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Pixar
The Incredibles Collection
Super strength can’t carry a family.
Bob Parr has given up his superhero days to log in time as an insurance adjuster and raise his three children with his formerly heroic wife in suburbia. But when he receives a mysterious assignment, it's time to get back into costume.
CinemaSerf
Jun 9, 2023 · via TMDB
It's got a sort of "Batman" meets the "Man from U.N.C.L.E." feel about it as the "Parr" family try to get on with their lives after their brave and courageous superhero existence was kiboshed by some daft lawsuits and government cold feet. Thing is, there's no such thing as a well-earned retirement and just over a decade after they were consigned to obscurity, dad "Bob" is summoned to a top secret summit where he quickly discovers that it's going to take all of his - and his family's -considerable powers to stop the world from imminent destruction. No, the plot is hardly original - or incredible - but the script and characterisations here are really in kilter as the creatively animated adventure hots up. There's fun in the dialogue for the kids and grown-ups alike, and though maybe a bit on the long side, it's a lively tale of espionage and science with it's fair share of gadgets, gizmos, family strife and even an impenetrable, armoured, steel baddie. The pace becomes hectic and enjoyable and the action builds up nicely before a denouement that isn't the best - it just screams sequel at us. This needs a big screen to enjoy it at it's best and has some engaging, spy-themed, nostalgia for those of us north of forty too.
GenerationofSwine
Jan 14, 2023 · via TMDB
I sort of watched them out of order. I wasn't really privy to the existence of The Incredibles until my fiance wanted to rent the sequel...and then I went back and watched the first one. I have to say that I liked 2 more, but only because it looked like a period pop art piece and the first one you really didn't get that feel. It was clearly set in the early 60s, but you didn't get that whole esthetic as much as you did in the sequel and that was the biggest draw I had to it. That being said, it was't bad. Sociopolitically I liked the line about when everyone has super powers no one does. It registered loudly to someone that works in history. So the plot, on that basis, was compelling. And I am sure that if I had seen them in order I'd like it just as much. The sequel, the main draw that sucked me in was the look of the film. Here it was the quasi-family struggles which, again, seemed to be highlighted a little better in the second film. Still, it was there enough, the work-life balance to draw you in, and the absurdity that the work was being a hero was entertaining. As was the reason they had to go underground which, again, was done a little better than when the MCU tried it...but still not elaborated on enough to make it as interesting as it could have once been. In any case, it's still an entertaining cartoon. And you can see where the creators took what worked in the first one and elaborated on the concepts until they popped.
r96sk
Aug 3, 2020 · via TMDB
I don't like this as much as most do, but <em>'The Incredibles'</em> is definitely a fun watch. I enjoy how the film starts out, as it introduces the characters and tells some backstories. However, once the film becomes more serious it kinda loses its edge for me. When it's less so though, it's good. The animation is very nice, even if the humans look a tad iffy especially with their expressions. Another part I don't love is the villain, Syndrome. I feel like he's a bit tame, I never once felt fear/angst from the guy at all. A much more devilish, deceptive bad guy would've been far better. I didn't even realise it's Jason Lee who voices him either, it oddly doesn't sound like Lee to me. Talking of mishearing the voice cast, am I the only one who thought it was Jodie Foster voicing Elastigirl? Violet kinda sounds like Aubrey Plaza too. I think I may need my ears tested... Elsewhere, it's cool to hear (correctly, this time) Samuel L. Jackson as Frozone. Don't get me wrong, this is certainly a film worth watching 100%. I just would've loved a greater threat to the protagonists. Lastly, the end scenes, though amusing, feel like a collective of end credit jokes rolled into one. That's a minor complaint, mind.
User reviews courtesy of TMDB.
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Craig T. Nelson
Bob Parr / Mr. Incredible (voice)
Holly Hunter
Helen Parr / Elastigirl (voice)
Sarah Vowell
Violet Parr (voice)
Spencer Fox
Dashiell 'Dash' Parr (voice)
Jason Lee
Buddy Pine / Syndrome (voice)
Samuel L. Jackson
Lucius Best / Frozone (voice)
Elizabeth Peña
Mirage (voice)
Eli Fucile
Jack-Jack Parr (voice)
Brad Bird
Edna 'E' Mode (voice)
Dominique Louis
Bomb Voyage (voice)
Teddy Newton
Newsreel Narrator (voice)
Jean Sincere
Mrs. Hogenson (voice)
Wallace Shawn
Gilbert Huph (voice)
Lou Romano
Bernie Kropp (voice)
Michael Bird
Tony Rydinger (voice)
Bud Luckey
Rick Dicker (voice)
Bret Parker
Kari (voice)
Kimberly Adair Clark
Honey (voice)
John Ratzenberger
Underminer (voice)
Mark Andrews
Additional Voices (voice)
Nicholas Bird
Additional Voices (voice)
Pete Docter
Additional Voices (voice)
Louis Gonzales
Additional Voices (voice)
Ollie Johnston
Additional Voices (voice)
Bradford Lewis
Additional Voices (voice)
Bob Peterson
Additional Voices (voice)
Jeff Pidgeon
Additional Voices (voice)
Joe Ranft
Additional Voices (voice)
Stephen Schaffer
Additional Voices (voice)
Peter Sohn
Additional Voices (voice)
Andrew Stanton
Additional Voices (voice)
Frank Thomas
Additional Voices (voice)
Pamela Gaye Walker
Additional Voices (voice)
Deirdre Warin
Additional Voices (voice)
Bob Bergen
Firefighters (voice) (uncredited)
Mickie McGowan
Citizen Mother (voice) (uncredited)
Bert Berry
Art Department Coordinator
Bryn Imagire
Art Direction
Ralph Eggleston
Art Direction
Louis Gonzales
Digital Storyboarding
Lou Romano
Production Design
Greg Dykstra
Sculptor
Mike Cachuela
Storyboard Artist
Louis Gonzales
Title Designer
Patrick Lin
Director of Photography
Peter Sohn
Production Artist
Guido Quaroni
Software Engineer
Samuel Lord Black
Software Engineer
Alan Barillaro
Supervising Animator
Tony Fucile
Supervising Animator
Rick Sayre
Supervising Technical Director
Frank Thomas
Thanks
Matthew Robbins
Thanks
Ollie Johnston
Thanks
Osnat Shurer
Thanks
Brad Bird
Director
Stephen Schaffer
Editor
Mark Yeager
First Assistant Editor
Jonathan Pytko
Lighting Artist
Kim Collins
Lighting Manager
Kori Rae
Associate Producer
Jen Rudin
Casting
Kevin Reher
Casting
Mary Hidalgo
Casting
John Lasseter
Executive Producer
John Walker
Producer
Steve Slanec
ADR Editor
Doc Kane
ADR Mixer
Al Nelson
Foley Editor
Tom MacDougall
Music Supervisor
George Doering
Musician
Tom Boyd
Musician
Tommy Johnson
Musician
Michael Giacchino
Original Music Composer
Randy Thom
Sound Designer
Kyrsten Mate
Sound Effects Editor
Gary Rizzo
Sound Re-Recording Mixer
Randy Thom
Sound Re-Recording Mixer
Michael Silvers
Supervising Sound Editor
Randy Thom
Supervising Sound Editor
Adam Burke
Animation
Angus MacLane
Animation
Bret Parker
Animation
Dave Mullins
Animation
Doug Sweetland
Animation
Dylan Brown
Animation
John Kahrs
Animation
Kureha Yokoo
Animation
Mark A. Walsh
Animation
Peter Sohn
Animation
Shawn Krause
Animation
Teddy Newton
Character Designer
Tony Fucile
Character Designer
Bryn Imagire
Shading
Geefwee Boedoe
Visual Development
Mach Tony Kobayashi
Visual Effects
Mark Andrews
Head of Story
Brad Bird
Writer
Oct 24, 2004
El Capitan Theatre
Nov 5, 2004
Mar 15, 2005
DVD / VHS
Apr 12, 2011
Blu-ray
Jun 5, 2018
4K Blu-ray
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Bicara Cinta
2020
The Pied Pipers of Harlow
1965
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Battle your watched movies head-to-head
Community Top Movies
Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
Halloween II
1981 · 11 wins
Trivia
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