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Amblin Entertainment
Universal Pictures
Not part of a collection.
We deserve to know.
A cybersecurity expert becomes a whistleblower after uncovering secrets about aliens, putting him on the run from a corporation. Meanwhile, a meteorologist experiencing strange phenomena joins forces with him to prove there's life beyond our understanding.
Wuchak
Oct 12, 2026 · via TMDB
***What if those rumors about the Roswell incident are true?*** This comes in the tradition of Spielberg’s “Close Encounters of the Third Kind,” smacking of an X-Files story with focus on that show’s alien conspiracy, such as the 1998 film “Fight the Future,” just without Mulder and Scully. The 2008 version of “The Day the Earth Stood Still” is also comparable. Way back in 1989 an episode of Unsolved Mysteries explored the Roswell incident with witnesses claiming that they saw the bodies of extraterrestrial beings as Feds cleaned up a crash site in New Mexico of debris made from unearthly material. The next year Megadeth released the song “Hangar 18,” named after the building at Wright-Patterson Air Force Base in Dayton, Ohio, and rooted in the Roswell incident. This movie simply expounds on the coverup with the revelation of the (supposed) truth to all humanity. My point is that the ideas in the movie aren’t anything new. I heard a rather extremist response describing the film as “a psyop to convince the public that aliens (demons) are benevolent” but, if this is the case, the same argument could be made for the original version of “The Day the Earth Stood Still” from 75 years ago, not to mention dozens of episodes of Star Trek. I think I’ll go with the mundane possibility that this is merely a sci-fi story meant to entertain and provoke ideas, particularly about humankind needing to chill out since we’re closer to the brink of nuclear Armageddon than ever. The second viewpoint is easier to embrace seeing as how the movie includes magic cylinders that enable holders to channel cosmic energy and perform superhuman feats. This isn’t far removed from the Cosmic Cube of the Marvel universe, the Tesseract, which Thanos breaks in “Avengers: Infinity War” to extract the Space Stone. Emily Blunt is effective in the leading role, yet she’s outshined by Eve Hewson as Jane. Meanwhile Colin Firth does well as the antagonist. Others with key roles include Josh O’Connor, Colman Domingo and Wyatt Russell. With Spielberg at the helm, the movie is well made and the story is compelling, augmented by a suspenseful action sequence in the second half involving a train and a couple of vehicles. I also liked how Margaret (Blunt) is uncannily able to read a person's mail, so to speak, which profoundly affects them and is pulled off in an almost reverent way. Unfortunately, the flick’s hindered by at least one glaring sequence in which it’s impossible to suspend disbelief. I’m talking about the part where the male protagonist eludes several quasi-FBI agents at a farmhouse with the agents being either incompetent or blind since he fails to actually hide behind anything. Then there’s the car literally driving through a house no worse for wear. Why Sure! Another issue is that I don’t see this working on repeat viewings. It’s a one-watch movie. It runs 2h 25m and was shot in three months from Feb-May 2025 across southeastern New York and the state of New Jersey (too many locations to cite). GRADE: B-
asargonv
Aug 8, 2026 · via TMDB
Pretty decent and imo hopeful movie with a message I can stand behind. Acting felt sometimes lacking, given the big shots in it, and a little vit too much cgi was used (without much spoiler the train scene as prime example). Superb music and classic mystery Spielberg vibes. I would recommend watching it if there is no better movie in your watch list.
Martin Oaks
Aug 6, 2026 · via TMDB
**Spielberg’s fade to black** Daniel (Josh O'Connor) is a cybersecurity analyst who stumbles upon classified video files proving the government has been capturing and torturing non-human beings ever since the Roswell incident. After becoming a digital fugitive, he joins forces with Margaret Fairchild (Emily Blunt), a TV meteorologist experiencing strange perceptual phenomena. Together, they launch a race against time to expose the existence of alien life to the world, all while escaping the clutches of an implacable government contractor played by Colin Firth, who is hell-bent on stopping the uncontrolled leak of these files. "Disclosure Day" marks Steven Spielberg’s long-awaited return to alien-contact sci-fi—a genre where he previously gifted us absolute masterpieces like "Close Encounters of the Third Kind." Unfortunately, this piece of work feels way more like an exercise in self-indulgence than a fresh, modern take. The first hour of the feature film works quite well as a corporate conspiracy thriller. The protagonists' pursuit maintains a tense pace, and the cinematography is, predictably, top-tier (complete with its fair share of absurd details and inexplicable plot holes, of course). However, as the plot drags on, David Koepp’s script gets tangled up in pseudoscientific nonsense about childhood trauma and the main characters' psychic abilities, completely draining the urgency from their very escape. The film's fatal flaw lies in its high-and-mighty moral and philosophical pretensions. Spielberg gets so incredibly bogged down in emphasizing the importance of faith, communication, and humanity's place in the universe that he forgets to give the audience any sort of satisfying resolution. Deliberately cutting the climax short just to fade to black after the word "Listen..." is nowhere near a poetic, cinematic stroke of freaking genius—it’s just a cheap trick to avoid answering the questions we spent over two hours setting up.
misubisu
Jul 31, 2026 · via TMDB
**Score: 3/10 — A Fictional Misstep in a Moment Demanding Truth** For the average movie-goer, this film would probably gain a higher score. It has the Spielberg pedigree, a solid cast led by the fantastic Emily Blunt, and a chase-thriller structure that delivers some entertainment. But for those of us who sit where we do on the precipice of actual disclosure, deeply invested in the reality of UAPs and Non-Human Intelligence (NHI), this film is an extremely flawed and very disappointing experience. The most frustrating part is its premise. The film explores a "what if" scenario of a public unveiling of alien secrets, but given where we are in the world today, this is not the right time for a fictitious movie on this topic to be released. **Half the population of the planet believes that we are not alone, and are looking for answers.** The real world conversation is finally shifting, driven by congressional hearings, whistleblower testimonies, and a slow trickle of government acknowledgment. Releasing a heavily fictionalised, melodramatic thriller during this fragile moment feels not just unhelpful, but almost exploitative. I can watch a movie like *E.T. the Extra-Terrestrial* and be thoroughly entertained because it is very clearly a film made for entertainment, with an entertaining plot. *Disclosure Day*, on the other hand, is not just entertainment for many people. It draws directly on real world themes; the "Tic Tac" sightings, the Roswell narrative, the 2023 congressional hearings using them as a launchpad for a film that one critic called "flimsy" and "outdated". The result is a film that feels caught between wanting to be a serious meditation on the topic and delivering a generic chase movie that "has no ideas about aliens that we haven't heard before" . The plot is a mess. A whistleblower's plan to leak evidence depends on a local TV news broadcast, which feels like a plot device from the 1980s . There are seemingly pointless supernatural elements, such as "a crop circle magically forms around Daniel" with no explanation . The film's focus on the chase means the thought provoking elements are sacrificed for action that one review called "a drab X-Files episode" . The ending, in which Margaret delivers the one word message "Listen" to the world, feels more like a pretentious cliffhanger than a profound statement. The hope is that we can separate the real, unfolding history from this reductive, fictional placeholder . **The Verdict** *Disclosure Day* is a film that misunderstands its moment. For those of us deep in the rabbit hole of UFOs and NHI, you're better off not watching this movie. The real story is far more fascinating and unfolding in real time. This film is a hollow echo of a conversation that has finally started to get serious. **Watch if:** You are an average movie goer looking for an undemanding Spielberg thriller and can ignore the real world context. **Skip if:** You follow the UAP topic closely. The sub plots and storylines are extremely flawed and very disappointing. The search for truth is better served by documentaries and congressional hearings than this reductive movie.
TheRealMina
Jul 30, 2026 · via TMDB
Extremely dated. Like a movie from the '90s when Spielberg was in his peak, even the soundtrack. Except you're watching this as a sensible adult in the digital age. The acting was atrocious, the plot took too long to develop, all the characters are idiots and everything was just dumb and convenient. The entire plot centers around exposing the existence of aliens to the world. But instead of just uploading undeniable proof online, they think a TV station in Kansas city is their only option. One scene, where Bono's daughter was talking to the nun on the phone, she ask if the nun had a computer to look something up for her. Meanwhile, she's holding a smart phone in the year of our Lord 2026. Could she not look it up herself? What?
MonksFilms
Jul 30, 2026 · via TMDB
I feel like i'm rating this film lower if it wasn't a Steven Spielberg production. For the most part it features his usual polish which is above average in most cases. The camera movement and staging is as good as ever. There's even some car chase sequences thrown in to break up the pacing and give this film a jolt of energy and remind us of how much fun Spielberg's action can be. My biggest complaint is my disconnection with the characters. Everyone of the cast members do a great job with what they have to work with. Unfortunately there's not much to them. Perhaps Jane (Eve Hewson) is the character with the biggest arch but we don't get a lotta time with her. It makes the whole thing run like molasses at times in the middle as they just seem to be checking off the boxes of plot exposition. I also didn't like the cat and mouse play between Noah (Colin Firth) and our two main characters Margaret (Emily Blunt) and Daniel (Josh O'Conner). It's confusing at first, then it makes sense, and then they use it too much to the point it just drags. The film somehow manages to come together for a roller coaster finale. The sloppy and seemingly rushed threads come together for something that definitely hits hard and is more concentrated and developed than the early parts of the film. I found myself at full attention as the film began firing on all cinematic cylinders for it's conclusion. Overall I'm happy I saw it but it's probably gonna be my only watch for Disclosure. This probably would have worked better as a series so the characters and ideas could be developed a bit more. We do get what could be John Williams' last score, I made sure I stayed for the whole credits roll.
User reviews courtesy of TMDB.
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Emily Blunt
Margaret Fairchild
Josh O'Connor
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Colin Firth
Noah Scanlon
Eve Hewson
Jane Blakenship
Colman Domingo
Hugo Wakefield
Wyatt Russell
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Jessica Kartalija
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Sophie Carmen-Jones
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Pascal Yen-Pfister
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Therese Plaehn
Woman on Subway
Adam Stockhausen
Production Design
Rena DeAngelo
Set Decoration
Janusz Kamiński
Director of Photography
Paul Tazewell
Costume Design
Evelyne Noraz
Makeup Artist
Terry Notary
Choreographer
Brian Machleit
Stunt Coordinator
Andre Da Silva
Stunt Double
Derek Johnson
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Joanna Shelmidine
Stunt Double
Lee-Anne Telford
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Quentin Pardee Collins
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Doug Coleman
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Jeremy Fry
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Kevin Rogers
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Mariusz Kubicki
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Scott Burik
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Director
Doug Coleman
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Sarah Broshar
Editor
Michael Kahn
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Cristen Carr Strubbe
Executive In Charge Of Production
Adam Somner
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Eric Kimelton
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Graceann Dorse
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Kristie Macosko Krieger
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Steven Spielberg
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Oct 9, 2026
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Mel Brooks and Dick Cavett Together Again
2011
In the Wake of Sirens
2012
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
Versus
Sign in to play →
Mel Brooks and Dick Cavett Together Again
2011
In the Wake of Sirens
2012
Sign in to vote
Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
Leaderboard →Playing as a guest — sign in to save your score and rank on the leaderboard.
Movie Trivia
Guess the movie from a clue — tagline, plot, cast and more. Pick from four posters.
What movie experience do you prefer?
What is your favorite movie genre?
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