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After Yang
A24 A24
Cinereach Cinereach
Per Capita Productions Per Capita Productions

Not part of a collection.

After Yang

The future has never looked so human.

2022 96 min ★ 6.4 (542) Released
Drama Science Fiction

When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.

Original title
After Yang
Language
EN
Country
US
Budget
Revenue
$131,465
Reviews & Ratings 6
r96sk

r96sk

Jan 13, 2025 · via TMDB

★ 7.0

<em>'After Yang'</em> is a good movie, plain and simple. My only negative would be how slow paced it is, like I definitely get why it is portrayed the way it is and it has its benefits in certain moments. However, it did take me out of events onscreen here and there. That aside, it's a well made film; there's plenty to chew on in terms of what it's attempting to tell. Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja and Justin H. Min all do good work on the cast, while both the futuristic setting and the editing are further positives for this flick. I won't lie and say I loved it, because I didn't, but I'm glad I watched it.

M

MarciaClarke

Jan 6, 2024 · via TMDB

★ 6.0

Near future sci-fi that's a reflection not just on how our relationship with tech and AI might change, but also on how tech and AI can change our relationships with other people. Lots of dream like memory sequences with an effective soundtrack and visuals. Not bad, not great, a bit slow maybe.

Nathan

Nathan

Nov 25, 2022 · via TMDB

★ 6.0

I really liked what _After Yang_ was attempting to do. There was a really deep, interesting story about loss, but unfortunately the weight of the topic drowned this movie. The movie was barely 90 minutes long and it felt like eternity watching. The emotional impact was destroyed by the slow pacing. In my opinion, this movie had no business being as long as it did. There was not enough material in order to make a feature length film and would have been better suited at a short film. **Score:** _57%_ | **Verdict:** _Decent_

CinemaSerf

CinemaSerf

Sep 24, 2022 · via TMDB

★ 6.0

When a futuristic family are doing their daily exercise regime one morning, the robotic companion for the young "Mika" (Malea Emma Tjandrawidjaja) has a bit of a freeze. Pestered by the - frankly annoying - child, mum (Jodie Turner-Smith) and dad (Colin Farrell) decide it has to be fixed, so the latter takes it to a friend of a friend after it transpires their warranty doesn't cover "core" failure. Anyway, his new diagnostician suspects that the chip that controls the young "Yang" might contain secret spyware - and suggests that he goes to visit a scientist who might be able to open up the chip and get to the truth. It's got elements of iRobot (2004) to it, but otherwise I found it all a little too sterile. The story is delivered via flashbacks mixed within the contemporaneous plot, but essentially this is just a rather dry observation of a fairly unremarkable family whose toy has broken down. Such more sinister elements to the film as there are - a few big brother-esque themes - are largely undercooked. There is hardly any of Turner-Smith on screen, and what there is doesn't gel at all well with a Farrell who has lost much of his on-screen charisma and is now little better than a jobbing actor whose face we recognise. Perhaps it does tell us something about love and of the nature of affection, but only superficially and I can't say I found there to be much to write about with this. Sorry - it will look fine on the television, I wouldn't bother a cinema with it.

T

tmdb28039023

Aug 28, 2022 · via TMDB

★ 2.0

I’m unsure what After Yang tries to accomplish (does it want to be a cautionary tale about the evils of privacy-violating technology? A gentle meditation on the nature of memory? The manifesto for a hypothetical AndroidLivesMatter movement?), but I do know that whatever it is, it fails – just like Jake (Colin Farrell) and Kyra (Jodie Turner-Smith) fail to parent their little daughter Mika (Malea Emma Tjandrawidjaja). The movie takes place in an indeterminate future where it is possible to buy “an older sibling for Chinese adoptions” (a possibility that is oddly specific). Some years before the events of the film, Jake and Kyra “bought Yang [Justin H. Min] to connect Mika to her Chinese heritage”; or, as Jake puts it, “teach her Chinese fun facts.” Pray tell, ¿why couldn’t they just have adopted two Chinese children, and have one be older than the other? Also, if they really want Mika to connect with her Chinese heritage, how about giving her a name that is, you know, Chinese? Though to be fair to writer/director Kogonada, I think Jake and Kyra are actually meant to be terrible parents; the real problem is that they don’t seem get any better at it by the end of the movie. But let’s start with the beginning; after what appears to be a nationwide, or maybe even worldwide, rhythm-matching game in which “over 30,000 families” participate (the opening credits are accompanied by a montage of the film’s characters and their families engaging in this competition, suggesting an entirely different movie than the one we are about to watch), Yang conks out, setting the plot, such as it is, in motion. Jake goes to a few places to have Yang repaired, and in the process the element of spyware is introduced, only to be quickly abandoned in favor of Yang’s “memory bank”. You see, “The memory banks allowed the technos [or techno-sapiens] to record a few seconds each day. The labs were trying to understand what technos considered memorable.” This raises a number of questions that the movie can’t be bothered to bring up, let alone answer. Are these “few seconds” all that the technos ‘remember’ from each day? And if so, does that mean that whatever they don’t record is as good as if it never happened? And wouldn’t that leave them with the memory retention of a goldfish (or that of Guy Pearce in Memento)? Not exactly the kind of carer I would want to entrust my infant daughter with. Moreover, since we only see Yang interacting with the other characters in random snippets that make his life seem like a Terrence Malick film, we are unable to piece together exactly why he was so important to them. All things considered, I would have been more interested in the Before and the During than in the After Yang.

M

Manuel São Bento

Feb 21, 2022 · via TMDB

★ 8.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/after-yang-spoiler-free-review-sundance-2022 "After Yang may have some pacing issues, but Kogonada's beautifully thoughtful storytelling and ASKA's unforgettable, tear-inducing score transform this piece into a contemplative, inspirational cinematic experience. A profound, sincere study of what it means to be a family, what it means to be loved, and how important it is to remember where we come from. A fascinating look into the core of humanity through the heart of a robot - both literally and figuratively. Exceptional performances, but Colin Farrell stands out with a subtle yet potent performance. Occasionally, it loses itself amid its admittedly gorgeous wide, static shots. Still memorable, nonetheless." Rating: B+

User reviews courtesy of TMDB.

Keywords 17
adopted child adoptive father based on novel or book father father daughter relationship future futuristic futuristic car futuristic vehicle grief humanoid robot loss loss of loved one memory mourning robot self-driving car
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Cast 18
Justin H. Min

Justin H. Min

Yang

Malea Emma Tjandrawidjaja

Malea Emma Tjandrawidjaja

Mika

Colin Farrell

Colin Farrell

Jake

Jodie Turner-Smith

Jodie Turner-Smith

Kyra

Haley Lu Richardson

Haley Lu Richardson

Ada

Sarita Choudhury

Sarita Choudhury

Cleo

Ritchie Coster

Ritchie Coster

Russ

Clifton Collins Jr.

Clifton Collins Jr.

George

Orlagh Cassidy

Orlagh Cassidy

Lillian

Ava DeMary

Ava DeMary

Vicky

Brett Dier

Brett Dier

Aaron

Eve Lindley

Eve Lindley

Faye

Nana Mensah

Nana Mensah

Nico

An-Li Bogan

An-Li Bogan

Ling

Deborah Hedwall

Deborah Hedwall

Nancy

Katie Honaker

Katie Honaker

Min's Mother

Taylor Ortega

Taylor Ortega

Jasmine (uncredited)

Jae Kim

Jae Kim

Adult Min (uncredited)

Crew 15
Teddy Blanks

Teddy Blanks

Title Designer

Benjamin Loeb

Benjamin Loeb

Director of Photography

Celia Rowlson-Hall

Celia Rowlson-Hall

Choreographer

Ari Aster

Ari Aster

Thanks

Lars Knudsen

Lars Knudsen

Thanks

Kogonada

Kogonada

Director

Kogonada

Kogonada

Editor

Andrew Goldman

Andrew Goldman

Producer

Theresa Park

Theresa Park

Producer

Taylor Shung

Taylor Shung

Unit Production Manager

Mark DeSimone

Mark DeSimone

ADR Mixer

Jo Caron

Jo Caron

Foley Mixer

Ryuichi Sakamoto

Ryuichi Sakamoto

Main Title Theme Composer

Mitski

Mitski

Songs

Kogonada

Kogonada

Writer

Gallery 75
Videos 7
Similar Movies 197
US Release Dates 3

Jan 21, 2022

Sundance Film Festival (Virtual)

Digital

Mar 4, 2022

Showtime

PG TV

Jun 7, 2022

PG Digital

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🥇 Evil Dead II

Evil Dead II

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