them. Admittedly, the premise of this story is a relatively simple one, and it occasionally turns repetitive and derivative as it plays out. However, these shortcomings are made up for by great action sequences and raucously funny laughs, many of them deliberately over the top and characterized by ample but restrained gratuitousness (though squeamish viewers may still wish to bow out). A number of typical Spielbergian tropes are also included here, such as the curmudgeonly neighbor (P.J. Byrne), the kindly old lady down the street (Anne Gee Byrd), the mild-mannered but unexpectedly tough, gun-toting mid-lifer (Emily Kuroda), the neighborhood bully (Hudson Meek) and the beautiful new neighbor girl (Jordan Alexa Davis), all of whose story threads figure into the flow of the narrative and are sufficiently wrapped up by the time the credits roll. But perhaps the biggest surprise here is the film’s integration of subtle but effective themes one might not anticipate from a production like this, such as messages related to second chances, redemption and forgiveness, which are skillfully incorporated without beating viewers over the head (credit the expertly penned script for this). Thankfully, while many critics acknowledge that there are numerous respectful nods to the “Jurassic” franchise, most astutely appreciate the big nostalgic fun in this, despite a cantankerously vocal minority of cynical peers who contend such attributes are out-and-out ripoffs of classic cinematic content. I suppose one could see things that way, but that spoils the fun, begging the question about the half-empty/half-full glass metaphor, one that ultimately comes down to your view/your choice. So what’s it going to be? Given the dearth of good, entertaining pictures at this time of year, in my view, “The End of Oak Street” is genuinely a welcome breath of fresh air in an otherwise-stale room, a late summer release that’s truly “dino-mite.”
User reviews courtesy of TMDB.
Fandango At Home
Anne Hathaway
Denise Platt
Ewan McGregor
Greg Platt
Maisy Stella
Audrey Platt
Christian Convery
Brian Platt
Jordan Alexa Davis
Jeannette Christiansen
P.J. Byrne
Mel Jacobs
Bethany Anne Lind
Mary Bagrowski
Emily Kuroda
Mrs. Valcour
Denitra Isler
Mae
Hudson Meek
Kaden
Anne Gee Byrd
Mrs. Huddleston
Simms May
Zachery
Grayson Thorne Kilpatrick
Buddy
Pilot Bunch
Buddy #2
Chris Coy
—
Andrea Frankle
Female Neighbor
David Alexander Kaplan
Charles Tucker
Marian Green
Neighbor Woman
Scott Deal
Older Neighbor
Callie McClincy
Katie
Lauren Abiouness
Supervising Art Director
Mike Gioulakis
Director of Photography
Hudson Meek
In Memory Of
Mike Massa
Stunt Coordinator
Jordan Vogt-Roberts
Thanks
Nikola Boyanov
Thanks
David Robert Mitchell
Director
Riley Flanagan
Second Second Assistant Director
John Axelrad
Editor
Anthony Tittanegro
Executive Producer
Chris Bender
Executive Producer
Jake Weiner
Executive Producer
David Robert Mitchell
Producer
Hannah Minghella
Producer
J.J. Abrams
Producer
Matt Jackson
Producer
Tommy Harper
Producer
Michael Giacchino
Original Music Composer
Paula Fairfield
Sound Designer
Michael Keller
Sound Re-Recording Mixer
Todd Vaziri
Compositing Supervisor
Jay Cooper
Visual Effects Supervisor
David Robert Mitchell
Writer
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Aug 14, 2026
Sep 15, 2026
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