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A24
Cinereach
Per Capita Productions
Not part of a collection.
The future has never looked so human.
When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.
r96sk
Jan 13, 2025 · via TMDB
<em>'After Yang'</em> is a good movie, plain and simple. My only negative would be how slow paced it is, like I definitely get why it is portrayed the way it is and it has its benefits in certain moments. However, it did take me out of events onscreen here and there. That aside, it's a well made film; there's plenty to chew on in terms of what it's attempting to tell. Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja and Justin H. Min all do good work on the cast, while both the futuristic setting and the editing are further positives for this flick. I won't lie and say I loved it, because I didn't, but I'm glad I watched it.
MarciaClarke
Jan 6, 2024 · via TMDB
Near future sci-fi that's a reflection not just on how our relationship with tech and AI might change, but also on how tech and AI can change our relationships with other people. Lots of dream like memory sequences with an effective soundtrack and visuals. Not bad, not great, a bit slow maybe.
Nathan
Nov 25, 2022 · via TMDB
I really liked what _After Yang_ was attempting to do. There was a really deep, interesting story about loss, but unfortunately the weight of the topic drowned this movie. The movie was barely 90 minutes long and it felt like eternity watching. The emotional impact was destroyed by the slow pacing. In my opinion, this movie had no business being as long as it did. There was not enough material in order to make a feature length film and would have been better suited at a short film. **Score:** _57%_ | **Verdict:** _Decent_
CinemaSerf
Sep 24, 2022 · via TMDB
When a futuristic family are doing their daily exercise regime one morning, the robotic companion for the young "Mika" (Malea Emma Tjandrawidjaja) has a bit of a freeze. Pestered by the - frankly annoying - child, mum (Jodie Turner-Smith) and dad (Colin Farrell) decide it has to be fixed, so the latter takes it to a friend of a friend after it transpires their warranty doesn't cover "core" failure. Anyway, his new diagnostician suspects that the chip that controls the young "Yang" might contain secret spyware - and suggests that he goes to visit a scientist who might be able to open up the chip and get to the truth. It's got elements of iRobot (2004) to it, but otherwise I found it all a little too sterile. The story is delivered via flashbacks mixed within the contemporaneous plot, but essentially this is just a rather dry observation of a fairly unremarkable family whose toy has broken down. Such more sinister elements to the film as there are - a few big brother-esque themes - are largely undercooked. There is hardly any of Turner-Smith on screen, and what there is doesn't gel at all well with a Farrell who has lost much of his on-screen charisma and is now little better than a jobbing actor whose face we recognise. Perhaps it does tell us something about love and of the nature of affection, but only superficially and I can't say I found there to be much to write about with this. Sorry - it will look fine on the television, I wouldn't bother a cinema with it.
tmdb28039023
Aug 28, 2022 · via TMDB
I’m unsure what After Yang tries to accomplish (does it want to be a cautionary tale about the evils of privacy-violating technology? A gentle meditation on the nature of memory? The manifesto for a hypothetical AndroidLivesMatter movement?), but I do know that whatever it is, it fails – just like Jake (Colin Farrell) and Kyra (Jodie Turner-Smith) fail to parent their little daughter Mika (Malea Emma Tjandrawidjaja). The movie takes place in an indeterminate future where it is possible to buy “an older sibling for Chinese adoptions” (a possibility that is oddly specific). Some years before the events of the film, Jake and Kyra “bought Yang [Justin H. Min] to connect Mika to her Chinese heritage”; or, as Jake puts it, “teach her Chinese fun facts.” Pray tell, ¿why couldn’t they just have adopted two Chinese children, and have one be older than the other? Also, if they really want Mika to connect with her Chinese heritage, how about giving her a name that is, you know, Chinese? Though to be fair to writer/director Kogonada, I think Jake and Kyra are actually meant to be terrible parents; the real problem is that they don’t seem get any better at it by the end of the movie. But let’s start with the beginning; after what appears to be a nationwide, or maybe even worldwide, rhythm-matching game in which “over 30,000 families” participate (the opening credits are accompanied by a montage of the film’s characters and their families engaging in this competition, suggesting an entirely different movie than the one we are about to watch), Yang conks out, setting the plot, such as it is, in motion. Jake goes to a few places to have Yang repaired, and in the process the element of spyware is introduced, only to be quickly abandoned in favor of Yang’s “memory bank”. You see, “The memory banks allowed the technos [or techno-sapiens] to record a few seconds each day. The labs were trying to understand what technos considered memorable.” This raises a number of questions that the movie can’t be bothered to bring up, let alone answer. Are these “few seconds” all that the technos ‘remember’ from each day? And if so, does that mean that whatever they don’t record is as good as if it never happened? And wouldn’t that leave them with the memory retention of a goldfish (or that of Guy Pearce in Memento)? Not exactly the kind of carer I would want to entrust my infant daughter with. Moreover, since we only see Yang interacting with the other characters in random snippets that make his life seem like a Terrence Malick film, we are unable to piece together exactly why he was so important to them. All things considered, I would have been more interested in the Before and the During than in the After Yang.
Manuel São Bento
Feb 21, 2022 · via TMDB
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/after-yang-spoiler-free-review-sundance-2022 "After Yang may have some pacing issues, but Kogonada's beautifully thoughtful storytelling and ASKA's unforgettable, tear-inducing score transform this piece into a contemplative, inspirational cinematic experience. A profound, sincere study of what it means to be a family, what it means to be loved, and how important it is to remember where we come from. A fascinating look into the core of humanity through the heart of a robot - both literally and figuratively. Exceptional performances, but Colin Farrell stands out with a subtle yet potent performance. Occasionally, it loses itself amid its admittedly gorgeous wide, static shots. Still memorable, nonetheless." Rating: B+
User reviews courtesy of TMDB.
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Amazon Video
Apple TV Store
Google Play Movies
YouTube
Fandango At Home
Spectrum On Demand
Justin H. Min
Yang
Malea Emma Tjandrawidjaja
Mika
Colin Farrell
Jake
Jodie Turner-Smith
Kyra
Haley Lu Richardson
Ada
Sarita Choudhury
Cleo
Ritchie Coster
Russ
Clifton Collins Jr.
George
Orlagh Cassidy
Lillian
Ava DeMary
Vicky
Brett Dier
Aaron
Eve Lindley
Faye
Nana Mensah
Nico
An-Li Bogan
Ling
Deborah Hedwall
Nancy
Katie Honaker
Min's Mother
Taylor Ortega
Jasmine (uncredited)
Jae Kim
Adult Min (uncredited)
Teddy Blanks
Title Designer
Benjamin Loeb
Director of Photography
Celia Rowlson-Hall
Choreographer
Ari Aster
Thanks
Lars Knudsen
Thanks
Kogonada
Director
Kogonada
Editor
Andrew Goldman
Producer
Theresa Park
Producer
Taylor Shung
Unit Production Manager
Mark DeSimone
ADR Mixer
Jo Caron
Foley Mixer
Ryuichi Sakamoto
Main Title Theme Composer
Mitski
Songs
Kogonada
Writer
Jan 21, 2022
Sundance Film Festival (Virtual)
Mar 4, 2022
Showtime
Jun 7, 2022
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Seven Dorms of Death
2015
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1982
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Battle your watched movies head-to-head
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Evil Dead II
1987 · 14 wins
The Dark Knight
2008 · 14 wins
Halloween
1978 · 13 wins
Final Destination
2000 · 12 wins
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1981 · 11 wins
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